Irene
Irene Movie Reviews
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Blog Posts That Mention Irene
Interview with Irene Papas
Psychic Irene Hughes: More accurate
Home Entertainment Guide: “Bring Her Back,” “The Phoenician Scheme,” “Vermiglio,” More
SXSW Film Festival 2025: Redux Redux, Descendent, The Surrender
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
A Preview of the 2025 Rendez-Vous with French Cinema
Peter Berg Shows the Ugly Side of American History With the Frustrating “American Primeval”
The 25 Best TV Series of 2024
HBO’s “Like Water for Chocolate” is Downright Sumptuous
CIFF 2024: Compensation, The Spook Who Sat by the Door, Save the Children
Bright Wall/Dark Room October 2024: All Hail the Screwball Queen by Olympia Kiriakou
Locarno Film Festival 2024: Wrap-Up of a Special Event
Speed Kills: On the 25th Anniversary of Go
What You Do is Who You Are: Irena’s Vow Screenwriter Dan Gordon on Telling the Story of a Teenager Who Saved Jews During the Holocaust
Horror Movies Should Give Up The Final Girl
2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition
Bright Wall/Dark Room September 2023: I Used to Float, Now I Just Fall Down by Lindsey Romain
Highlights of the 2023 TCM Film Festival
Female Filmmakers in Focus: Cauleen Smith on Drylongso
Home Entertainment Guide: February 2023
From Prancer to Award-Winning Documentarian, Rebecca Harrell Tickell Credits Roger Ebert with Pointing Her Way
TIFF 2022: Charcoal, Muru, Roost
Home Entertainment Guide: June 2022
A Look Back at Tribeca 2022: The Documentary Features
Prime Video’s Night Sky is a Sentimental but Hollow Sci-fi Series
Home Entertainment Guide: February 2022
Sundance 2022: Hatching, Piggy, Meet Me In the Bathroom
Why the Film Passing Stirs The Imagination
24 Great Performances of 2021
The Freedom to Pass
Five Articles In Praise of Rebecca Hall’s Directorial Debut, Passing
The Black-and-White Films of the 2021 Award Season
Black and White: Rebecca Hall on Passing
Passing Wins Top Prize at LGBTQ+ NewFest 2021
Nicolas Winding Refn’s Drive: Cinema’s Postmodern Samurai
From Guillermo and Gottfried to the Golden Arm, Ebertfest 2022 is Back in Full Swing
The New Black Film Rebellion
The Smoke Gets In Your Eyes Cinematic Universe
Sundance 2021: Passing, Eight for Silver, Mass
Sundance 2021: 12 Films We Can’t Wait to See
As Delightful As It Is Insufferable: On the Complex Joy of Diva
Home Entertainment Guide: April 2, 2020
Robert Forster: 1941-2019
Revisiting Andrew Niccol’s Gattaca in the Age of CRISPR
Preview of Noir City Chicago 2019
Home Entertainment Guide: August 22, 2019
Where the Scene Lives: Alex Thompson and Kelly O’Sullivan on Saint Frances
How the Image of Black Women Has (and Hasn’t) Changed in the Last Two Decades
The Best Current Source for Streaming Classic Movies is … Amazon Prime?
Sundance 2019 Announces Competition, Premiere, Midnight Titles and More
RIFF 2018: Woman at War, Jonas Mekas Exhibition and Camilla Strøm Henriksen on Phoenix
Jason Reitman, Jay Carson and Matt Bai on Adapting Gary Hart’s Scandal into The Front Runner
Cannes 2018: Everybody Knows, Meet the Jury
Home Entertainment Consumer Guide: April 19, 2018
Chinese New Year: Man’s Best Friend
Thumbnails Special Edition: Sundance 2018
Sundance 2018: Loveling, Pity, The Guilty
Sundance 2018 Announces Competition, Premiere, Midnight Titles and More
Disney Legends, “Wreck-It Ralph 2,” “Coco” and More at D23 Expo 2017
Home Entertainment Consumer Guide: July 13, 2017
A Returning Visitor: Comparing the Two Versions of “The Beguiled”
A Beautiful Fantasy: On the 30th Anniversary of “Baby Boom”
A Preview of the 22nd Annual Rendez-Vous with French Cinema
World-Class Acting: On Joan Crawford and “Sudden Fear”
Fantasia Fest 2016: “Beware the Slenderman,” “The Unseen,” “The Master Cleanse”
Paul Cox: 1940 – 2016, Father of Independent Australian Cinema
Thumbnails 1/20/16
45 Years and More with Charlotte Rampling
The Individual Top Tens of 2015
Madeline Kahn: “Why Are You Laughing?”
Luise Rainer: 1910-2014
Doctor Abrams’ House of Cinematic Sociopolitical Horrors: The Year in Horror Films
Thumbnails 9/26/14
Exploring Israel-Palestine through Movies: Part 1
“Elementary” and the Holmes Tradition
Meet the Writers: Dan Callahan
Thumbnails 9/30/2013
James Cromwell talks about “Still Mine”
“Art is an act of violence.” An interview with Nicolas Winding Refn
Manuel de Oliveira is 102: A tribute
Concert for an uncertain world
Kirk Douglas: I’ve killed so many Romans, so many Vikings, so many Indians…
Ebert’s Four-Star Movies of 2006
Season of ‘Survivor’ packed with Potter
The Best 10 Movies of 1990s
The Best 10 Movies of 1994
Visiting Mommie Dearest at home
Dina Martina’s Oscar Entertaining Party Hints!
TIFF 08: The omnivore’s dilemma
Drive: Yellow light, red light, blue light, pink light
Who is the gaucho, amigo?
Drive: An under-the-hood manual
