Forty Shades of Blue
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Sachs
Sachs
Sachs Movie Reviews
Blog Posts That Mention Sachs
It’s Important for a Film to Wake an Audience Up: Ira Sachs on “Peter Hujar’s Day”
Empathy Comes With Maturity: Ira Sachs on Passages
Accepting Accidents: Ira Sachs on His All in One Day Portugal-Set Movie “Frankie”
Remember the risks: Filmmaker Ira Sachs talks about the lessons he learned from his debut feature “The Delta”
Voyeurs to Adult Life: Ira Sachs on “Little Men”
Life Imitating Art: Ira Sachs on “Love Is Strange”
Home Entertainment Guide May 2026: The Bride!, Wuthering Heights, Sentimental Value, More
Ten Great Performances of Cannes 2026
Cannes 2026: Second Takes on Some of the Year’s Best Films
Cannes 2026: The Man I Love, Orange-Flavoured Wedding
Cannes 2026 Video #1: The 79th Cannes Film Festival Begins!
Cannes Announces 2026 Program with New Films by Pedro Almodovar, Hirokazu Kore-eda, Asghar Farhadi, More
If We Picked the Winners: The 98th Academy Awards
NYFF 2025: The 63rd New York Film Festival Centers Film and Poetry
KVIFF 2025: Awards and Wrap-Up
Highlights from the 2025 MUBI Fest Chicago
10 Great Performances from Sundance 2025
Sundance 2025: Rebuilding, Together, Peter Hujar’s Day
Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See
The Unloved, Part 133: Here
2025 Sundance Film Festival Announces Ambitious Program
Brit Marling on A Murder at the End of the World and Finding Her Rhythm as a Writer
In Memoriam: The 10 Great Movies That Were Forgotten This Oscar Season
Home Entertainment Guide: January 2024
Spirit Awards 2024: A Platform for Essential Independent Films
Artists We Spoke to in 2023: Some of Our Favorite Interviews
The Great Performances of 2023
2024 Film Independent Spirit Award Nominees Led by American Fiction, May December and Past Lives
The Unloved, Part 117: A Hen in the Wind
Must-See Jean Eustache Film Series Led by 4K Restoration of The Mother and the Whore
Chicago Critics Film Festival 2023 Preview: Chicago Premieres of Acclaimed Films from Around the World
10th Chicago Critics Film Fest Features Past Lives, Blackberry, Sanctuary, Theater Camp, and Many More
Sundance 2023: Past Lives, Passages, You Hurt My Feelings
2023 Sundance Film Festival Announces Competition Films, Premiere Titles, Midnight Selections, and More
Home Entertainment Guide: March 2022
57th Chicago International Film Festival Announces Full Schedule; Wes Anderson’s The French Dispatch to Open
Cannes Flashback: Quentin Tarantino, Werner Herzog, Ernest White II and More
Russell Hornsby Headlines Mediocre Lincoln Rhyme: Hunt for the Bone Collector
Cannes 2019 Video #8: Justice Singleton, Elizabeth & Pamela Guest and the Ebert Fellows
Preview of the 26th Annual Chicago Underground Film Festival
Cannes 2019 Video #5: Quentin Tarantino, Werner Herzog, Ernest White II and More
Cannes 2019: Frankie, Parasite, Matthias & Maxime
Cannes 2019 Videos: Table of Contents
Adriana Barraza and Paulina García Breakthrough in Powerfully Subdued Lead Roles
Behind the Lens: Isabelle Huppert on Claire’s Camera
Home Entertainment Consumer Guide: January 19, 2017
Recap of the 2016 Los Cabos International Film Festival
Elevated Films’ Outdoor Indie Film Series to Screen “Little Men”
The Best Films of 2016 So Far
Chicago Critics Film Festival 2016 Preview
From the Nostalgia File: “Northfork”
Sundance 2016: “Sing Street,” “Complete Unknown,” “Captain Fantastic”
Sundance 2016: “Little Men”
Sundance 2016: “Plaza de la Soledad,” “Film Hawk”
Sundance 2016 Completes Lineup with New Films from Werner Herzog, Kelly Reichardt and More
Emotion without Sentiment: Oren Moverman on “Time Out of Mind”
Home Entertainment Consumer Guide: January 21, 2014
The RogerEbert.com Interviews of 2014
The Individual Top Tens of 2014
“Life Itself” Among Best Documentary Nominees at the Gotham Awards
“Life Itself” Nominated for Best Documentary by the Gotham Awards
Positive Sentiments for “Life Itself”
Sundance: All the Films I Saw, Ranked
Sundance Report: “Love is Strange”, “Boyhood”, “The Voices” and “Calvary”
Thumbnails 11/15/2013
Jonathan Rosenbaum at 70: A tribute
Shooting Gallery series
TIFF 2007 Wrap: Personal best & indelible images
The Golden Age of Cinemania is Now
Vincent P. Falk and His Amazing Technicolor Dream Coats
The New Yorker. No, The New Yorker.
Wall Street’s dirty, rotten scoundrels
Cannes #3: Greed may still be good
Sundance #9: The Winners
Sundance #8: ‘Forty Shades of Blue’
Hilary Swank: From unknown to first-class contender
Movie Answer Man (01/24/1999)
