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CIFF 2021: Oscar Micheaux—The Superhero of Black Cinema, Punch 9 for Harold Washington, Love Charlie: The Rise and Fall of Chef Charlie Trotter

What Child Is This: The Enduring Legacy of Charlie Chaplin’s The Kid

A Long Journey: Charlie Plummer on Lean on Pete

Back to School: Charlie Day and Richie Keen on “Fist Fight”

Roger’s Favorites: Terrence Malick and Charlie Kaufman

Charlie Kaufman Retrospective Coming to NY, LA, Chicago, San Francisco

Exploring Things: Charlie Kaufman & Duke Johnson on “Anomalisa”

Charlie Chaplin’s “The Tramp” at 100

Get the Picture: John Maloof, Charlie Siskel and Jeff Garlin on “Finding Vivian Maier

♫ Deck us all with Boston Charlie, Walla Walla, Wash., and Kalamazoo! ♫

The Films of Charlie Chaplin

Charlie Kaufman & Spike Jonze: Twin pleasures

Look, there’s Charlie Chaplin!

Now revealed for you: Charlie Kaufman’s writing process

Here’s an intriguing Credit Cookie idea for the end of ‘Charlie Wilson’s War’

FX Navigates Familiar Comic Waters with Flair in Clever “Adults”

Cannes 2025: Resurrection, Honey Don’t!

Cannes 2025: The Plague, The Mysterious Gaze of the Flamingo, Amrum

Though Uneven, ‘Overcompensating’ Is a Promising New Comedy

Cannes 2025: Leave One Day, The Gold Rush

Cannes Film Festival 2025: A Look at the Cannes Classics Program

Season 2 of Peacock’s “Poker Face” Deals Natasha Lyonne Another Hand of Devilishly Delightful Mysteries

Chicago Critics Film Festival 2025 Preview

That’s What Disruption Does For Me: Gareth Evans on “Havoc”

“Expedition 33” Is An Exercise In RPG Artistry

“Black Mirror” is Back to Bum You Out with One of Its Stronger Seasons

Chicago Critics Film Festival Announces Full Schedule, Special Guests

The Ebert Fellows on True/False 2025

How Ken Burns’ “Shadow Ball” Connects Baseball’s Past to Our Uncertain Future

SXSW Film Festival 2025: The Baltimorons, For Worse, Magic Hour

The Idealist’s Journey

“Daredevil: Born Again” is an Imperfect Interrogation of Our Current Moment

30 Minutes On: “Watership Down”

Sundance 2025: The Perfect Neighbor, The Alabama Solution, Zodiac Killer Project

Hulu’s “Paradise” Blends Murder Mystery with High-Concept Storytelling

Sundance 2025: Omaha, Bubble & Squeak

December 2024 Blu-Ray Guide: “The Wild Robot,” “Conclave,” “Alien: Romulus,” More

The Great Performances of 2024, Part One

2025 Sundance Film Festival Announces Ambitious Program

Lost Souls: Bringing Out the Dead at 25

Jimmy O. Yang Shines in Excellent “Interior Chinatown”

Short Films in Focus: Don Hertzfeldt’s “ME”

Bright Wall/Dark Room October 2024: All Hail the Screwball Queen by Olympia Kiriakou

Bird on a Wire: Kris Kristofferson (1936-2024)

TIFF 2024: The Return, Riff Raff, The Friend

TIFF 2024: 20 World Premieres We Can’t Wait to See

Prime Video’s “The Lord of the Rings: The Rings of Power” is the Boldest Fantasy Show of the Year

A Look Back at MUBI FEST CHICAGO

Home Entertainment Guide: July 2024

SDCC 2024: Back Bigger and Better

The Artful Tenderness of A Quiet Place: Day One

Juneteenth Film Festival Returns For A Powerful Second Year

Catching a Blackfamous White Whale on Broadway: Purlie Victorious Comes Home

Orphan Black: Echoes Stumbles Under the Weight of Its Predecessor

The Actors Rumored to Star in the Beatles Biopics Look Nothing Like Them. Good.

The Acolyte Sends Star Wars Into a Galaxy Far, Far In the Past

Fantastic Start to Fourth Season of Evil Maintains Creepy Quality

Initially Promising Dark Matter Sinks Under Weight of Prestige TV Bloat

He’s Got Something Going On: David Proval on Mean Streets, and Acting for Martin Scorsese

Girl Shy and the Birth of the Romantic Comedy

San Francisco Silent Film Festival Highlights Unearthed Treasures of Film History

Why Eternal Sunshine of the Spotless Mind Remains Unforgettable

Chicago Critics Film Festival Announces Full 2024 Lineup with Sing Sing, Ghostlight, Babes, I Saw the TV Glow, More

How The Ladykillers Kicked Off Tom Hanks’ Weirdest Year Two Decades Ago

Avatar: the Last Airbender and What We Talk About When We Talk About Redemption

A (Not So) Brief History of Silent Film Influences on Pop Music

Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com

Japanese Horror Comes to the Film Forum

A Preview of the 2024 Rendez-Vous with French Cinema

Berlin Film Festival 2024: Meanwhile on Earth, La Cocina, Another End

A Farewell from Our Literary Editor, Matt Fagerholm

The Enduring Laughs—and Life—of Harold Ramis

Sundance 2024: Handling the Undead, Desire Lines, A Different Man

Check into Prime Video’s Hazbin Hotel

Criminal Record is Apple TV’s Latest Exercise in Mediocrity

Disney+’s Percy Jackson and the Olympians is Nice, Safe, and Fun

The 25 Best TV Series of 2023

How Martin Scorsese Uses Music to Enhance His Visions

Max’s Bookie isn’t a TV Comedy Bet Worth Taking

Short Films in Focus: Troy

Bright Wall/Dark Room October 2023: Killing Time: 3:10 to Yuma & the Lonesome West by Nicholas Russell

Paramount+’s Western Expanse Broadens With the Riveting Lawmen: Bass Reeves

Streetcorner Symphony: The Music of Mean Streets

CIFF 2023: Robot Dreams, The Crime is Mine, Limbo

A Gilded Cage: Studying the Animals of Park Chan-wook’s Stoker

Chaz Ebert Celebrates 25 Years of Ebertfest While Honored at University of Illinois Alumni Awards Gala

Roger Ebert on the Films of Martin Scorsese

TIFF 2023: The Teachers’ Lounge, The Dead Don’t Hurt, Dream Scenario

TIFF 2023: Finestkind, Ezra, One Life

TIFF 2023: Sleep, Boy Kills World, Riddle of Fire

TIFF 2023: 20 World Premieres We Can’t Wait to See

Dan Callahan on His New Book, Bing and Billie and Frank and Ella and Judy and Barbra

Laurel and Hardy: Year One is Another Fine Blu-ray from Flicker Alley

Fantasia 2023: Lovely, Dark, and Deep, Where the Devil Roams, With Love and a Major Organ

Rose Byrne and Seth Rogen’s Apple TV+ Buddy Comedy Platonic is Amiable and Harmless

A Piece of His Fire: Harry Belafonte (1927-2023)

10th Chicago Critics Film Fest Features Past Lives, Blackberry, Sanctuary, Theater Camp, and Many More
