Wendell & Wild
Wild (voice)
Jordan Peele
Jordan Peele
Jordan Peele Movie Reviews
Blog Posts That Mention Jordan Peele
Five Years Later, Us is Jordan Peele’s Defining Puzzle
Henry Selick on Wendell & Wild, Collaborating with Jordan Peele, Making Supernatural Social Commentary, and More
In Jordan Peele’s Nope, the Darkness Stares Back
Jordan Peele’s Take on The Twilight Zone Struggles to Find its Purpose in Season Two
Hate Across America: On the True Nightmare Underneath Jordan Peele’s Us
Jordan Peele’s Reboot of The Twilight Zone Lives Up to Original
Amazon Prime’s Hunters Embraces Grindhouse Style
The Best Films of the 2010s: Get Out
Five Episodes of The Twilight Zone to Watch After Seeing Us
SXSW 2016: “In a Valley of Violence,” “Keanu,” “War on Everyone”
This Year’s Ebert Fellows Reflect on the 2026 True/False Film Festival
Apple’s Twisted “Widow’s Bay” is Like Nothing Else on Television
“Get Out” Star Betty Gabriel and “Nuremberg” Director James Vanderbilt to Attend Ebertfest 2026
Full Schedule for Ebertfest 2026 Released and Individual Tickets Now On Sale
Ebertfest Announces Expanded Lineup, Special Guests, and Final Festival Programming for “The Last Dance” Edition
Life Within the Lens Celebrates Black Filmmaking
The Ten Best Films of 2025
How to Define Freedom: Nia DaCosta on “Hedda”
Meet the Writers: Cortlyn Kelly
What to Watch on Netflix: June 2025
Robert Daniels & Odie Henderson Talk Sinners
If We Picked the Winners: The 97th Academy Awards
The Metaphor Years: Writing Lessons from “The Twilight Zone”
Fantastic Fest 2024: The Fall, The Birthday, Wake in Fright
The Artful Tenderness of A Quiet Place: Day One
Hollywood Continues to Fail Its Black Final Girls
No Matter How Big He Gets, David Dastmalchian Still Wants to Scare You
The Return of 70MM
A Farewell and Tribute to Our Senior Editor, Nick Allen
Hulu’s The Other Black Girl Crumbles Under the Weight of Modern Black Horror Tropes
Apple TV+’s The Changeling Lets Down Its Flawless, Profound Performances
Horror Movies and The Fate of the Black Man
Cannes 2023: DePaul University/CHA Youth Resident Filmmakers Isis Gullette, Unique Moore and Christal Westmoreland Arrive in the Riviera
Cinema Femme Short Film Festival to Have First In-Person Screenings at the Music Box Theatre
Women Writers Week 2023: Table of Contents
The Oneness of All Things: On Sofia Alaoui’s Animalia
Hunters Finishes the Chase With a Scattered Final Season
The Great Filmmaking Craft of 2022
The Great Performances of 2022
The Ten Best Films of 2022
Home Entertainment Guide: Horror Movie Edition
20 Films We Can’t Wait to See in Toronto
Home Entertainment Guide: August 2022
You Get Hurt or You Get Injured: J.J. Perry on Day Shift
Five Movies to See OIT (Only in Theaters)
Sundance 2022: Master, Emergency, 892
The Candyman Experience Arrives in Chicago This Weekend
A Look Back at Tribeca 2021: The Narrative Features
Reprise: The Evolution of Afrofuturism: Black Power, Black Love, Black Superheroes and Magic
The New Black Film Rebellion
Look Away, Look Away
Meet the Writers of Black Writers Week 2021
Why Representation Won’t Bring Change to the Oscars
The 2020 Frontrunners for Best Director
A Seat at the Table: The State of International Horror in 2020
Touring Masterworks: Adam Nayman Discusses His New Book on Paul Thomas Anderson
Don’t Bother Getting Up for Hulu’s Woke
HBO’s Lovecraft Country is Wicked Smart Television
The World We’re Living In: Dave Franco on The Rental
Upholding Black Voices: An Annotated Table of Contents
How Trump and #MeToo Have Scared Us into the New Decade
Home Entertainment Guide: February 20, 2020
We Are Made to Feel Ashamed of Ourselves: Justin Simien on Bad Hair
Gil Robertson Talks to Chaz Ebert About the Importance of the African American Film Critics Awards and AAFCA
The Great Performances of 2019
Chaz Ebert’s Top 10 Films (And Then Some) of 2019
The Ten Best Films of 2019
Seventh Row Publishes Beyond Empowertainment, a Critical Study of Feminism in Horror
The Best Films of the 2010s
Home Entertainment Guide: July 25, 2019
Viewing Midsommar, Us, and Lords of Chaos Through the Persona Filter
Home Entertainment Consumer Guide: June 27, 2019
Moving Past Compton: How O’Shea Jackson Jr. is Taking His Long Shot
What’s Next: Avengers, MCU, Game of Thrones, and the Content Endgame
SXSW 2019: Pink Wall, Villains, Sword of Trust
The Most Unforgettable Episodes of The Twilight Zone
Sundance 2019: Wu-Tang Clan: Of Mics and Men, Lorena
Home Entertainment Consumer Guide: November 29, 2018
Home Entertainment Consumer Guide: November 8, 2018
Kevin Williamson’s Tell Me a Story Will Put You to Sleep
25 Underrated Horror Films For Halloween
The Most Stressful Time in Our Lives: Ike Barinholtz on The Oath
Deliriously Raunchy Big Mouth Returns For Second Season
The Screens are Alright: Aneesh Chaganty and Sev Ohanian on Searching
That is How People Talk: John David Washington on “BlacKkKlansman”
A Dope Gift To Have: Lil Rel Howery on Uncle Drew and Get Out
Thumbnails Special Edition: Where Are Our Diverse Voices in Film Criticism
2018 Summer Movie Preview: 10 Films We’re Excited About
Home Entertainment Consumer Guide: March 22, 2018
We’re Still the Lunatics: A Special Edition of The ‘Burbs
The Shape of Water, Three Billboards Win Big at 90th Oscars
Inclusion Rider: Backstage at the 90th Academy Awards
Get Out, Three Billboards Win Big at 2018 Film Independent Spirit Awards
If We Picked the Winners 2018: Best Picture
If We Picked the Winners 2018: Best Original Screenplay
If We Picked the Winners 2018
Greta Gerwig Joins Short Legacy of Female Best Director Nominees
Sundance 2018: Eighth Grade, The Miseducation of Cameron Post
The Shape of Water Tops 2018 Oscar Nominees
