The Black Marble
Produced by
Frank Capra
Frank Capra Movie Reviews
Blog Posts That Mention Frank Capra
Sony’s “Frank Capra at Columbia” 4K Box Set Encapsulates One of America’s Great Filmmakers
Mark Harris Talks About His Book “Five Came Back” and the way World War II changed Frank Capra, John Ford, John Huston, George Stevens and William Wyler
Capranomics: Banking on Character
Mr. Capra went to Hollywood
Video: Smithsonian’s History Film Forum Panel on It’s a Wonderful Life featuring Nell Minow
Short film blog-a-thon
Game Change: Not mavericky, but nice
The Return of the Autobiographical Dictionary of Film
The Idealist’s Journey
Kevin Costner: The Last of the Cornball American Directors
A Preview of the 2024 Iranian Film Festival New York
Venice Film Festival 2023: Biennale College and Recommended Movies
Ten Christmas Movies You Need to Add to Your Holiday Viewing List
I Wanted to Be a Part of This Story: Larry Wilmore and Rainn Wilson on Jerry and Marge Go Large
Scene Stealer: A Tribute to Isabel Jewell
Ivan Reitman: 1946-2022
A Lucky Film Buff: Leonard Maltin Reflects on His Life
That Space Between Awake and Asleep: Rebekah Del Rio on the Twentieth Anniversary of Mulholland Dr.
Advocates for Democracy: Barak Goodman and Chris Durrance on the Gerrymandering Documentary Slay the Dragon
What to Watch During a Quarantine
Not defending the Marvel Cinematic Universe
Music Box Memories: A Legendary Theatre Celebrates 90 Years
My Favorite Roger: Nell Minow
Richard Dreyfuss and Deborah Kolar, Daughter of Robert Shaw, on Jaws
Celebrating the Artifice: Laurent Bouzereau on Spielberg, Hitchcock, De Palma and More
30 Minutes on: “The Hudsucker Proxy”
Films to Get Us Through The Trump Presidency
Bright Wall/Dark Room December 2016: “It’s a Wonderful Life?” by Chad Perman
Chicago Symphony Orchestra Accompanies “It’s a Wonderful Life”
Ebert Archive Remains Essential Reading at Sun-Times
Thumbnails 12/6/16
Thumbnails 11/9/2016
Thumbnails 10/31/16
TIFF 2016: “Una,” “Strange Weather,” “LBJ,” “Sing”
TIFF 2016: “Abacus: Small Enough to Jail,” “The B-Side”
TIFF 2016: Fisher Stevens on “Before the Flood”
TIFF 2016 Interview: Steve James on “Abacus: Small Enough to Jail”
The “Shawshank” Greatness, Part II
Roger’s Favorites: Robert Zemeckis
A Trip Through Film History with Norman Lloyd
Who’s Who In Reviews: Simon Abrams
Unholy Dedication: A History of Jackie Chan’s “Police Story” Franchise
Beyond Narrative: The Future of the Feature Film
Thumbnails 12/22/14
Short Films in Focus: “Franz Kafka’s It’s a Wonderful Life”
Home Entertainment Consumer Guide: November 20, 2014
Thumbnails 8/7/14
Thumbnails 5/22/2014
In Defense of Don Draper: How “Mad Men” Will End
The Unloved, Part 3: The Hudsucker Proxy
Cohen Media Group Brings Classic and Vintage FIlms to a 21st Century Audience
The Twelve Scenes of Christmas: Numbers 4 to 1
The Twelve Scenes of Christmas: Numbers 8 to 5
Looking Back at “It Happened One Night”
Thumbnails 11/4/2013
Meet the Writers: Simon Abrams
Joseph Gordon-Levitt discusses “Don Jon”
“The reason I used that word is because that’s the word they used”: An interview with Ben Urwand, author of “The Collaboration: Hollywood’s Pact with Hitler.”
TCM’s 15 most influential films of all time, and 10 from me
Hey, Dude: Jeff Dowd downloads on the Sparo-at-the Yarrow
Now, that’s funny
The Best 10 Movies of 1989
101 102 Movies You Must See Before…
Armond Joy and the dining room table
Opening Shots: ‘His Girl Friday’
Bow down to Babs
Wild Things of Oz
How Not to Write About Film
Name That Director!
Happiness is a good father
Six keys to “Cloud Atlas”
With Great Power: Stan Lee, superhero
Outdoor film festival salutes Mickey Mouse, Brando, Grant
Peter Bogdanovich on storytelling
Scorsese learns from those who went before him
James Stewart, a tribute
Townsend brings it back home for ‘Heartbeats’
Greed is good and funny in DeVito’s hands
‘Casablanca’ gets colorized, but don’t play it again, Ted
9 Acts in Durango with Peckinpah, Coburn, Kris, Dub and The Duke
Interview with Mort Sahl
Interview with Jerry Paris
Interview with Bob Hope
‘Closer’ looks and ‘Sideways’ glances
