They Call Me Bruce
Screenplay by
Hong
Hong Movie Reviews
Blog Posts That Mention Hong
Hong Kong FILMART, Jia ZhangKe, and Star Ferry
Ten films, four days, relentless Hong Kong
Only when I breathe: David Bordwell in Hong Kong
Dr. Bordwell Goes to Hong Kong
Cannes Film Festival 2025: A Look at the Cannes Classics Program
That’s What Disruption Does For Me: Gareth Evans on “Havoc”
The Sweet and Sour K-Drama “When Life Gives You Tangerines” Measures Life in Four Seasons of Love
This is Just the Beginning: Pamela Anderson on “The Last Showgirl”
2025 Sundance Film Festival Announces Ambitious Program
Tokyo International Film Festival 2024: “Apollon by Day, Athena by Night,” “Underground,” “Emmanuelle”
Tokyo International Film Festival 2024: Orang Ikan, Missing Child Videotape, Kiyoshi Kurosawa
Home Entertainment Guide: October 2024
CIFF 2024: Cloud, Grafted, Parvulos
Locarno Film Festival 2024: Wrap-Up of a Special Event
Locarno Film Festival 2024: By the Stream, Toxic, Drowning Dry, When the Phone Rang
One Big Fortune: Remembering Corey Yuen
The Unloved, Part 128: Cobweb
Cannes 2024 Diary 2: International Genre Picks
The Legacy of David Bordwell; or, The Memorial Service as Network Narrative
Cannes 2024: Kinds of Kindness; Oh, Canada; Scénarios
The 10 Most Anticipated Films of Cannes 2024
Which Cannes Film Will Win the Palme d’Or? Let’s Rank Their Chances
Netflix Launches Ambitious, Engaging Adaptation of 3 Body Problem
Eye on the Screen: David Bordwell (1947-2024)
All 10 of Martin Scorsese’s Directing Oscar Nominations, Ranked
In Memoriam: The 10 Great Movies That Were Forgotten This Oscar Season
Berlin Film Festival 2024: Dahomey, My Favorite Cake, A Traveler’s Needs
10 Films We Can’t Wait to See at Berlin 2024
Sundance 2024: Sebastian, Girls Will Be Girls, Brief History of a Family
Bright Wall/Dark Room January 2024: Making Peace With Our Distractions: On Kelly Reichardt’s Showing Up
All Is Not Calm: John Woo on Silent Night
Looking for Loneliness: Wayne Wang on His Career
59th Chicago International Film Festival Announces Exciting Full Line-up of Features and Shorts
TIFF 2023: Alice & Jack, Expats, Sly
New York Asian Film Festival 2023 Highlights
Disney Version of American Born Chinese Entertains Even as It Dilutes Its Source
Gremlins: Secrets of the Mogwai Reignites Beloved Property
Female Filmmakers in Focus: Kelly Reichardt on Showing Up
Ten Years of Presence: In Honor of Roger Ebert and the Empathy Machine
Netflix Taps into Old-Fashioned Spy Drama with Confidence in Fun The Night Agent
Nina Yang Bongiovi to Receive the Variety Creative Impact Award at the 2023 Sun Valley Film Festival
The Impact of Everything Everywhere All at Once on the Asian-American Community
Michelle Yeoh: Kicking Ass Across the Multiverse
Berlinale 2023 Preview: From Sean Penn to Donna Summer
Natasha Lyonne, Rian Johnson Make a Perfect Team for Peacock’s Poker Face
10 Major Snubs and Surprises from the 2023 Oscar Nominations
The Stars Shine at the 2023 Critics Choice Awards
The State of the Oscar Race: A Crazy Week Offers Clarity to Key Categories
The Great Performances of 2022
The Ten Best Films of 2022
Everything Everywhere All at Once Leads Chicago Film Critics Nominations
Little America Returns For More Heartwarming Stories In Its Second Season
Simon Abrams’ Overlooked Films of 2022
Middleburg Film Festival 2022 Highlights
NYFF 2022: Against Time, The Novelist’s Film, Pacifiction
Highlights from the 2022 Reeling: Chicago LGBTQ+ International Film Festival
NYFF 2022: White Noise, Showing Up, Triangle of Sadness
Major Questions of the 2022 Oscar Race After TIFF
TIFF 2022: Prisoner’s Daughter, What’s Love Got to Do with It, Walk Up
TIFF 2022: The Banshees of Inisherin, The Whale
TIFF 2022: Sanctuary, The Menu, Biosphere
Venice Film Festival 2022: The Whale, The Ghost of Richard Harris, Don’t Worry Darling
Fantasia 2022: Coupez!, Hard Boiled, Cavalcade of Perversions: A Regular Little Orgy
Cannes 2022: Highlights of the Return of the Legendary Film Festival
Cannes 2022: Showing Up, Broker, Close
Roger’s Top Ten Lists: Best Films of 2012
Roger’s Top Ten Lists: Best Films of 2006
The Profound and the Profane Belong to Each Other: Daniels on Everything Everywhere All at Once
The Best South Korean Film of 2021: Lee Tae-gyeom’s I Don’t Fire Myself
Korean Master Kim Jee-Woon Directs Apple’s Visionary Dr. Brain
NYFF 2021: Closing Thoughts
Fantasia 2021: Bull, Voice of Silence, Baby Money
Cannes 2021: Vortex, In Front of Your Face, Blue Bayou
Book Excerpt: Films of Endearment by Michael Koresky
The 10 Best Films for National Paranormal Day
Short Films in Focus: The Oscar-Nominated Short Films of 2021
Enter the World of Wong Kar Wai with One of Criterion’s Best Box Sets
Pure Imagination: Adam Wingard on Godzilla vs. Kong
Steven Yeun Breathes Life into the Animated Superhero Series Invincible
The World of Cinema from Your Couch: An Overview of Berlinale 2021
Why Moving On is the Best Korean Film of 2020
