Kick-Ass
Written by
Vaughn
Vaughn
Vaughn Movie Reviews
Blog Posts That Mention Vaughn
Short Films in Focus: A Film by Vera Vaughn
Committed to the Mission: Vince Vaughn on “Hacksaw Ridge”
Tribeca 2026: The Documentaries
12 Films We Can’t Wait to See at the SXSW Film Festival
HBO’s “Rooster” is Almost an Endearing Comedy
An Anatomy of a Fleece: Why “Heated Rivalry” Fans Have Latched Onto its Very Canadian Jacket
Sundance Film Festival Announces 2026 Line-Up
TIFF 2025: A Canadian Viewpoint on the Toronto International Film Festival at 50
Shark Attack: “Jaws” Remains as Entertaining as It Was 50 Years Ago
SXSW Film Festival 2025: Redux Redux, Descendent, The Surrender
What to Watch on Netflix: March 2025
Ebertfest Adds Barbara Kopple’s Academy Award Winner “Harlan County U.S.A.”
Nothing Left to Prove: Quincy Jones (1933-2024)
Apple TV+’s Bad Monkey Struggles to Find Its Voice
Anchorman Wouldn’t Have Been Nearly as Great Without Christina Applegate
Flying to the Moon: Ten Films About the Apollo Program
Speed Kills: On the 25th Anniversary of Go
XL Film Festival & Summit 2023: Highlights of an Ambitious New Event
The King of the Night: Kevin Conroy (1955-2022)
Home Entertainment Guide: March 2022
Black History Month Movie Mogul: Troy Pryor
Chicago Humanities Festival 2021 Highlights Include Jazz Vocalist Tammy McCann
CANCELLED: Chicago Humanities Festival to Present Ron and Clint Howard in Conversation with Chaz Ebert
Home Entertainment Guide: February 2021
Home Entertainment Guide: November 2020
Thumbnails 6/29/20
The Best Scores of the Decade
Robert Evans: 1930-2019
TIFF 2019: Just Mercy, The Aeronauts, Seberg
S. Craig Zahler on Dragged Across Concrete, Casting Mel Gibson, His Writing Process and More
A British Celebration of Failure: Stephen Merchant on Fighting with My Family
Venice Film Festival 2018: Vox Lux, Dragged Across Concrete, At Eternity’s Gate
Home Entertainment Consumer Guide: January 4, 2018
The Great Performances of 2017
Venice Film Festival 2017: “Our Souls at Night,” “Brawl in Cell Block 99,” “Zama”
Much More than “Star Wars”: The Cinema of ’77 Strikes Back at Film Society of Lincoln Center
Pure, Unadulterated Fun: “Mystery Science Theater 3000” is Revived on Netflix
Ebert Fellows at Ebertfest 2017
RogerEbert.com’s Coverage of 2017 Oscar-Nominated Films: Table of Contents
Ebert Fellows Announced for Sundance 2017
Holiday Gift Guide 2016
Venice Film Festival 2016: “Hacksaw Ridge”
Ebertfest, Musicality Honored at HFPA’s Annual Grants Banquet
Bright Wall/Dark Room April 2016: “An Attempt at Something” by Matt Brennan
WonderCon 2016: “Bordertown” & “iZombie”
Charismatic Leads Make For an Engaging “The Catch”
An Oral History of TIFF
Keep Moving!: The Films of Richard Lester.
The Unloved, Part 20: Down with Love and The Break-up
Who’s Who In Reviews: Peter Sobczynski
Painting with sound: the music of James Horner, 1953-2015
New Season of “True Detective’ Stands in Shadow of First
Home Entertainment Consumer Guide: May 21, 2015
Netflix Continues Remarkable Run with Funny “Grace and Frankie”
Book Review: “Chappie: The Art of the Movie”
Home Entertainment Consumer Guide: September 25, 2014
Thumbnails 7/28/14
Comic-Con 2014: “Kingsman: The Secret Service”
Toronto International Film Festival 2013: Day Three
Thumbnails 8/20/2013
Thumbnails 6/8/2013
the Your Movie Sucks™ files
TIFF 2007: Grizzly boy
The “gay” Dilemma: If it’s a joke, what does it mean?
TIFF 2007: Madmen and lawyers
To those who were offended…
‘The Break-Up’ & ‘Superman Returns’: Not what you think
No fatties
The rise and decline of the superhero
There’s Something About Cherry
Sundance #2: ‘The Matador’ springs a sunny surprise
Immigrants’ hope turns to hardship in gritty ‘City’
An ‘Inconvenient’ statement
