Star Wars — Episode VI: Return Of The Jedi (Special Edition)
Based On A Story by
Lucas
Lucas Movie Reviews
Blog Posts That Mention Lucas
Lucas demonstrates potential of digital video with ‘Attack of the Clones’
George Lucas: Low-Budget Eye-Candy
George Lucas: Give it up
The People vs. George Lucas
George Lucas is a techie at heart
The 20 Best Films of 2025 So Far
“Nine Perfect Strangers’” Second Season is Less Insightful, Still Somewhat Fun
The 2025 TCM Classic Film Festival
What to Watch on Netflix: May 2025
The Day James Bond Movies Died
The Most Unsung Leading Man of His Generation: Val Kilmer (1959-2025)
Can’t Stop the Vilanch: Legendary Comedy Writer Spills on the Creation of His Career’s Guiltiest Pleasures
A Preview of the 2025 Rendez-Vous with French Cinema
January 2025 Blu-Ray Guide: “Hundreds of Beavers,” “Smile 2,” “Venom: The Last Dance,” and More
Sundance 2025: Train Dreams; Sorry, Baby
Sundance 2025: Sunfish (and Other Stories on Green Lake), Plainclothes
2025 Sundance Film Festival Announces Ambitious Program
“Indiana Jones and the Great Circle” is the Antidote to Modern Big-Budget Game Fatigue
Black Harvest Film Festival 2024 Preview
CIFF 2024: On the Legacy and Importance of The Spook Who Sat by the Door
CIFF 2024: Rita, Listen to the Voices, Peacock
The Texture of Night: How Collateral Revolutionized Movies
SDCC 2024: A New Normal?
Seven Samurai Continues Its Ride Through Cinema’s Past and Future
Levan Akin on Making Films His Way, the Queer Art That Shaped Him, and His Touching New Drama Crossing
Some Material May Be Inappropriate: The PG-13 Rating at 40
Furiosa Doesn’t Feel Like Any Other Mad Max Film, and That’s What’s Wonderful About It
Cannes 2024: Normal Normal or Cannes Normal?
Cannes 2024 Video #8: Award Winners
Cannes 2024: Sean Baker’s Anora wins Palme d’Or
Cannes 2024: My Sunshine, Rumours, The Balconettes
Roger Corman’s Greatest Legacy Was Giving So Many People Their Big Break
Meanwhile in France…Cannes to Be Specific
A Preview of the 2024 Cannes Film Festival
The Problem and the Solution: Why Palpatine from Star Wars is One of the Great Movie Villains
How The Phantom Menace Predicted Hollywood’s Prequel Future
A Plea for Someone to Save Megalopolis
On Luca, Tenet, The Invisible Man and Other Films from the Early Pandemic Era that Deserve More Big-Screen Time
Keith Law Wants You to Watch Better Baseball Movies
SXSW 2024: Dandelion, A Nice Indian Boy, I Don’t Understand You, I Love You Forever
Avatar: the Last Airbender and What We Talk About When We Talk About Redemption
The People Who Never Stopped Loving Tenet
I Used to Hate The Phantom Menace, but I Didn’t Know How Good I Had It
Berlin Film Festival 2024: Small Things Like These, Crossing, Cuckoo
Home Entertainment Guide: January 2024
The Great Craft of 2023
Home Entertainment Guide: November 2023
Staying Connected: Gelila Bekele and Armani Ortiz on Maxine’s Baby: The Tyler Perry Story
Netflix’s Scott Pilgrim Takes Off is a Phenomenal Stand-Alone Anime Addition
Streetcorner Symphony: The Music of Mean Streets
Home Entertainment Guide: October 2023
A TV Icon Leaves the Stage: Suzanne Somers (1946-2023)
Disney+ Reboot of Goosebumps Slides from Promising Horror into YA Soap Opera
The Best Films of 2023 … So Far
What Now: The Creative Potential in the End of the Superhero Craze
Tribeca 2023: Blood for Dust, Catching Dust
Return of the Jedi Turns 40
New York Philharmonic and Steven Spielberg Celebrate the Music of John Williams
The Consummate Collaborator: Bill Butler (1921-2023)
Tiny Beautiful Things is a Tear-Jerking Exploration of the Mother Wound
SXSW 2023: Confessions of a Good Samaritan, You Can Call Me Bill, Louder Than You Think
True Lies Fails to Capture the Charm of the James Cameron Original
Tom Luddy (1943-2023)
The Internet Has Been My Co-Director: Kyle Edward Ball on Skinamarink
Willow Reboot on Disney Plus Makes for a Surprisingly Fun Ride
An American Story: Margaret Brown and Joycelyn Davis on Descendant
Stranger Things Ends with a Messy But Entertaining Pair of Episodes
Home Entertainment Guide: June 2022
A Look Back at Tribeca 2022: The Documentary Features
The Legacy of Gen-X Black Filmmakers
The Antagonism of Blackness in Netflix’s Stranger Things
Star Wars Celebration 2022: Mando+, Light and Magic, Andor and More
Cannes 2022: Godland, The Silent Twins, Mariupolis 2, Triangle of Sadness, Holy Spider
Mellody Hobson Receives 2022 Lincoln Leadership Prize
Home Entertainment Guide: May 2022
Stranger Things Returns as Top-Notch Summer Entertainment
No More Blue Tomorrows: David Lynch’s Inland Empire Returns to Theaters
Jesus, I Love to Shoot Film: The Siskel Film Center Pays Tribute to Haskell Wexler
TCM Film Festival 2022: Highlights of Getting Back to the Big Screen
Ebertfest 2022 Recap: A Golden Homecoming
A True Artiste: Lloyd Kaufman on His Career and His Final Film
Roger’s Top Ten Lists: Best Films of 1973
Women Film Editors: Shedding the Cloak of Invisibility
The Annotated Table of Contents and Bios for Women Writers Week 2022
The Dropout Offers Conflicting Views of Controversial Woman
