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Rescuing a Movie About Angels From the Devil Himself: Kevin Smith on “Dogma”
Highlights from the 2025 MUBI Fest Chicago
A Look at the Rich Tapestry of Films Coming from South Africa
International and Indie Cinema on the Rise: A Report from the 97th Academy Awards
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
New York International Children’s Film Festival Highlights Original Work From Around the World
10 Great Performances from Sundance 2025
Sundance 2025: 2000 Meters from Andriivka, Cutting Through Rocks, Khartoum
Sundance 2025: Brides, Where the Wind Comes From, Two Women
Ten Shocking Omissions from the 2025 Oscar Nominations
The Metaphor Years: Writing Lessons from “The Twilight Zone”
Starz’s “The Couple Next Door” Stops Itself From Reaching Great Heights
Happy New Year from Chaz Ebert and All of Us at RogerEbert.com
No Box He Won’t Escape From: James Mangold on “A Complete Unknown”
A Voice from the Great Unconscious: Tony Todd (1954-2024)
10 Great Horror Films from 2024 (and Where to Watch Them)
André Holland Talks Deleted Scenes from “42”
TIFF 2024: The Last Republican, A Sister’s Tale, From Ground Zero
Locarno Film Festival 2024: Eight Postcards from Utopia and Sleep #2
Tribeca Film Festival 2024: 8 Highlights from This Year’s Event
Killer Klowns from Outer Space Is a Total Blast
The Problem and the Solution: Why Palpatine from Star Wars is One of the Great Movie Villains
11:11 – Eleven Reviews by Roger Ebert from 2011 in Remembrance of His Transition 11 Years Ago
On Luca, Tenet, The Invisible Man and Other Films from the Early Pandemic Era that Deserve More Big-Screen Time
BET+’s Diarra from Detroit Successfully Blends Comedy & Mystery
Art Takes You Prisoner: Radu Jude on Do Not Expect Too Much from the End of the World
SXSW 2024: Songs from the Hole, The Black Sea, Adrianne & The Castle
Oscars 2024: The View from the Room
You’re Naked Without Us: A Report from the Costume Designers Guild
Danny Boyle Explains What Made Cillian Murphy So Special from the Start
Guy Ritchie’s The Gentlemen Stumbles Through the Door from Film to TV
A Farewell from Our Literary Editor, Matt Fagerholm
Nine Major Omissions from the 2024 Oscar Nominations
Spit On A Griddle: The Return of Francis Ford Coppola’s One from the Heart
A Report from the Color Purple Special Screening with Oprah Winfrey
Seasons Greetings from Chaz Ebert and All of Us at RogerEbert.com
CIFF 2023: Explanation for Everything, About Dry Grasses, Do Not Expect Too Much from the End of the World
Disney+ Reboot of Goosebumps Slides from Promising Horror into YA Soap Opera
TIFF 2023: Stamped from the Beginning, They Shot the Piano Player, Viva Varda!
Laurel and Hardy: Year One is Another Fine Blu-ray from Flicker Alley
From Willy Wonka to Barbie: Selling a Movie While Selling a Product
To Return to Innocence From the Other Side: Christian Petzold on Afire
From Despair to Hope: A Costly Phantom Mercury Contamination Scare in the Scarboro Community
Black Animation and Me: Where We Came From and Where We’re Going
Sam Hargrave on the Making of Extracton 2, That 21-Minute Oner, Advice from the Russo Brothers, and More
A Gold Mine of Material: George Griffith on From the Head and Twin Peaks: The Return
Five Great Tales from Cannes’ Past
Chicago Critics Film Festival 2023 Preview: Chicago Premieres of Acclaimed Films from Around the World
Comedy Central’s Digman! is Another Gem from The Lonely Island
True/False 2023: Ebert Fellows on Their Favorites from This Year’s Event
Berlinale 2023 Preview: From Sean Penn to Donna Summer
From Prancer to Award-Winning Documentarian, Rebecca Harrell Tickell Credits Roger Ebert with Pointing Her Way
10 Major Snubs and Surprises from the 2023 Oscar Nominations
Calling All Youth Music Mixologists from Chicago: Enter the Lyric’s Opera Remix Competition
Happy 2023 from Chaz Ebert and All of Us at RogerEbert.com!
From the Deep: On the Staying Power of Creature from the Black Lagoon
Highlights from the 2022 Reeling: Chicago LGBTQ+ International Film Festival
The Last of Us, Part 1 Rebuilds Landmark Game from the Ground Up
Words of Wisdom from a Woman on her 103rd Birthday
Silver Screen Approved: The Top 5 Actors from Hip-Hop
From Kristen Stewart to Benedict Cumberbatch: Tribute Highlights from the Santa Barbara International Film Festival 2022
Vikings: Valhalla Offers an Entertaining Escape from Winter Blues
Epix Schedules Fun Stephen King-Inspired Road Trip in From
The Woman in the House Across the Street From the Girl in the Window Drags Its Long Title Through an Uninspired Season
Netflix’s In From the Cold is a Silly and Seductive Spy Thriller
NBC Tries to Keep Sitcom Alive with New Shows from Established Veterans
Happy New Year from Chaz Ebert and RogerEbert.com!
A Sort of Frankenstein Experiment: Hagai Levi on Remaking Scenes from a Marriage
Message from Chaz Ebert: Please Get Vaccinated
From Guillermo and Gottfried to the Golden Arm, Ebertfest 2022 is Back in Full Swing
Words of Love: Shailene Woodley and Felicity Jones on The Last Letter From Your Lover
Going All In On Romance: Jojo Moyes & Augustine Frizzell on The Last Letter From Your Lover
A Letter to Roger Ebert from a Former Ebert Fellow
Shadow and Bone Sets Itself Apart from the YA Pack with Welcome Restraint
From Bill Murray to Sacha Baron Cohen: Santa Barbara Film Festival 2021 Highlights
The World of Cinema from Your Couch: An Overview of Berlinale 2021
Bright Wall/Dark Room February 2021: Who Could Ask for Anything More?: Watching Gene Kelly From a Child’s-Eye View by Ethan Warren
9 More Dazzling Favorite Movies and Reviews from 2020
19 Dazzling Favorite Movies and Reviews from 2020
From Spidey to Souls: The PS5 Launch Games
Highlights from Ebert Symposium on Future of Movie Industry
An Open Letter to Cuties Director Maïmouna Doucouré from Female Filmmakers
TIFF 2020: Fireball: Visitors from Darker Worlds, Enemies of the State, 76 Days
TIFF 2020: No Ordinary Man, MLK/FBI, The Boy from Medellin
A.P. Bio Moves from NBC to Peacock with Third Season
Haunted From All Sides: On the History Behind This Week’s Lovecraft Country
Get Lost in Bruce Lee’s Greatest Hits from Criterion
Happy 6th Anniversary to Brian Tallerico from RogerEbert.com
You’re Not Far Away From That Pencil and the Person Holding It: Kris Pearn on The Willoughbys
Amazon’s Tales from the Loop Aims to Break Your Heart
Netflix’s Unorthodox Depicts a Melancholic Escape from Faith
Cast Separates FX’s Breeders From the Pack
AMC’s Dispatches from Elsewhere Wants to Warp Your Mind
The HistoryMakers Launches its WomanMakers Initiative With $1 Million Gift from Ursula Burns
Tyler Perry, Crystal Fox, Bresha Webb, and Phylicia Rashad on Making Netflix’s Tyler Perry’s A Fall From Grace
AFI Fest 2019: Highlights From Around the World
Serenity Now: Paul Harrill on Light from Light
You Would Be Best to Wipe USA’s Treadstone From Your Memory
