Starting Out in the Evening
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Wagner
Wagner
Wagner Movie Reviews
Blog Posts That Mention Wagner
No Good Deed Will Go Unpunished: Kleber Mendonça Filho and Wagner Moura on “The Secret Agent”
Wagner Moura Is Still Holding On To Hope
Tribeca 2026: The Narratives
“Star Wars” Keeps Its Animation on the Dark Side (Literally) with “Maul – Shadow Lord”
If We Picked the Winners: The 98th Academy Awards
Who Will Remember You?: “The Secret Agent” and the Humanities as Resistance
Jonathan Glazer’s “Birth” is Resurrected in a Haunting Criterion 4K Release
RogerEbert.com Covers Awards Season
“Sinners” Sets Record with 16 Oscar Nominations
2026 Oscar Nominations Predictions in the Major Categories
“One Battle After Another,” “Hamnet” Win Big at 2026 Golden Globes
Craziness and Contradiction: Kirill Serebrennikov on “Limonov: The Ballad”
Happy New Year 2026 from Chaz Ebert and Everyone at RogerEbert.com
Chaz Ebert’s 30 Best Movies of 2025 (and One Guilty Pleasure)
The Great Performances of 2025
Sundance Film Festival Announces 2026 Line-Up
“One Battle After Another,” “Sinners” Lead Chicago Film Critics Association Nominees
The Ten Best Films of 2025
NYFF 2025: The 63rd Edition Comes to a Close
What Really Matters is What You Like: “High Fidelity” at 25
Criterion’s “The Wes Anderson Archive” is the Blu-ray Box Set of the Year
Female Filmmakers in Focus: Hind Meddeb on “Sudan, Remember Us”
The Glorious Year of Morgan Freeman
Cannes 2025 Video #8: Award Winners
Cannes 2025: Second Takes on a Few Fest Darlings
Cannes 2025: Jafar Panahi’s “It Was Just an Accident” Wins Palme d’Or
Cannes 2025 Video #4: Brian Tallerico on Mission Impossible, The Phoenician Scheme, My Father’s Shadow, Secret Agent
Cannes 2025: The Secret Agent, The Love That Remains, Magellan
Brian Tyree Henry Does His Best to Carry Apple TV’s Explosive “Dope Thief”
Don’t Miss IndieCollect’s RescueFest This Weekend
Home Entertainment Guide: September 2024
TIFF 2024: 20 World Premieres We Can’t Wait to See
The Imperiled Women of Alex Garland’s Films
The Second Season of Will Trent Premieres as Charming as Ever
Prime Video’s Update of Mr. and Mrs. Smith Crackles with Wit and Creative Energy
Hulu’s The Other Black Girl Crumbles Under the Weight of Modern Black Horror Tropes
Noir City Returns to the Music Box in Chicago
A Look Back at Tribeca 2023
Cannes 2023: Black Flies, Youth (Spring), Homecoming
The Rewards are Endless: Scott Ryan on His New Book, Lost Highway: The Fist of Love
Sundance 2023: Fantastic Machine, Milithusando, The Eternal Memory
2023 Sundance Film Festival Announces Competition Films, Premiere Titles, Midnight Selections, and More
Shining Girls Offers Twist on Serial Killer Genre
Vampire’s Twist: A Look Back at Shadow of the Vampire
A Sense of Hope: Greg Barker on Sérgio
Sundance 2020 Announces Competition, Midnight, Premiere Titles and More
Death Stranding Offers Surreal, Cinematic Experience with Controller in Your Hands
The Best Films of the 2010s
We talk about cinema to talk about everything else: A Look at the Future of Brazilian Cinema
In Loving Memory of Diahann Carroll and Jessye Norman
TIFF 2019: Harriet, Wasp Network, Guns Akimbo
We Are a Nation of Immigrants: Gregory Nava on His Masterpiece, El Norte
Preview of Noir City Chicago 2019
Son of the father: Peter Fonda, 1940-2019
Sundance 2019: Wounds, Greener Grass, Mope
The Virtue of Stillness: The Performances of Glenn Close
Celebrating Michael Kutza: Founder of Chicago International Film Festival to be Honored at July 14th Gala
Goodbye to the Sigh Guy: A Tribute to Tab Hunter, 1931-2018
A Universal Story: Rutger Hauer on Samson
Jóhann Jóhannsson: 1969-2018
CIFF 2017 Preview: 45 Films to See
Home Entertainment Consumer Guide: July 13, 2017
Thumbnails 6/7/17
Ridley’s Remake: “Alien” Through David’s Eyes
“Rat Film,” “Whose Streets?”, “The Cinema Travelers” Among Highlights at DOC10 Film Festival
Thumbnails 2/17/17
“Carol,” “Trainwreck,” “Mr. Robot” Among 2016 Golden Globe Nominees
Shorts Films in Focus: “World of Tomorrow”
Learning Through Failure: Paul Weitz on “Grandma”
The five arias from operas that movies can’t live without
Thumbnails 6/1/15
Everyone’s A Hero In Their Own Way: Tracing the Superheroic Roots of Joss Whedon
I Miss Him: His Readers Remember Roger Ebert
Berlin 2015: Come On, Pilgrim: Terrence Malick’s “Knight of Cups”
Report from the 27th Tokyo Film Festival
Marian Seldes: 1928-2014
Cannes 2014: a debate
Nuri Bilge Ceylan’s “Winter Sleep” takes Palme d’Or
The Fault in Our Stars: David Cronenberg’s Latest Triumph
Cannes: In “National Gallery,” Frederick Wiseman observes the London museum’s operations
Cannes Day Five: “Map to the Stars”
An Appreciation of the Disaster Movie on the 40th Anniversary of “The Towering Inferno”
Thumbnails 4/30/14
Hashtag Activism and the #CancelColbert campaign
Magnolia Pictures acquires “Life Itself”
The Thinking Molecules of Titan: Ending by Caden Murdoch
The Thinking Molecules of Titan: Ending by Vivienne Béla
Thumbnails 6/28/2013
Robert Duvall: “Napalm, son. Nothing else in the world smells like that”
Django Unchain my heart (and set me free)
The year’s ten best films and other shenanigans
50 greatest music films ever
Faking the real and unreeling the fake
Opening Shots: The New World
The Seitz-geist
