The Call of the Wild
The dog seems synthetic and so does the story.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
This year's panel, moderated again by Leslie Combemale, was the most optimistic yet.
An assessment of the image of the black woman on the big screen since Halle Berry's Oscar win.
A list of the winners from this year's Academy Awards.
A full list of the nominations for the 2019 Academy Awards.
A review of three timely films playing in Sundance's US Dramatic Competition category.
An article about scheduled events from The Blackhouse Foundation at the 2018 Sundance Film Festival.
110 independent films have been announced to premiere at next January's Sundance Film Festival.
Our resident awards expert predicts who will go home with an Oscar on Sunday night.
A look at what's coming to theaters this January through April.
A piece on extending the conversation about diversity at the Oscars to include all minorities.
Contributors to RogerEbert.com each list their favorite films of 2015.
The ten best films of 2015.
A piece on the wave of new Black women directors, including Gina Prince-Bythewood, Amma Assante, Ava DuVernay and Dee Rees.
Director Bill Condon talks about telling true stories, and why we are all fascinated with them.
R. Kurt Osenlund talks to Jennifer Hudson about playing Winnie Mandela for the new film "Winnie Mandela."
Today at Sundance I wandered aimlessly around a supermarket picking up different cheeses and putting them back down. I can never decide on a brie.
Cheese-less I journeyed to a bustling main street (a very steep hill) where altitude-acclimated rich ladies breezed by me in furry hats and sunglasses. They were having a good time.
Marie writes: It's no secret that most Corporations are evil - or at the very least, suck big time. And while I have no actual proof, I'm fairly certain there is a special level of Dante's Hell reserved just for them. (Map of Dante's Hell.)That being the case, when my younger brother Paul wrote me about a cool project sponsored by Volkswagen, I was understandably wary and ready to denounce it sight-unseen as self-serving Corporate shyte. As luck would have it however, I was blessed at birth with curiosity and which got the better of me and why I took a look. For what I found was nothing less than extraordinary....
TORONTO -- Mike Leigh is 65 years old and universally acclaimed as one of the leading British directors, although "Happy-Go-Lucky" is only his tenth theatrical feature sine 1971. There's a reason for that. He went another 17 years before making "High Hopes" in 1998, although he kept busy with BBC films and stage work. His problem was, he couldn't get financing to make a film without a screenplay, and he famously has two conditions to make a film: (1) No outside interference, and (2) the screenplay is devised in collaboration with the actors, after the project has started.
TORONTO, Ont.--Danny Boyle's "Slumdog Millionaire" hits the ground and never stops running. After its first press screening early Saturday morning, it became a leading contender for the all-important Audience Award, which is the closest thing the Toronto Film Festival has to a top prize. And an Oscar best picture nomination is a definite possibility.
See how Roger Ebert did at predicting the winners
Complete list of winners at the 79th annual Academy Awards, presented Sunday night at the Kodak Theatre in Los Angeles.
In a year when the Academy Award nominations are more diverse and international than ever before, it's anyone's guess who will win best picture. "Dreamgirls" garnered more nominations than any other movie, but was passed over for both picture and director.
Oscar is growing more diverse and international by the year. This year's Academy Award nominations, announced Tuesday, contain a few titles that most moviegoers haven't seen and some they haven't heard of. That's perhaps an indication that the Academy voters, who once went mostly for big names, are doing their homework and seeing the pictures.
Last summer, according to most industry prognosticators, this whole Oscar race thing was supposed to be all over already. Before its release, Clint Eastwood's "Flags of Our Fathers" was widely expected to be greeted with flowers and statuettes. The combination of Eastwood and Paul Haggis (screenwriter of the last two Best Picture winners, Eastwood's "Million Dollar Baby" and Haggis's "Crash") made the Red Carpet look like a cakewalk. "Letters from Iwo Jima" wasn't even on the release schedule for 2006, so as not to interfere with "Flags"' Oscar chances. Martin Scorsese's "The Departed," on the other hand, was cheered as a "return to his (generic) roots, " a straight-up commercial cops-and-crooks movie to follow up his prestige-picture Oscar bids, "Gangs of New York" and "The Aviator," but not something seriously For Your Consideration.
The peppy musical "Dreamgirls" led Academy Awards contenders Tuesday with eight nominations, but surprisingly was shut out in the best picture category for which it had been considered a potential front-runner. The sweeping ensemble drama "Babel" was close behind with seven, including best picture and acting honors for two newcomers to U.S. audiences, Adriana Barraza and Rinko Kikuchi.