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Outbreak

The thriller occupies the same territory as countless science fiction movies about deadly invasions and high-tech conspiracies, but has been made with intelligence and an…

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Planes, Trains and Automobiles

It is perfectly cast and soundly constructed, and all else flows naturally. Steve Martin and John Candy don't play characters; they embody themselves.

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These guys make Guy Ritchie's career all the more insignificant

I was recently on a plane from Chicago to Seattle and Guy Ritchie's "Sherlock Holmes: A Game of Shadows" (2011) was playing. I didn't watch it (to paraphrase "Night Moves": "I saw a Guy Ritchie movie once...") but every time I looked up at the screens, the same thing would happen: The action would speed up and slow down within individual shots. In the days of film, you might call it overcranking and undercranking, but this was digital. You remember "The Matrix." It was all very 1999.

Shortly thereafter I saw this video (and many others) by Genki Sudo / World Order. I find their movements, accomplished with their bodies in real time and not with camera tricks, mesmerizing (robot moves aside, reminiscent of David Byrne's "Once in a Lifetime") and somehow quite moving. They're getting at something profound about the rhythms of technology and biology and modern rituals. And, as a side effect, they make Guy Ritchie's directorial career look all the more insignificant.

L to R: Takashi Jonishi, Yusuke Morisawa, Ryo Noguchi (chief choreographer), Genki Sudo (vocal, producer & director, retired Ultimate Fighter), Masato Ochiai, Akihiro Takahashi, Hayato Uchiyama.

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