Life struck me as several cuts above “meh” but never made me jump out of my seat.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Alison Brie, Dave Franco, Kate Micucci and Molly Shannon talk about their new movie, the 14th century convent sex comedy "The Little Hours."
A review of two opening night films from Sundance 2017.
Premieres, Midnights, Special Events and more have been announced for next month's Sundance Film Festival.
A preview of the 2016 version of the Chicago film lovers' event, including more than two dozen Chicago premieres.
A column on the latest Blu-ray and DVD releases, including "The Visit," "Sicario," "The Look of Silence," "Bone Tomahawk" and "Lady Snowblood."
An overview of the films that will be theatrically released in the 2015 fall season.
An FFC on recent comments by Michael Eisner.
What should be nominated for Emmys this year? Let us guide the way.
A report on six films from Sundance 2015, including "The D Train," "Partisan," and "Sleeping with Other People."
An interview with Jason Sudeikis and Leslye Headland for "Sleeping with Other People."
Picks for the best of the 2013-14 television season, in the form of a Dream Emmy ballot.
Marie writes: There was a time when Animation was done by slaves with a brush in one hand and a beer in the other. Gary Larson's "Tales From the Far Side" (1994) was such a project. I should know; I worked on it. Produced by Marv Newland at his Vancouver studio "International Rocketship", it first aired as a CBS Halloween special (Larson threw a party for the crew at the Pan Pacific Hotel where we watched the film on a big screen) and was later entered into the 1995 Annecy International Animated Film Festival, where it won the Grand Prix. It spawned a sequel "Tales From the Far Side II" (1997) - I worked on that too. Here it is, below.
"As film exhibition in North America crowds itself ever more narrowly into predictable commercial fodder for an undemanding audience, we applaud those brave, free spirits who still hold faith with the unlimited potential of the cinema." - Roger
Marie writes: Every once in while, I'll see something on the internet that makes me happy I wasn't there in person. Behold the foolish and the brave: standing on one of the islands that appear during the dry season, kayacker's Steve Fisher, Dale Jardine and Sam Drevo, were able to peer over the edge after paddling up to the lip of Victoria Falls; the largest waterfall in the world and which flows between Zambia and Zimbabwe, in Africa. It's 350 feet down and behind them, crocodiles and hippos can reportedly be found in the calmer waters near where they were stood - but then, no guts, no glory, eh? To read more and see additional photos, visit "Daredevil Kayakers paddle up to the precipice of the Victoria Falls" at the DailyMail.
Marie writes: Now this is something you don't see every day. Behold The Paragliding Circus! Acrobatic paragliding pilot Gill Schneider teamed up with his father’s circus class (he operates a school that trains circus performers) to mix and combine circus arts with paragliding - including taking a trapezist (Roxane Giliand) up for ride and without a net. Best original film in the 2012 Icare Cup. Video by Director/Filmmaker Shams Prod. To see more, visit Shams Prod.
Marie writes: The countdown to Christmas officially begins the day after Halloween, which this year lands on a Wednesday. Come Thursday morning, the shelves will be bare of witches, goblins and ghosts; with snowmen, scented candles and dollar store angel figurines taking their place. That being the case, I thought it better to start celebrating early so we can milk the joy of Halloween for a whole week as opposed to biding adieu to the Great Pumpkin so soon after meeting up again...
Yes, but is it Art? Marcell Duchamp's famous "Fountain" aka urinal
A few images from last week's "Mad Men" (or, as I often think of it, "The Peggy Olson Show Featuring Don Draper") to illustrate why composition and framing (aspects of what you might call cinematic architecture) make a world of difference in how a scene works... or doesn't. This episode, "The Rejected," was directed by John Slattery (who, as Roger Sterling, perfectly accents the new office design) and photographed as usual by Christopher Manley (overseen, of course, by series creator Matthew Weiner). Captions appear beneath the frame grabs below:
Don Draper (Jon Hamm) is falling apart, and the first shot shows him tethered to a phone cord, chain smoking, backed into a corner, with the ceiling closing in on him (as ceilings often do on "Mad Men"). The sight of Don compulsively puffing, lighting one smoke with the butt of another (he's on the phone with the notorious Lee Garner [Darren Pettie] from Lucky Strike, Sterling Cooper Draper Price's most financially important, and asshole-ish, client) is just the opposite of the way you would expect the well-groomed star of a TV series would be introduced -- especially in 1965. It turns out the subject of the call has to do with both cigarettes and television: the new FCC regulations for advertising cigarettes on TV. There's a delayed punchline a few shots later, when Don explains to Lee that certain camera angles are also prohibited -- like low angles or wide lenses, "anything that makes the smoker appear super-human." Yeah, we've seen that at work.