It’s a dancing elephant of a movie. It has a few decent moves, but you’d never call it light on its feet.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A list of films and special events to check out when attending this year's Chicago International Film Festival.
The staff pays tribute to Harry Dean Stanton.
A tribute to the legendary Harry Dean Stanton.
An article about the TIFF Ebert Tribute Luncheon honoring Wim Wenders on Sunday, September 10th.
Writer/director Michael Almereyda on adapting the sci-fi play "Marjorie Prime" for his latest idiosyncratic project.
A celebration of the late Sam Shepard's Oscar-nominated performance as Chuck Yeager in "The Right Stuff."
The great playwright and screen actor leaves behind a legacy of introspective, fascinating work, much of it having to do with America's self-image.
An interview with the director "Baby Boom" and reappreciation of the film on its 30th anniversary.
Meredith Brody recaps the films she saw, of past and present, at the 2016 Telluride Film Festival.
A report from the 2005 Cannes Film Festival.
30 Minutes on the latest by Jeff Nichols ("Take Shelter," "Mud").
A review of the latest from Jeff Nichols from Berlinale 2016.
An interview with legendary animator Ralph Bakshi.
A recap of the screenings and events at the 2015 Middleburg Film Festival.
What should be nominated for Emmys this year? Let us guide the way.
A review of Netflix's "Bloodline" with Kyle Chandler, Ben Mendelsohn, Sissy Spacek, and Sam Shepard.
An excerpt from Faith and Spirituality in Masters of World Cinema Vol. 3.
"Frank," "Cold in July" and "Blue Ruin" are all about characters with limited knowledge of who they are and what they're capable of.
Marie writes: As the dog days of summer slowly creep towards September and Toronto starts getting ready for TIFF 2013, bringing with it the promise of unique and interesting foreign films, it brought to mind an old favorite, namely The Red Balloon; a thirty-four minute short which follows the adventures of a young boy who one day finds a sentient red balloon. Filmed in the Menilmontant neighborhood of Paris and directed by French filmmaker Albert Lamorisse, The Red Balloon went on to win numerous awards and has since become a much-beloved Children's Classic.
Marie writes: Last week, in response to a club member comment re: whatever happened to Ebert Club merchandize (turned out to be too costly to set up) I had promised to share a free toy instead - an amusement, really, offered to MailChimp clients; the mail service used to send out notices. Allow me to introduce you to their mascot...
PRESS RELEASE: CHAMPAIGN, Ill. -- Terrence Malick's 1978 film "Days of Heaven" won an Oscar for best cinematography, and Roger Ebert likely found that no surprise. It is "above all one of the most beautiful films ever made," Ebert said in a 1997 review. So it's only appropriate that the film will open the 15th annual Roger Ebert's Film Festival on April 17 in the big-screen, newly renovated Virginia Theater in downtown Champaign.
Marie writes: It's no secret there's no love lost between myself and what I regard as London's newest blight; The Shard. That said, I also love a great view. Go here to visit a 360-degree augmented-reality panorama from the building's public observation deck while listening to the sounds of city, including wind, traffic, birds and even Big Ben.
Marie writes: As some of you may have heard, a fireball lit up the skies over Russia on February 15, 2013 when a meteoroid entered Earth's atmosphere. Around the same time, I was outside with my spiffy new digital camera - the Canon PowerShot SX260 HS. And albeit small, it's got a built-in 20x zoom lens. I was actually able to photograph the surface of the moon!
(click to enlarge)
This is a free sample of the Newsletter members receive each week. It contains content gathered from recent past issues and reflects the growing diversity of what's inside the club. To join and become a member, visit Roger's Invitation From the Ebert Club.
Marie writes: Not too long ago, Monaco's Oceanographic Museum held an exhibition combining contemporary art and science, in the shape of a huge installation by renowned Franco-Chinese artist Huang Yong Ping, in addition to a selection of films, interviews and a ballet of Aurelia jellyfish.The sculpture was inspired by the sea, and reflects upon maritime catastrophes caused by Man. Huang Yong Ping chose the name "Wu Zei"because it represents far more than just a giant octopus. By naming his installation "Wu Zei," Huang added ambiguity to the work. 'Wu Zei' is Chinese for cuttlefish, but the ideogram 'Wu' is also the color black - while 'Zei' conveys the idea of spoiling, corrupting or betraying. Huang Yong Ping was playing with the double meaning of marine ink and black tide, and also on corruption and renewal. By drawing attention to the dangers facing the Mediterranean, the exhibition aimed to amaze the public, while raising their awareness and encouraging them to take action to protect the sea.