There might have been more power—and beauty—in a more understated approach all around.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A review of the new FX series, "Pose."
A review of the new USA mini-series about the murders of Tupac Shakur and The Notorious B.I.G. from a director of American Crime Story.
A review of the latest crime mini-series from Ryan Murphy.
A review of two new FOX shows, one promising and one horrendous.
A look at all of the new shows on network TV this fall.
A review of the seventh season of "American Horror Story," the best in years.
An interview with Alexandre O. Philippe, director of "78/52," at Hot Docs 2017.
A report on three films from the second weekend of the Tribeca Film Festival.
A review of FX's new mini-series, "Feud: Bette & Joan."
Our TV critic picks the best shows of 2016.
A review of "Dekalog," newly restored and released by The Criterion Collection.
A TV critic's picks for the best TV of 2015-16.
A review of FX's “The People vs. OJ Simpson: American Crime Story.”
A review of the premiere of "American Horror Story: Hotel."
A TV review of two new film-inspired series from FOX, "Minority Report" and "Scream Queens."
A preview of the Fall network TV season, including our pick for the best new show on each channel.
The latest and greatest on Blu-ray and streaming services, including "The Killers," "While We're Young," "Home," "Maggie," "Danny Collins," and more!
"Twin Peaks" returns; Is Cancellation Bear unbearable?; Richard Kelly on "Gone Girl"; MZS on "American Horror Show"; Remembering Geoffrey Holder.
"American Horror Story" is back with its 4th outing, "Freak Show."
Fantastic performances balance out Ryan Murphy and Larry Kramer’s melodramatic approach to the history of the AIDS crisis in HBO’s highly-anticipated "The Normal Heart," premiering Sunday, May 25th, 2014.
Paul Walker's digital double; Why Godzilla is still king; The legacy of "Mr. Smith Goes to Washington"; Larry Kramer on "The Normal Heart" movie; How internet journalism destroyed Tom Cruise.
Marie writes: what do you get a man with a massive book collection who has artwork by Edward Lear and huge canvases by Gillian Ayres? What would a man with a Pulitzer and a Webby now renowned for the verbosity of his tweeting, like for his birthday? Much pondering went into answering that. Until suddenly a light-bulb went on above my head! (Click image.)Of course! It's so obvious - turn the Grand Poobah into a super hero! Super Critic: battling the forces of bad movies and championing the little guy, while tweeting where no critic has gone before! In the process, we'll get to see him wearing a red cape and blue tights. Perfect.Note: the artwork was done by Dave Fox of INTOON Productions. He makes personalized comic book covers and animation cels. Diane Kremmer, a long time friend and fellow artist, works and lives with Dave on Pender Island (one of the Gulf Islands off the coast of BC near Washington State.) I spent last weekend with them and took advantage of Dave's cartooning skills. I mention this because he did all the work. I just sat there and drank his wine. :-)
Q. I was puzzled to see only one entry for "Beauty and the Beast" under your Great Movies listing, and while Jean Cocteau's magical 1946 film certainly deserves its status, I was sorely disappointed in the exclusion of the Disney version. I cannot think of a reason why you do not consider Disney's film a Great Movie. Company biases? I would hope a pundit of your standing would be above that. Maybe because there's already a Great Movie called "Beauty and the Beast"?
Q. I recently came across a post on gawker.com which claimed to contain an excerpt from the worst movie review of all time. The review is for the new Paul Rudd comedy "Role Models" and was written by (name withheld) of FHMOnline.com. Could this be the worst review ever done by a "professional" writer? Also, the article claimed (name withheld) was paid handsomely for writing this drivel. What does that say about the state of film criticism in America when major critics are losing their jobs while rubbish like this is published and paid for?