The Choice totally botches its central pairing, to the point where you might find yourself hoping the blandly irksome twosome fail to even get together.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A report from the 2015 Los Cabos International Film Festival.
An overview of Ralph Bakshi's masterful career in animation.
A piece on the wave of LGBT films at the Art of the Real at the Lincoln Film Center this April.
A report on the film criticism panel hosted by Chaz Ebert at SXSW 2015.
A personal recap of the 2015 Critics Choice Movie Awards.
A report on response to early Oscar favorites from TIFF 2014.
On the eve of its 10th anniversary, a new version of Oliver Stone's Alexander on Blu-ray demands a reappraisal.
Lost, Oscar-nominated films; Lupita Nyong'o and beyond; Evaluating Ellen DeGeneres as the Oscar host; Oscars snubs and surprises; A recap of the Oscars from The New York Times.
Highlights of the 86th Annual Academy Awards.
A continuously updated list of the winners of the 86th Annual Academy Awards, announced on March 2, 2014.
Stephen Tobolowsky remembers Harold Ramis; Alec Baldwin says goodbye to public life; A snipe at Jared Leto and his performance in Dallas Buyers Club; Jimmy Fallon is not funny.
The calculation of odds is finished. The campaigning is done. Erik Childress predicts the winners of the Oscars.
Far Flung Correspondent Anath White reports from the Santa Barbara International Film Festival.
Erik Childress analyzes the impact of the recently-awarded BAFTAs on the Oscar race.
Missing Roger's Oscars prognostications and his top ten lists. And making a list of my own.
The Oscars race has hit a holiday lull. It's a good time to pause and take stock of nominations.
Critics groups from around the country are giving awards. What impact do these awards have on the Oscar race, and how useful are they as predictors?
Erik Childress looks at the first awards of the season and their possible impact on the Oscar race.
Matthew McConaughey talks about how he is dealing with the Oscar buzz around his "Dallas Buyers Club" performance.
Jared Leto stayed in character as a transsexual for the entire shooting schedule of "Dallas Buyers Club." He talks about why he did it and what he learned.
Sheila writes: While life can often be messy and awful, and the bombardment of bad news from around the globe is disheartening to say the least, sometimes it really helps to sit back, relax, and watch a bunch of guys working together to play "Flight of the Bumblebees" on the cliched 100 bottles of beer on the wall. This clip came out a couple of years ago and I haven't tired of it. I love the collaboration and the creativity. I love in particular the scene that isn't shown here, the one where they worked it all out.
Saturday night is party night at the Toronto International Film Festival, when all the celebs and journalists float from soiree to soiree promoting or being promoted at.
Sheila writes: The glamorous days of air travel were already on their way out by the time I first stepped foot on an airplane (Aer Lingus, 1980) so I have always been fascinated by glimpses of what traveling by plane used to be like: the linens, the cocktail glasses, the curtains, the elegance! I came across a piece about a man, Anthony Toth, who had such a sense of nostalgia for those bygone days that he built a partial replica of a Pan Am 747 in a warehouse in Redondo Beach, where he lives. At first, the replica was in his garage, but then he realized he needed to build an upper level, so he moved the entire thing to a warehouse, where it still sits today. The local press picked up on the story, and it created such interest that you can now visit and have dinner, Pan Am style.
I've seen scenes in this movie multiple times in multiple movies, yet I've never seen this movie before. Andrew Niccol's "Lord of War," is the story of the rise and decline of an arms trafficker (Nicholas Cage) and takes many predictable narrative steps. It is a list of cinematic clichés, from the personalities (even the names) of the characters, to the moments of suspense and surprise, to the preposterous ethnic stereotypes. It contains everything short of a protagonist dangling from a cliff or a racing bus driving through a fruit stand. Further, there is very little character development, very little revelation, and most of the characters are caricatures. Nevertheless, the final product is a thoroughly original, provocative satire that explores a violent decade of global peace and haunts you with an almost silent sinister laugh.