Charlie
Charlie Movie Reviews
No reviews found.
Blog Posts That Mention Charlie
CIFF 2021: Oscar Micheaux—The Superhero of Black Cinema, Punch 9 for Harold Washington, Love Charlie: The Rise and Fall of Chef Charlie Trotter
What Child Is This: The Enduring Legacy of Charlie Chaplin’s The Kid
A Long Journey: Charlie Plummer on Lean on Pete
Back to School: Charlie Day and Richie Keen on “Fist Fight”
Roger’s Favorites: Terrence Malick and Charlie Kaufman
Charlie Kaufman Retrospective Coming to NY, LA, Chicago, San Francisco
Exploring Things: Charlie Kaufman & Duke Johnson on “Anomalisa”
Charlie Chaplin’s “The Tramp” at 100
Get the Picture: John Maloof, Charlie Siskel and Jeff Garlin on “Finding Vivian Maier
♫ Deck us all with Boston Charlie, Walla Walla, Wash., and Kalamazoo! ♫
The Films of Charlie Chaplin
Charlie Kaufman & Spike Jonze: Twin pleasures
Look, there’s Charlie Chaplin!
Now revealed for you: Charlie Kaufman’s writing process
Here’s an intriguing Credit Cookie idea for the end of ‘Charlie Wilson’s War’
A Chicago Star: A Conversation with Michael Madsen
The 10 Best Oasis Needle Drops
FX Navigates Familiar Comic Waters with Flair in Clever “Adults”
Cannes 2025: Resurrection, Honey Don’t!
Cannes 2025: The Plague, The Mysterious Gaze of the Flamingo, Amrum
Though Uneven, ‘Overcompensating’ Is a Promising New Comedy
Cannes 2025: Leave One Day, The Gold Rush
Cannes Film Festival 2025: A Look at the Cannes Classics Program
Season 2 of Peacock’s “Poker Face” Deals Natasha Lyonne Another Hand of Devilishly Delightful Mysteries
Chicago Critics Film Festival 2025 Preview
That’s What Disruption Does For Me: Gareth Evans on “Havoc”
“Expedition 33” Is An Exercise In RPG Artistry
“Black Mirror” is Back to Bum You Out with One of Its Stronger Seasons
Chicago Critics Film Festival Announces Full Schedule, Special Guests
The Ebert Fellows on True/False 2025
How Ken Burns’ “Shadow Ball” Connects Baseball’s Past to Our Uncertain Future
SXSW Film Festival 2025: The Baltimorons, For Worse, Magic Hour
The Idealist’s Journey
“Daredevil: Born Again” is an Imperfect Interrogation of Our Current Moment
30 Minutes On: “Watership Down”
Sundance 2025: The Perfect Neighbor, The Alabama Solution, Zodiac Killer Project
Hulu’s “Paradise” Blends Murder Mystery with High-Concept Storytelling
Sundance 2025: Omaha, Bubble & Squeak
December 2024 Blu-Ray Guide: “The Wild Robot,” “Conclave,” “Alien: Romulus,” More
The Great Performances of 2024, Part One
2025 Sundance Film Festival Announces Ambitious Program
Lost Souls: Bringing Out the Dead at 25
Jimmy O. Yang Shines in Excellent “Interior Chinatown”
Short Films in Focus: Don Hertzfeldt’s “ME”
Bright Wall/Dark Room October 2024: All Hail the Screwball Queen by Olympia Kiriakou
Bird on a Wire: Kris Kristofferson (1936-2024)
TIFF 2024: The Return, Riff Raff, The Friend
TIFF 2024: 20 World Premieres We Can’t Wait to See
Prime Video’s “The Lord of the Rings: The Rings of Power” is the Boldest Fantasy Show of the Year
A Look Back at MUBI FEST CHICAGO
Home Entertainment Guide: July 2024
SDCC 2024: Back Bigger and Better
The Artful Tenderness of A Quiet Place: Day One
Juneteenth Film Festival Returns For A Powerful Second Year
Catching a Blackfamous White Whale on Broadway: Purlie Victorious Comes Home
Orphan Black: Echoes Stumbles Under the Weight of Its Predecessor
The Actors Rumored to Star in the Beatles Biopics Look Nothing Like Them. Good.
The Acolyte Sends Star Wars Into a Galaxy Far, Far In the Past
Fantastic Start to Fourth Season of Evil Maintains Creepy Quality
Initially Promising Dark Matter Sinks Under Weight of Prestige TV Bloat
He’s Got Something Going On: David Proval on Mean Streets, and Acting for Martin Scorsese
Girl Shy and the Birth of the Romantic Comedy
San Francisco Silent Film Festival Highlights Unearthed Treasures of Film History
Why Eternal Sunshine of the Spotless Mind Remains Unforgettable
Chicago Critics Film Festival Announces Full 2024 Lineup with Sing Sing, Ghostlight, Babes, I Saw the TV Glow, More
How The Ladykillers Kicked Off Tom Hanks’ Weirdest Year Two Decades Ago
Avatar: the Last Airbender and What We Talk About When We Talk About Redemption
A (Not So) Brief History of Silent Film Influences on Pop Music
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com
Japanese Horror Comes to the Film Forum
A Preview of the 2024 Rendez-Vous with French Cinema
Berlin Film Festival 2024: Meanwhile on Earth, La Cocina, Another End
A Farewell from Our Literary Editor, Matt Fagerholm
The Enduring Laughs—and Life—of Harold Ramis
Sundance 2024: Handling the Undead, Desire Lines, A Different Man
Check into Prime Video’s Hazbin Hotel
Criminal Record is Apple TV’s Latest Exercise in Mediocrity
Disney+’s Percy Jackson and the Olympians is Nice, Safe, and Fun
The 25 Best TV Series of 2023
How Martin Scorsese Uses Music to Enhance His Visions
Max’s Bookie isn’t a TV Comedy Bet Worth Taking
Short Films in Focus: Troy
Bright Wall/Dark Room October 2023: Killing Time: 3:10 to Yuma & the Lonesome West by Nicholas Russell
Paramount+’s Western Expanse Broadens With the Riveting Lawmen: Bass Reeves
Streetcorner Symphony: The Music of Mean Streets
CIFF 2023: Robot Dreams, The Crime is Mine, Limbo
A Gilded Cage: Studying the Animals of Park Chan-wook’s Stoker
Chaz Ebert Celebrates 25 Years of Ebertfest While Honored at University of Illinois Alumni Awards Gala
Roger Ebert on the Films of Martin Scorsese
TIFF 2023: The Teachers’ Lounge, The Dead Don’t Hurt, Dream Scenario
TIFF 2023: Finestkind, Ezra, One Life
TIFF 2023: Sleep, Boy Kills World, Riddle of Fire
TIFF 2023: 20 World Premieres We Can’t Wait to See
Dan Callahan on His New Book, Bing and Billie and Frank and Ella and Judy and Barbra
Laurel and Hardy: Year One is Another Fine Blu-ray from Flicker Alley
Fantasia 2023: Lovely, Dark, and Deep, Where the Devil Roams, With Love and a Major Organ
Rose Byrne and Seth Rogen’s Apple TV+ Buddy Comedy Platonic is Amiable and Harmless
