An interview with director/co-writer Dave Franco and co-writer/star Alison Brie about their new romantic comedy, "Somebody I Used to Know."
A feature on the Golden Globe winners and SAG, DGA, and PGA nominees, and what it says about this year's Oscar race.
An article about Kevin Frazier and Nischelle Turner becoming the first Black hosts of the 2023 Palm Springs International Film Awards featuring Steven Spielberg, Danielle Deadwyler, Viola Davis, Brendan Fraser and more.
An extensive look at will be screening at this year's Chicago International Film Festival, which takes place from October 12-23.
A feature on how TIFF, Venice, and Telluride launched the Oscar conversation for several major films.
Second opinions on two of the biggest films of fest season, a pair of dramas that have already won awards.
Matt writes: The Toronto International Film Festival kicked off on September 8th and runs through Sunday, September 18th.
An article about the upcoming TIFF Tribute Awards gala on Sunday, September 11th, in which Oscar-winner Sam Mendes will receive the TIFF Ebert Director Award.
On two dozen of our favorite performances of 2021.
An essay by Frank Falisi about Bugs Bunny and Daffy Duck, as excerpted from the latest edition of Bright Wall/Dark Room.
What our TV critic would nominate for Emmys for the 2017-18 season.
I see a movie almost every year on my birthday; some are better than others.
Director Bill Condon talks about telling true stories, and why we are all fascinated with them.
Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...
Marie writes: If I have a favorite festival, it's SXSW and which is actually a convergence of film, music and emerging technologies. However it's the festival's penchant for screening "quirky" Indie movies which really sets my heart pounding and in anticipation of seeing the next Wes Anderson or Charlie Kaufman. So from now until March, I'll be tracking down the best with the zeal of a Jack Russell terrier! Especially since learning that Joss Whedon's modern B/W take on Shakespeare's "Much Ado About Nothing" is set to screen at SXSW 2013 in advance of its June 21st US release date; they'll cut an official trailer soon, rubbing hands together!