Revolver
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Ritchie
Ritchie
Ritchie Movie Reviews
Blog Posts That Mention Ritchie
Guy Ritchie’s The Gentlemen Stumbles Through the Door from Film to TV
These guys make Guy Ritchie’s career all the more insignificant
All the Days of My Life: On Elaine May’s “A New Leaf”
A Case of Identity Crisis: “Young Sherlock” Suffers From Too Many Ideas
Sundance 2026: American Doctor, American Pachuco, Barbara Forever
40 Shows We Can’t Wait to Watch in 2026
Home Entertainment Guide November 2025: “Familiar Touch,” “Eyes Wide Shut,” “Splitsville”
The Golden Boy: 11 of Our Favorite Robert Redford Performances
The 10 Best Oasis Needle Drops
Netflix’s “You” Gives Us a Better Ending Than We Deserve
Tom Hardy Carries Promising Double-Episode Premiere of Paramount+’s “MobLand”
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
I Think Of Them As The Work: Gene Hackman (1930-2025)
Morris Chestnut is Wasted on Inferior “Watson”
Home Entertainment Guide: July 2024
Home Entertainment Guide: June 2024
Robert Daniels & Odie Henderson Talk Wild Wild West at 25
Doug Liman Never Does Things the Easy Way
Always the Right Actor: Tom Wilkinson (1948-2023)
R.I.P. Icon Norman Lear, Thank You for Your Century of Inspiration
Home Entertainment Guide: September 2023
The Ark is a Modest Adventure of Clever Pseudo-Science
Nell Minow’s Overlooked Films of 2022
SDCC 2022: Zombies vs. Vampires
Happy 100th Birthday to Norman Lear!
Our Writers Highlight Articles to Enjoy on our Newly Redesigned RogerEbert.com: Part I
Enter Laughing: Carl Reiner, 1922-2020
Home Entertainment Guide: April 30, 2020
All the Major Titles Dropping Early on VOD Because of COVID-19
Epix’s Pennyworth Tries to Add Depth to Famous Supporting Character
Fantasia 2019: Killerman
Book Review: The Star Wars Archives 1977-1983
RIP Cinema: On James Dean’s Disappearance and French New Wave Legacy
Jason Reitman, Jay Carson and Matt Bai on Adapting Gary Hart’s Scandal into The Front Runner
Partners in mind: Keith Carradine and Alan Rudolph
SyFy’s “Happy!” Dances on Razor’s Edge Between Entertaining and Annoying
TIFF 2017: “Borg/McEnroe,” “Loveless,” “A Ciambra”
“A Wrinkle in Time,” “Mary Poppins Returns,” “Star Wars: The Last Jedi” and More at D23 Expo 2017
Charles Taylor on His New Book, “Opening Wednesday at a Theater or Drive-In Near You”
Crackle’s “Snatch” Series is a Superficial Sequel
SXSW 2017: “Madre,” “Us and Them,” “Most Beautiful Island”
Home Entertainment Consumer Guide: December 3, 2015
The Unloved, Part 24: Sherlock Holmes: A Game of Shadows
Home Entertainment Consumer Guide: November 22, 2015
Thumbnails 9/22/15
Who’s Who In Reviews: Glenn Kenny
2015 Summer Movie Preview: A Four-Month, Blockbuster Festival
Thumbnails 3/9/15
Opening Night of 30th Annual Santa Barbara International Film Festival
Dave Legeno, 1963-2014: a Remembrance by J.d. Zeik
“Elementary” and the Holmes Tradition
February 3, 1959: The day the music died
Did I know “Beyond the Valley of the Dolls” was an exploitation film?
Corn goes in one end and profit comes out the other
TIFF 08: The waiting-for-it-to-start post
Critic trashes “worst rock movies” from Woodstock to Scorsese
TIFF 08: The omnivore’s dilemma
The BJ
You never saw this in all of those John Wayne war movies
Sundance Festival of independent films opens today
Telluride clears perspective
Saluting a Master Of the Cinema, Yasujiro Ozu
Interview with Paul Mazursky (1980)
Michael Caine: Doing something with nothing
Interview with Bette Midler
Interview with Bruce Dern
