Like Ficarra and Requa’s 2011 comedy Crazy Stupid Love, Focus begins promisingly and bops along enjoyably for a while, only to run out of steam…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Picks for the best of the 2013-14 television season, in the form of a Dream Emmy ballot.
Haitian-born director Djinn Carrenard's nearly three-hour second feature is by turns enthralling and exasperating.
Louis C.K. brings his hit FX show back to the network on Monday, May 5th. We've seen the first four. It's still the best comedy on TV.
Many of today's films seem to be made solely for financial reasons, but the case of "The Exorcist" is more complex than most. It was a tremendous financial success, the all-time box office champ for a while, but only a psychic could have predicted that people would line up to see a movie of this nature.
"I love music so much and I had such ambition that I was willing to go way beyond what the hell they paid me for. I wanted people to look at the artwork and hear the music." - Alex Steinweiss
Welcome to a special Halloween edition of the Newsletter! Marie writes: the Cimetière du Père-Lachaise in Paris is considered one of the most beautiful cemeteries in the world, in addition to being the final resting place of many a famous name. From Édith Piaf, Sarah Bernhardt and Chopin to Oscar Wilde, Jim Morrison and Georges Méliès, the well-known sleep on the tree-lined avenues of the dead and which you can now explore in a virtual 360 degree tour...
From the Grand Poobah: Time passes twice now, first as real time, then as remembrance of things past, as I search my memory for my memoir. As my eyes lift up from my keyboard, they stare sightlessly straight ahead and old faces and places pass in review. So I take a photo of where I'm looking, in order to record what I see. When the picture was taken, Gene and I were in the Brown Derby at Disney World while taping an Oscar special; I'd like to say I have no idea of who came up with the idea for that composition, but I do, and it was yours faithfully, the Poobah.
(click to enlarge and read book spines; smile.)
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Tina Mabry's "Mississippi Damned," an independent American production, won the Gold Hugo as the best film in the 2009 Chicago International Film Festival, and added Gold Plaques for best supporting actress (Jossie Thacker) and best screenplay (Mabry). It tells the harrowing story of three black children growing up in rural Mississippi in circumstances of violence and addiction. The film's trailer and an interview with Mabry are linked at the bottom.
Kylee Russell in "Mississippi Damned"
The winner of the Audience Award, announced Friday, was "Precious" (see below). The wins came over a crowed field of competitors from all over the world, many of them with much larger budgets. The other big winner at the Pump Room of the Ambassador East awards ceremony Saturday evening was by veteran master Marco Bellocchio of Italy, who won the Silver Hugo as best director for "Vincere," the story of Mussolini's younger brother. Giovanna Mezzogiorno and Filippo Timi won Silver Hugos as best actress and actor, and Daniele Cipri won a Gold Plaque for best cinematography.
(Note from Roger Ebert: Cynthia, who now lives and works in Tucson, was a features writer at the Sun-Times in the 1970s, where our desks faced each other and we shared everything from coffee to the mysteries of the new computers. She sent me this after the death of Richard Pryor.)
Ebert's Best Film Lists1967 - present
CANNES, France -- Films are booed at Cannes for two reasons: Because they are bad, or because they are infuriating. Those in the second category are likely to be quite good, although they make you so mad, you have to step back and cool off to appreciate their qualities.
Cannes, France –- This time last year, the betting for best actress in the Cannes Film Festival was solidly on Isabelle Huppert. It is again this year, too. The solemn-faced young French actress with the big eyes and the remarkable subtlety is the early "best actress" favorite for her performance in the title role of Claude Chabrol's "Violette Noziere."
I met Martin Scorsese for the first time in 1969, when he was an editor on "Woodstock." He was one of the most intense people I'd ever known - a compact, nervous kid out of New York's Little Italy who'd made one feature film and had dreams of becoming a big-time director one day. It would take him five years.