Ad Astra
This is rare, nuanced storytelling, anchored by one of Brad Pitt’s career-best performances and remarkable technical elements on every level. It’s a special film.
Uma Thurman
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The House That Jack Built (2018)
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Lady 1
Brian Tallerico -
Down a Dark Hall (2018)
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Madame Duret
Tomris Laffly -
The Con is On (2018)
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Harriet Fox
Matt Zoller Seitz -
Burnt (2015)
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Simone
Glenn Kenny -
Nymphomaniac: Vol. I (2014)
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Mrs. H
Sheila O'Malley -
Playing for Keeps (2012)
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Patti
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Bel Ami (2012)
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Madeleine
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Percy Jackson & the Olympians: The Lightning Thief (2010)
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Medusa
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Motherhood (2009)
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Eliza
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The Producers (2005)
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Ulla
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Prime (2005)
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Rafi Gardet
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Be Cool (2005)
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Edie Athens
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Kill Bill, Volume 2 (2004)
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The Bride, Written by
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Paycheck (2003)
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Rachel Porter
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Kill Bill, Volume 1 (2003)
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The Bride
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Chelsea Walls (2002)
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Grace
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Tape (2001)
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Amy
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The Golden Bowl (2001)
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Charlotte Stant
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Sweet And Lowdown (1999)
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Blanche
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Les Miserables (1998)
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Fantine
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Gattaca (1997)
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Irene
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Batman and Robin (1997)
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Poison Ivy
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The Truth About Cats and Dogs (1996)
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Noelle
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A Month by the Lake (1995)
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Miss Beaumont
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Pulp Fiction (1994)
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Mia
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Even Cowgirls Get The Blues (1994)
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Sissy Hankshaw
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Mad Dog and Glory (1993)
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Glory
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Jennifer 8 (1992)
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Helena Robertson
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Final Analysis (1992)
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Diana Baylor
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Where The Heart Is (1990)
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Daphne
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Dangerous Liaisons (1989)
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Cecile De Volanges
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Johnny Be Good (1988)
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Georgia Elkans
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
New Netflix Horror Series Chambers Should Have Just Been a Movie
A review of the newest Netflix YA horror series starring Uma Thurman and Tony Goldwyn.
#350 March 19, 2019
Matt writes: Our annual Women Writers Week at RogerEbert.com ran from Monday, March 4th, through Sunday, March 10th, this year, and featured must-read essays, interviews and reviews from so many essential writers, including our Assistant Editor Nell Minow; our weekly critics Monica Castillo, Tomris Laffly, Christy Lemire and Sheila O'Malley; and frequent contributors such as Jana Monji, Allison Shoemaker and Katherine Tulich.
John McNaughton on 1993's Mad Dog & Glory, Directing Robert De Niro, the Loss of Luke Perry and More
John McNaughton talks about the making of his underrated 1993 film, Mad Dog and Glory, on the occasion of a special edition Blu-ray release from Kino Lorber.
The House That Lars von Trier Built, and That I Live In
Watching a Lars von Trier film is entering into a deranged agreement.
The Virtue of Stillness: The Performances of Glenn Close
A deep dive into the acting career of Glenn Close, celebrating a performer who gets more out of stillness than almost any other actor.
In the Presence of Royalty: John Travolta on Gotti, Grease, Robert Shapiro and More
An interview with John Travolta, star and executive producer of "Gotti."
Cannes 2018: The House That Jack Built, At War, Asako I & II
Reviews from the Cannes Film Festival of three world premieres, including the latest by Lars von Trier.
Cannes 2018: Lars von Trier returns to Cannes with The House That Jack Built
After being declared "persona non grata" by the festival in 2011, Lars von Trier returned to Cannes this year with "The House That Jack Built."
The History of Hollywood's Difficult Women
Difficult is a gendered term fueled by the Hollywood machine and maintained by the belief that actresses aren’t responsible for the achievement of their films.
Michael Parks: 1940-2017
A tribute to the late actor Michael Parks.
Chuck Berry: 1926-2017
A tribute to the late Chuck Berry.
CIFF 2016 Preview: 35 Films to See
A list of films and special events to check out when attending this year's Chicago International Film Festival.
"The Hateful Eight" vs. "Pulp Fiction": The Devolution of Quentin Tarantino
May contain spoilers
FFC Gerardo Valero discusses the devolution of Quentin Tarantino by comparing The Hateful Eight to Pulp Fiction.
Hipster Misogyny: The Betrayal of "The Hateful Eight"
May contain spoilers
With "The Hateful Eight," Quentin Tarantino betrays the female fans he's until-now supported.
Gena Rowlands: A Life on Film
A chronological commentary celebrating the performances of Gena Rowlands.
Thumbnails 7/17/15
The pink ghetto of social media; Phil Joanou on Ennio Morricone; "Driving Miss Daisy" and "Do the Right Thing"; Memories of "Quick Change"; The Judy Greer effect.
Great Cast Keeps NBC’s “The Slap” Engaging
A review of NBC's "The Slap."
The Individual Top Tens of 2014
Lists from our critics and contributors on the best of 2014.
10 Underrated Female Performances of 2014
Ten underrated female performances from 2014 worthy of Oscar consideration.
Thumbnails 8/29/14
The right kind of 90s nostalgia; Cynthia Rothrock: Expendabelle; Favorite Fincher moments; Ten underrated 2014 performances; Chatting with Whit Stillman.
Awards Show Wrap-up: Cannes Report, May 26
Barbara Scharres reports on the winners at the Cannes Film Festival.
#168 May 22, 2013
Marie writes: Now this is really neat. It made TIME's top 25 best blogs for 2012 and with good reason. Behold artist and photographer Gustaf Mantel's Tumblr blog "If we don't, remember me" - a collection of animated GIFs based on classic films. Only part of the image moves and in a single loop; they're sometimes called cinemagraphs. The results can be surprisingly moving. They also can't be embedded so you have to watch them on his blog. I already picked my favorite. :-)
#137 October 10, 2012
Marie writes: I may have been born in Canada, but I grew-up watching Sesame Street and Big Bird, too. Together, they encouraged me to learn new things; and why now I can partly explain string theory.That being the case, I was extremely displeased to hear that were it up Romney, as President he wouldn't continue to support PBS. And because I'm not American and can't vote in their elections, I did the only thing I could: I immediately reached for Photoshop....
(Click image to enlarge.)
#110 April 11, 2012
Yes, but is it Art? Marcell Duchamp's famous "Fountain" aka urinal
# 73 July 27, 2011
"I love music so much and I had such ambition that I was willing to go way beyond what the hell they paid me for. I wanted people to look at the artwork and hear the music." - Alex Steinweiss
