Great Movies
Chaz's Journal
My Happy Place at the Movie Theater During the Pandemic: Part III
The third installment of Chaz Ebert's Happy Place column recounts her experience of returning to the movie theater during the pandemic after a five-month absence.
The third installment of Chaz Ebert's Happy Place column recounts her experience of returning to the movie theater during the pandemic after a five-month absence.
On the tenth anniversary of one of the best films of the 2010s, now opening in 70MM.
The latest and greatest on Blu-ray and DVD, including The Neon Demon, The Wailing, Central Intelligence, and more.
A preview of the 2016 version of the Chicago film lovers' event, including more than two dozen Chicago premieres.
Woody Allen on "Cafe Society"; Andrew McCarthy on directing TV; Movies about women impossible to finance; Terry Eagleton on Christianity and communism; Anna Karina on Godard.
A piece on how Deadpool could bring back the R-rated blockbuster and when it really mattered.
The latest and greatest on Blu-ray and DVD, including "Bridge of Spies," "Chi-Raq," "Suffragette," "Truth" and more.
Reviews from Sundance 2016 of US Dramatic Main Competition titles "Tallulah," "The Intervention" and "Joshy."
An interview with director Reed Morano about her film "Meadowland."
Martin Stirling's "Most Shocking Second a Day Video"; Queer films about straight people; Misunderstood "GoodFellas"; Chatting with Steve Kloves; Sex in David Lynch films.
A TIFF 2015 review of two films starring Ellen Page, Into the Forest and Freeheld.
An overview of the films that will be theatrically released in the 2015 fall season.
A report on the Hollywood Foreign Press Association's upcoming grants banquet on August 13th.
R.I.P. David Carr; Kanye West: the biggest loser; Popcorn porn: "Fifty Shades" and "Kingsman"; Tilda Swinton's speech at Rothko Chapel; The film that Goebbels feared.
A collection of quotes from filmmakers and critics honoring Roger's memory.
A career view on Bill Murray; Personally connecting to Her; An editor from The New Yorker waxes poetic on aging, intimacy and death; Long takes on television; and a Hollywood desert land.
The comment on Godard's 'No Comment'; Polanski's victim offers some advice to Dylan Farrow; the comedy club theory of dictatorship; Shia's brand new bag.
For serious cinema fans, romantic comedy have become dirty words in the post-Meg Ryan era. That's what makes the films of Seattle-based indie writer-director Lynn Shelton so refreshing: They're romantic and comedic without ever being formulaic.
