The Order
Terry Husk
Jude Law
Jude Law Movie Reviews
Firebrand
Henry VIII
Peter Pan & Wendy
Captain Hook
Fantastic Beasts: The Secrets of Dumbledore
Albus Dumbledore
A Rainy Day in New York
Ted Davidoff
The Nest
Rory
The Rhythm Section
B
Captain Marvel
Yon-Rogg
Vox Lux
The Manager
Fantastic Beasts: The Crimes of Grindelwald
Albus Dumbledore
King Arthur: Legend of the Sword
Vortigern
Genius
Thomas Wolfe
Spy
Bradley Fine
Black Sea
Captain Robinson
Dom Hemingway
Dom Hemingway
The Grand Budapest Hotel
Young Writer
Side Effects
Dr. Jonathan Banks
Rise of the Guardians
Pitch
Anna Karenina
Karenin
Sherlock Holmes: A Game of Shadows
Dr. John Watson
Blog Posts That Mention Jude Law
We Need Art More Than Ever: Jude Law, Jurnee Smollett on “The Order”
Jude Law, Michael Caine, Kenneth Branagh: “Sleuth” is not a remake
Venice Film Festival 2024: Babygirl, The Order, The Brutalist, I’m Still Here
Ambition is the Antagonist: Sean Durkin on The Nest
HBO’s “The Young Pope” Offers Unique Television Homily
What is up with that Seinfeld guy?
‘Breaking and Entering’ (It’s a metaphor)
VIFF: A film from Heath Ledger and friends (and more)
What to Watch on Netflix: March 2025
Happy New Year from Chaz Ebert and All of Us at RogerEbert.com
“Star Wars: Skeleton Crew” Takes Aim at Younger Viewers
TIFF 2024: 20 World Premieres We Can’t Wait to See
Venice Film Festival 2024: Prepping for the Biennale
Which Cannes Film Will Win the Palme d’Or? Let’s Rank Their Chances
Why Closer Still Matters Two Decades After Its Release
Saltburn and Subverting the Passing Narrative
Cannes 2023: Fallen Leaves, Club Zero, Firebrand
Karlovy Vary to Honor Russell Crowe
Anatomy of a Scandal Doesn’t Hold Up Under the Scalpel
Home Entertainment Guide: June 2021
The Great Performances of 2020
The Individual Top Tens of 2020
The Ten Best Films of 2020
World of Wong Kar Wai Retrospective Arrives Virtually to Film at Lincoln Center
HBO’s The Third Day is Ambitious Psychological Horror
The Best Films of the 2020 Sundance Film Festival
Sundance 2020: The Nest, The Father
Sundance 2020: 20 Films We Can’t Wait to See in Park City
HBO’s Strange, Sexy The New Pope is Never Dull
Sundance 2020 Announces Competition, Midnight, Premiere Titles and More
Revisiting Andrew Niccol’s Gattaca in the Age of CRISPR
Twelve Thumbs-Up Films from the Venice Film Festival
Home Entertainment Consumer Guide: June 13, 2019
Higher, Further, Faster: Why Captain Marvel Matters
Home Entertainment Consumer Guide: March 14, 2019
TIFF 2018: The Death and Life of John F. Donovan, Vox Lux
Venice Film Festival 2018: Vox Lux, Dragged Across Concrete, At Eternity’s Gate
KVIFF 2018: Winter Flies and Opening Night
Bright Wall/Dark Room March 2018: Soderbergh’s Limey’s by George Hardy
Three Billboards, Lady Bird Win Big at 75th Golden Globes
“The Shape of Water” Leads the 2018 Golden Globe Nominees
If I Had an Emmy Ballot 2017
Home Entertainment Consumer Guide: June 8, 2017
Venice Film Festival 2016: “The Young Pope”
2016 Summer Movie Preview: A Four-Month, Blockbuster Festival, Part II
“Spotlight,” “The Revenant,” “Mad Max: Fury Road” Win Big at Oscars
Home Entertainment Consumer Guide: October 23, 2015
Video Interview: Melissa McCarthy and Rose Byrne on “Spy”
A Tightrope Walk: Paul Feig on the Balance of “Spy”
Home Entertainment Consumer Guide: May 7, 2015
2015 Summer Movie Preview: A Four-Month, Blockbuster Festival
SXSW 2015: Studios and Indies Collide in Austin
Interview: Kevin Macdonald Sails the “Black Sea”
The Ten Best Films of 2014
Ger Duany, Emmanuel Jal and Molly Smith on “The Good Lie”
Stories within Stories: Wes Anderson Talks About “The Grand Budapest Hotel”
Thumbnails 6/17/2013
The Best Films of 2004
The Best 10 Movies of 1999
“Midnight in Paris” but Cannes has just begun
On Leonardo DiCaprio in “The Aviator”
Toronto #8: ‘Sleuth’ finds itself a Pinter film
‘Baby’ stages late-round Oscar rally
Uncommonly good
Ebert’s Oscar predictions (2000)
Dynamic duo blasts off for ‘Tomorrow’
Oscar jibs, jabs and snubs
