Inside Llewyn Davis
"Inside Llewyn Davis" is the most satisfyingly diabolical cinematic structure that the Coens have ever contrived, and that's just one reason that I suspect it…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Michał Oleszczyk reflects on "It Happened One Night."
Memory lane with the Coen Brothers and John Goodman; the uncharacteristic reticence of Ronan Farrow; how our minds mislead us (let us count the ways); Ernst Lubitsch’s pre-code transgressions; Rebecca Miller on the importance of casting directors.
Actor Joseph Gordon-Levitt discusses "Don Jon," his first film as a writer-director.
Marie writes: Much beloved and a never ending source of amusement, Simon's Cat is a popular animated cartoon series by the British animator Simon Tofield featuring a hungry house cat who uses increasingly heavy-handed tactics to get its owner to feed it. Hand-drawn using an A4-size Wacom Intuos 3 pen and tablet, Simon has revealed that his four cats - called Teddy, Hugh, Jess and Maisie - provide inspiration for the series, with Hugh being the primary inspiration. And there's now a new short titled "Suitcase". To view the complete collection to date, visit Simon's Cat at YouTube.
Marie writes: It's a long story and it starts with a now famous video of a meteor exploding over Chelyabinsk, Russia. Followed by alien conspiracies fueled by the internet and which led me to investigate further. Where did it come from? Does anyone know..? Yes! According to The NewScientist, the rock came from the Apollo family of near-Earth asteroids, which follow an elongated orbit that occasionally crosses Earth's path.That in turn led me to yet another site and where I learned a team of scientists had discovered two moons around Pluto, and asked the public to vote on potential names. They also accepted write-in votes as long as they were taken from Greek and Roman mythology and related to Hades and the underworld - keeping to the theme used to name Pluto's three other moons. And how I eventually learned "Vulcan" has won Pluto's moon-naming poll! and thanks to actor William Shatner who suggested it. Behold Vulcan: a little dot inside a green circle and formally known as P5.
"Cloud Atlas" (2012), directed by the Wachowskis and Tom Tykwer, is a thing of beauty, the likes of which I have not seen in American Cinema. While I regard Rian Johnson's "Looper" as easily the best film of the year thus far, this film might be the best film of the decade. Nevertheless, considering how many people walked out of the screening within the first hour, I suspect that this film will successfully alienate or confuse most of its viewers, earning more appreciation in the years to come, long after most of us have expired. If you have the patience, it might take forty minutes to begin to understand it, and to subsequently immerse yourself into it. In that way, it also reminded me of Terrence Malick's "The Tree of Life" (2011). It is that good. It is so good that I can tell you everything about this movie, and I will still have told you nothing.
"With Great Power: The Stan Lee Story" is available on-demand at Netflix.com, Amazon.com, iTunes, EpixHD.com and Vudu.com. Stan Lee will be attending a special screening of "With Great Power" at the Stan Lee Comikaze Expo in Los Angeles on September 15, 2012.
By Jana Spider-Woman Hulk Daredevil Wonder Woman Beast Monji
The title, "With Great Power: The Stan Lee Story," is a tip off, but if the only Uncle Ben you know is a nattily dressed black gentleman who sells conveniently packaged rice, then Stan Lee wants to invite you to his Marvel universe. This is the world where Uncle Ben adopted his orphaned nephew who would be bitten by a radioactive spider in high school. That sullen, selfish teen would soon find that the bite of karma can be transformational and he becomes a super hero with an attitude: Spider-Man.
Marie writes: I received the following from intrepid club member Sandy Kahn and my eyes widened at the sight of it. It's not every day you discover a treasure trove of lost Hollywood jewelry!
Grace Kelly is wearing "Joseff of Hollywood"chandelier earrings in the film "High Society" (1965)(click image to enlarge.)
"Our slogan's 'Country First.' Lieberman and Pawlenty are 'Country First' choices. Sarah Palin will be perceived as a self-serving political maneuver. You may not only lose this election, John, you just might lose your reputation right along with it." -- prescient warning by McCain advisor Mark Salter (Jamey Sheridan) in "Game Change"
First, there's this: Austin Pendleton as Joe Lieberman. I just want to mention that casting masterstroke up-front because, even though he only gets about two minutes of screen time (and most of it is in the background) it's one of those little touches that shows the people who made "Game Change" have an eye for the telling detail. I had so much fun watching this movie. The funny thing is, it isn't exactly satire, maybe because that's already inherent in the real-life material. It's a comedy (I think), but the humor is fairly mild, certainly not as funny as Sarah Palin's public appearances actually were. I guess we're just used to her now.
Still, I thoroughly enjoyed "Game Change," which goes out of its way to demonstrate understanding and sympathy for Palin, and absolves John McCain of all responsibility for his unconscionable campaign in 2008. (Spoiler alert: It was his advisers who screwed up!) Honestly, McCain and Palin should drop down on their knees and thank everybody involved in this picture for their kindness and discretion: director Jay Roach ("Austin Powers," "Recount") and writer Danny Strong ("Recount"), who adapted the book by Mark Halperin and John Heilemann, and a top-notch cast, headed by Woody Harrelson as McCain advisor Steve Schmidt (who is really the main character), Julianne Moore as Palin and Ed Harris as McCain. It's just a shame Harris doesn't have a bigger part to play in the proceedings.
"Game Change" is patterned on redemptive Frank Capra and Preston Sturges archetypes (a dash of "Mrs. Palin Goes to Washington" and maybe quite a lot of "Hail, the Conquering Heroine" -- minus the hero's moral torment over misrepresenting himself), even if the screwball energy is missing. Although, things get fairly dark (as they often do in Capra and Sturges) when Palin shuts down and goes catatonic, overwhelmed by the advisers who are trying to make her into someone and something she is not (neither a conventional politician, nor a credible candidate for Vice President of the United States), she finally snaps out of it, drawing strength from her love of family and state and country, and "goes rogue" in the third act, rediscovering her unique voice and her true spirit. That's a generous assessment of her character, but it's left up to you to decide whether the Real Sarah Palin is someone who oughtta be in politics.Above: The Real Thing
Marie writes: I can't prove it but I'm convinced they're related.
From the Poobah: Chaz and Roger Ebert wish you Peace in the New Year!
Lesson for the day: How to have fun while wasting time... Marie writes: welcome to DRAW A STICK MAN, a delightful Flash-based site prompting viewers to draw a simple stick figure which then comes to life! Ie: the program animates it. You're given instructions about what to draw and when, which your dude uses to interact with objects onscreen. Thanks go to club member Sandy Kahn who heard about it from her pal Lauren, in Portland Oregon.Note: here's a screen-cap of what I drew; I've named him Pumpkin Head.
Every semester, I ask my students this one simple question. "Can you honestly say that you are happy?" In a class of 40 students, maybe only six will raise their hands. And that is pretty sad.
Are they plagued by those uncertainties of youth? Are they wondering if they will find a career, love, or meaning? Are they terrified by the threats of terrorist attacks, financial collapse, climate change and, well, the Apocalypse? Or, have they decided that the "American Dream" was not Thomas Jefferson's vision, but is instead a sappy Hollywood fantasy? Or, maybe they just hate my class? Sure.
In answering this question, Gabriele Muccino's "The Pursuit of Happyness," takes many usual directions that Hollywood movies take. At first, he seems to answer the question the way we would expect a Hollywood filmmaker to answer:
Take a breath and be brave. Very, very brave.... smile....Behold the "Willis Tower" in Chicago (formerly the Sears Tower) - the tallest building in North America and its famous attraction, The Skydeck. In January 2009, the Willis Tower owners began a major renovation of the Skydeck, to include the installation of glass balconies, extending approximately four feet over Wacker Drive from the 103rd floor. The all-glass boxes allow visitors to look directly through the floor to the street 1,353 feet (412 m) below. The boxes, which can bear five short tons of weight (about 4.5 metric tons), opened to the public on July 2, 2009.
From the Grand Poobah: Netflix is great, but they don't have everything and seem to be weak on silent films. Here's a pay site streaming a large and useful selection of high-quality films, world-wide....
Marie writes: when Roger told me about this place, I signed-up to see if I could watch one their free movies? Yup! I can stream MUBI in Canada; though content will vary depending on where you live (that's also case with Netflix Canada) and so nothing new there. And after looking through their current catalog, I can report that they do indeed have some rare movies - stuff I've never found anywhere else. I even read that Martin Scorcese is a member.
Ever since David Thomson's "A Biographical Dictionary of Film" was published in 1975, browsers have said that they love to hate Thomson's contrarian arguments -- against John Ford or Frank Capra, Coppola or Kubrick, for example.¹ Fans and critics can cite favorite passages of resonant beauty, mystifyingly vague and dismissive summary judgements, and entire entries in which the man appears to have gone off his rocker. And that's the fun of it.
To be fair, Thomson broke faith with (or has been suffering a crisis of faith in) American movies at least far back as "Overexposures: The Crisis in American Filmmaking" (1981), and he's been writing about his crisis ever since. To put it in a sentence that could serve as the ending of one of his entries: I am willing to believe that he loves (or once loved) movies even if he doesn't like them very much. (Wait -- how does he conclude the Katharine Hepburn piece? "She loved movies, while disapproving of them.")
When I encountered the first edition of this book, the year I entered college, I immediately fell in love with it because it was not a standard reference. It was personal, cranky, eloquent, pretentious, pithy, petty, ambitious... It was, as I think Thomson himself suggested in the foreword to the first or second edition (this is the fifth), more accurately titled "An Autobiographical Dictionary of Film." Many times over the years I have implored my employers or partners to license digital rights to Thomson's book so that it could augment and be integrated with other movie databases and references (at Cinemania, FilmPix, Reel.com, RogerEbert.com)... but we've never done it. What, they would ask, is the "value-add"? (Really. Some people used to talk that way.) As a reference, its coverage is too spotty (Ephraim Katz's Film Encyclopedia is much more comprehensive but also has loads of incomplete filmographies), as criticism it's wildly idiosyncratic (nothing wrong with that) and as biography it's whimsically selective and uneven, leaving as many holes as it fills.
Click above to REALLY enlarge...
UPDATED 01/28/10: 2:25 p.m. PST -- COMPLETED!: Thanks for all the detective work -- and special thanks to Christopher Stangl and Srikanth Srinivasan himself for their comprehensive efforts at filling the last few holes! Now I have to go read about who some of these experimental filmmakers are. I did find some Craig Baldwin movies on Netflix, actually...
Srikanth Srinivasan of Bangalore writes one of the most impressive movie blogs on the web: The Seventh Art. I don't remember how I happened upon it last week, but wow am I glad I did. Dig into his exploration of connections between Quentin Tarantino's "Inglourious Basterds" and Jean-Luc Godard's "History of Cinema." Or check out his piece on James Benning's 1986 "Landscape Suicide." There's a lot to look through, divided into sections for Hollywood and World Cinema.
In the section called "The Cinemaniac... I found the above collage (mosaic?) of mostly-famous faces belonging to film directors, which Srikanth says he assembled from thumbnails at Senses of Cinema. Many of them looked quite familiar to me, and if I'm not mistaken they were among the biographical portraits we used in the multimedia CD-ROM movie encyclopedia Microsoft Cinemania, which I edited from 1994 to 1998, first on disc, then also on the web. (Anybody with a copy of Cinemania able to confirm that? My Mac copy of Cinemania97 won't run on Snow Leopard.)
Nonsensical polemicist Armond White, dis-inspiration for "Contrarian Week" here at Scanners back in early 2007, got a lot of folks riled with his review of "District 9" -- mostly on fan forums at RottenTomatoes. OK, so once again, White's aim is not so much to examine the movie (that's always secondary, or tertiary) but to assert that he alone knows what's going on and his colleagues are all idiots or corrupt or both.
But his baseless verdicts are not what put him in league with the Dining Room Table Lady. At Some Came Running, Glenn Kenny gets to the heart of why White embodies a commonplace form of flaccid, anti-critical thinking:
Here's a challenge. Tell me what this sentence, from White's review of the new version of "The Taking of Pelham 123," means: "Audiences who enjoyed the original 1974 'Pelham 123' took its grungy dangerousness as a realistic confirmation of their own citizens' distrust." Now here's the rub: I don't want to know what you think it means, what you infer it means when you put it through your own personal White decoder ring, no; I want to know what the words in the sentence as they are actually written actually mean. As, you know, an actual copy editor would understand them. Because an actual copy editor would tell you that the sentence is gibberish....
Here you'll find my list from Dec. 30, 1999.
Dirt! The Movie" for practical and personally rewarding solutions
A boardroom speech from banker Thomas Dickson, written by Robert Ryskin, directed by Frank Capra and delivered by Walter Huston in "American Madness" (1932). Capra and Ryskin collaborated on many films, including "Lady for a Day," "It Happened One Night," "Mr. Deeds Goes to Town," "Lost Horizon" and "Meet John Doe."
Enlarge image: Newsroom hustle...
Enlarge image: ... and bustle. Notice the emphasis on women at work in the very first moments.
From That Little Round-Headed Boy:
"His Girl Friday": Anybody who ever worked in the journalism business, or wished they had been around for newspapering's madcap era, must feel a quickening at the opening tracking shot of Howard Hawks' classic comedy. As the camera tracks from right to left across the city room of the Chicago Morning Post, a smoky, hustling, chatty ambience hangs over the enterprise, as an editor yells out for a "Copy boy!", reporters are decked out in rolled-up shirts and green eye-shades, the women wear fashionable hats and the blue-collar switchboard gals are yammering in overdrive. The scene sets the fast-paced theme, and it never lets up.
JE: Good grief, TLRHB, that's a great one! (This should give readers an idea why they should check out TLRHB regularly.) As someone born with ink in his veins (red ink, I'm afraid), I know well the quickening of which you speak!
The Real World: Atlanta.
The New York Times Book Review wastes nearly four pages on the dumbest, most banal crap about (ostensibly) movies and movie criticism that I have ever come across. It's called "How to Write About Film" and it's an attempted review by Clive James of the Philip Lopate compilation of film criticism that was published a few months ago, called "American Movie Critics: An Anthology From the Silents Until Now."
What's really puzzling about this drivel is that James not only doesn't know what the auteur theory is, he doesn't know what movie criticism is -- and he hasn't a clue what movies are, either. I find it difficult to believe he's ever seen one. Or, at least, a whole one. And no matter what projected images may have passed before his eyes, it's mighty obvious he hasn't seen anything at all.
EXCERPT FROM INTRO: This isn't like Roger Ebert's "Great Movies" series. It's not my idea of The Best Movies Ever Made (that would be a different list, though there's some overlap here), or limited to my personal favorites or my estimation of the most important or influential films. These are the movies I just kind of figure everybody ought to have seen in order to have any sort of informed discussion about movies. They're the common cultural currency of our time, the basic cinematic texts that everyone should know, at minimum, to be somewhat "movie-literate." I hope these movies are experiences we can all assume we share.
It was the kind of story that made you willing to linger over the after-dinner coffee. "What do you know about the death of Thomas Ince?" Peter Bogdanovich asked me. I knew a little. Like everyone with a fascination for Hollywood gossip, I'd read Kenneth Anger's legendary book Hollywood Babylon, in which he speculates that Ince, "The Wizard of Westerns," died after drinking bootleg booze on William Randolph Hearst's yacht.