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Sundance 2025: Lurker; Free Leonard Peltier; Oh, Hi
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TNT’s The Lazarus Project Uses Suspense Trapping to Ask Smart Questions
SXSW 2023: Brooklyn 45, Late Night with the Devil
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Happy 100th Birthday to Norman Lear!
Women at SDCC At Home 2021
Meet the Writers of Black Writers Week 2021
Uncanny Talent: Clarence Williams III, 1939-2021
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Shadow and Bone Sets Itself Apart from the YA Pack with Welcome Restraint
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Celebrating Living Legend Norman Lear on His 98th Birthday
Comic-Con 2020: Online, Free, and Open to All
Living Legends: A Salute to Norman Lear
Malcolm X: Spike Lee’s Timeless Sermon
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Sundance 2020: The 40-Year-Old Version, Farewell Amor, Sylvie’s Love
The Best Films of the 2010s: The Wolf of Wall Street
30 Minutes on “Not Fade Away”
Emily Nussbaum on Her New Book, I Like to Watch: Arguing My Way Through the TV Revolution
MOMA’s To Save and Project Festival: Never Fear, Histoires d’Amérique, A Day Off
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Kiernan Shipka Casts Indelible Spell on Netflix’s Chilling Adventures of Sabrina
That is How People Talk: John David Washington on “BlacKkKlansman”
Every Time I Cast an Actor, There Is a Birth That Occurs: Marc Turtletaub on Puzzle
Children of God in New York
Ebertfest 2017: “Norman Lear: Just Another Version of You” and “They Call Us Monsters”
Living with Our Common Humanity: A Few Words with Norman Lear
Tribeca 2016: “Midsummer in Newtown,” “The Last Laugh” & “My Scientology Movie”
My Sundance Trifecta 2016
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A difficult friend: Ed Copeland, AKA Scott Schuldt, 1969-2015
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Meet the Writers: Matt Fagerholm
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Home Entertainment Consumer Guide: August 14, 2014
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Interview: Rob Reiner Teams Michael Douglas and Diane Keaton in “And So It Goes”
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If I Had An Emmy Ballot 2014
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Tom Shales lunches with Siskel & Ebert
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Mr. Smith Goes to the Multiplex
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David Lynch Signature Cup Coffee: It’s Real Good
Inglourious Basterds: Real or fictitious, it doesn’t matter…
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“Don’t mess Malcolm up”
