Carlos
Written by
Assayas
Assayas Movie Reviews
Blog Posts That Mention Assayas
Olivier Assayas, Alicia Vikander Are Having a Blast in HBO’s Irma Vep
Olivier Assayas on Non-Fiction, Working with Juliette Binoche, Streaming vs. Theatrical and More
Unlimited Potential: Olivier Assayas on “Personal Shopper”
Cannes, Day Ten: Olivier Assayas’ “Clouds of Sils Maria”
A Preview of the 2025 Rendez-Vous with French Cinema
New York Film Festival 2024: Preview and Thoughts on “The Brutalist,” “The Seed of the Sacred Fig”
Cannes 2024: The Substance, Visiting Hours
Criterion Celebrates the Films That Forever Shifted Our Perception of Kristen Stewart
10 Films We Can’t Wait to See at Berlin 2024
The 25 Best TV Series of 2022
NYFF 2022: Return to Seoul, She Said, Exterior Night
From Kristen Stewart to Benedict Cumberbatch: Tribute Highlights from the Santa Barbara International Film Festival 2022
KVIFF 2021: The Worst Person in the World and a Conversation with Radu Jude
Home Entertainment Guide: May 2021
Book Excerpt: In Their Own Words: Fiction Directors by Alex Heeney
The 4-Star Films of 2019
Seventh Row Publishes Beyond Empowertainment, a Critical Study of Feminism in Horror
TIFF 2019: Harriet, Wasp Network, Guns Akimbo
CIFF 2018: Transit, Non-Fiction
45 Movies to see at the 54th Chicago International Film Festival
CIFF 2018: Preview of the 54th Chicago International Film Festival
TIFF 2018: Claire Denis Brings High Life to Toronto, Accepts Ebert Tribute
TIFF 2018: A Faithful Man, Non-Fiction
Venice Film Festival 2018: Suspiria, Peterloo, The Ballad of Buster Scruggs, Non-Fiction
Believing in Ingmar Bergman’s Cinema
Thumbnails 7/20/18
The Individual Top Tens of 2017
The Ten Best Films of 2017
Home Entertainment Consumer Guide: November 2, 2017
Charles Taylor on His New Book, “Opening Wednesday at a Theater or Drive-In Near You”
Bright Wall/Dark Room June 2017: “Of Meat & Mediums” by Kelsey Ford
Cannes 2017: “Based on a True Story”
Replicating the Ambiguity of Life: Cristian Mungiu on “Graduation”
Thumbnails 3/17/17
Non-Stop Action, Festival Favorites and More: A Winter 2017 Film Preview
TIFF 2016: Cannes Hits Come to Toronto
TIFF 2016: “Lion,” “Mean Dreams,” “Planetarium,” “Norman”
TIFF 2016 Preview: 20 World Premieres We Can’t Wait to See
Feel It All: Drake Doremus on “Equals”
Home Entertainment Consumer Guide: July 7, 2016
Thumbnails 5/24/16
Ken Loach’s “I, Daniel Blake” wins Palme d’Or at Cannes 2016
Cannes 2016: “Graduation,” “The Neon Demon”
Cannes 2016: “Personal Shopper,” “Loving”
Cannes 2016: Alterna-Cannes 2016 and Pablo Larrain’s “Neruda”
Cannes 2016: Festival Preview
“La Dolce Vita” No More: On The Current State of Foreign-Language Film Distribution
Alliance of Women Film Journalists Announce 2015 EDA Winners
A Living Cinematic Organism: Stephen Cone on “Henry Gamble’s Birthday Party”
The Best Performances of 2015
Solidarity of Cinema: Kent Jones on “Hitchcock/Truffaut”
TIFF 2015: “Our Last Tango,” “Hitchcock/Truffaut,” “Miss Sharon Jones!”
Telluride 2015: “Hitchcock/Truffaut”
Home Entertainment Consumer Guide: July 23, 2015
Love and Art: A Discussion with Mia Hansen-Løve
Thumbnails 4/24/15
The Moral Unknown: “L’avventura” as Influential Text on “Clouds of Sils Maria” & “About Elly”
Home Entertainment Consumer Guide: December 5, 2014
Thumbnails 11/7/14
NYFF 2014: My Favorite Year
CIFF 2014 Tribute: Isabelle Huppert
2014 Chicago International Film Festival Preview
NYFF 2014: “Eden,” “Horse Money” Use Fest to Build Stateside Buzz
TIFF 2014: Notes From Odie’s TIFF Diary
TIFF 2014: Traveling in a Darkened Theater
Chloë Grace Moretz, Gayle Forman and Jamie Blackley on “If I Stay”
Cannes 2014: a debate
Cannes Wrap-Up: All of Our 2014 Coverage
Blu-ray Consumer Guide: May 2014
Cannes 2014 Coverage: Table of Contents
Cannes 2014 Preview: Legendary Directors Lead Impressive Festival Line-up
Thumbnails 4/17/14
Top Ten Lists of 2013 From Our Contributors
True love and self-destruction: Early Fassbinder on DVD
Fresh blood: Three Great Directors of Direct-to-Video Action
recent Two Thumbs Up® reviews
The Best Films of 2010
“Hurt Locker” wins 3 big ones from the major critics’ group
NY Crix add kudos to ‘Hurt Locker’
The best movies of 2006
Shadows on the screen: The angel and the devil
And the Palme d’Whiskers goes to…
“Midnight in Paris” but Cannes has just begun
Top secret leakage from my 2010 Muriels ballot!
Scanners’ Exploding Head Awards 2010
Jim’s favorite movies of 2009: The movie
LA & NY crix love The Social Network and Carlos
Nothing is real(ism), and nothing to get hung about
More film polls: Top 150 of Decade, Top 160 of 2009…
And the Muriel™ for the Oscar™ for Best Picture goes to…
Mad Men in Tomorrowland: “Things aren’t perfect.”
National Society: The last best critics awards for 2010
The Monthlies
Products of mass distraction (or, Hooray for elitism!)
The best feature films of 2010
The best foreign films of 2009
CIFF 2012 puts the ‘Chicago’ in film fest
Moore takes top award for ‘Fahrenheit 9/11’
The business of controversy
