Deadwood: The Movie
As much fans have desperately wanted another season or movie before now, there's something so perfect and beautiful about how this movie came out that…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Captain Marvel has a nuanced and complicated take on what authentic empowerment looks like.
The latest on Blu-ray and DVD, including Creed II, The Favourite, Green Book, Burning, The Guilty, and more!
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A preview of dozens of films being released this Summer.
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Wes Anderson talks about the sources behind "The Grand Budapest Hotel", dining with his cast every night on location, and the comic gifts of Ralph Fiennes.
Sheila writes: Todd Sanders is a self-taught neon sign artist. Roadhouse Relics, the gallery of his work in Austin, Texas, is filled with his beautiful vintage-inspired signs. His designs are all hand-drawn. He collects old magazines from the 1920s, 1930s, etc., to get inspiration for his neon signs. He does custom signs as well. You can check out Sanders' work, bio, and press kit at Roadhouse Relics. Neon brings up all kinds of automatic images and associations: seedy hotels, burlesque joints, cocktail bars. His signs evoke those images, but much more. For instance, look at his beautiful "Fireflies In a Mason Jar".
Asymmetrical journalism and the Rob Ford crack tape; Sofia Coppola's The Bling Ring presents life as "an endless selfie"; James Lipton was once a pimp, apparently; Egypt solves the problem of how to censor "salacious" content by airing a sitcom with no women in it; Seattle's Egyptian movie theater to close; dumbest beauty pageant contestant answer ever?
Marie writes: Remember Brian Dettmer and his amazing book sculptures? Behold a similar approach courtesy of my pal Siri who told me about Alexander Korzer-Robinson and his sculptural collages made from Antiquarian Books. Artist's statement:"By using pre-existing media as a starting point, certain boundaries are set by the material, which I aim to transform through my process. Thus, an encyclopedia can become a window into an alternate world, much like lived reality becomes its alternate in remembered experience. These books, having been stripped of their utilitarian value by the passage of time, regain new purpose. They are no longer tools to learn about the world, but rather a means to gain insight about oneself."
Marie writes: "let's see what happens if I tickle him with my stick..."(Photo by Daniel Botelho. Click image to enlarge.)