Cannes 2025 Announces Lineup with New Films by Ari Aster, Kelly Reichardt, Julia Ducournau, Richard Linklater, Wes Anderson and More Brian Tallerico
Ebertfest 2023: Frank Oz and Derek DelGaudio Screen In & Of Itself, Rita Coburn Spotlights Marian Anderson and More! The Editors
57th Chicago International Film Festival Announces Full Schedule; Wes Anderson’s The French Dispatch to Open The Editors
Filmmaker Pamela Sherrod Anderson to Host Workshop on February 27th as Part of No Malice Film Contest Chaz Ebert
Bright Wall/Dark Room April 2020: The Contradictory and Complementary Visions of Wes Anderson and Roald Dahl by Ethan Warren The Editors
Bright Wall/Dark Room May 2017: “There’s Still a Lot of World to See: Reconnecting with Childhood Joy in Wes Anderson’s ‘Moonrise Kingdom'” The Editors
Grace-Infused: Notes on Director Wes Anderson’s Working Relationship with Actor Jason Schwartzman Chuck Bowen
“The Wes Anderson Collection,” Chapters 1-7, and “The Substance of Style”, Chapters 1-5 Matt Zoller Seitz
How Wes Anderson Made “The Royal Tenenbaums”: An Excerpt from “The Wes Anderson Collection” Matt Zoller Seitz
Cannes 2025 Video #4: Brian Tallerico on Mission Impossible, The Phoenician Scheme, My Father’s Shadow, Secret Agent Chaz Ebert
Restored and Rediscovered Festival Spotlights Organizations at the Forefront of Film Restoration Monica Castillo
SXSW Film Festival 2025: Are We Good?, I’m Carl Lewis!, Strange Journey: The Story of Rocky Horror Zachary Lee
Brenda Robinson, Acting President of Film Independent, Set to Preside Over 40th Spirit Awards; Aidy Bryant Cheerfully Returns as Host Robert Daniels & Chaz Ebert
New York Film Festival 2024: Preview and Thoughts on “The Brutalist,” “The Seed of the Sacred Fig” Godfrey Cheshire
The Hard Road: Alex Cox on Crowdfunding, Success, and a Life in Independent Filmmaking Matt Zoller Seitz
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com Chaz Ebert and the Editors