We need more directors willing to take risks with films like Get Out.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A collection of some of our favorite interviews from 2016.
The staff reveals their individual picks for the best films of 2016.
Scout Tafoya responds to our Movie Love Questionnaire.
Joost van Ginkel on "The Paradise Suite"; How movies handle bipolar disorder; "Birth of a Nation" isn't worth defending; Hollywood's ageist casting decisions; Robot could win a Pulitzer.
An interview with actress Agyness Deyn about her performance in Terence Davies' "Sunset Song."
An interview with actress Gena Rowlands on the occasion of a John Cassavetes/Rowlands retrospective at NYC's Metrograph.
The latest and greatest on Blu-ray, including "Eye in the Sky," "Only Yesterday," "The Mermaid" and more!
An op-ed on how the decision to move the Lifetime Achievement Oscar off the telecast hurts us all.
An FFC essay on Woody Allen's "Another Woman."
A chronological commentary celebrating the performances of Gena Rowlands.
The greatest actor alive: Max Von Sydow; Conversations with ISIS fighters; There are Christian terrorists; Greg Berlanti's DC Comics TV shows; Why Othello is black.
Guillermo del Toro's key theme; Silent frame rates and DCP; Exciting news from Sheila O'Malley; New "Star Wars" music; Unsinkable Effie Brown.
Meet the critics attending Ebertfest 2015.
The RogerEbert.com staff pick for Best Actress of 2014.
Ten underrated female performances from 2014 worthy of Oscar consideration.
A holiday gift guide compiling RogerEbert.com's reviews of Blu-ray/DVD releases and boxed sets and a few more books from 2014.
The best recent releases on Blu-ray and streaming services, including "Blue Ruin," "Middle of Nowhere," "Only Lovers Left Alive," and "Love Streams."
Writer Dan Callahan responds to our Movie Love Questionnaire.
Marie writes: Holy crap! THE KRAKEN IS REAL!" Humankind has been looking for the giant squid (Architeuthis) since we first started taking pictures underwater. But the elusive deep-sea predator could never be caught on film. Oceanographer and inventor Edith Widder shares the key insight - and the teamwork - that helped to capture the squid on camera for the first time, in the following clip taken from her recent TED talk." And to read more about the story, visit Researchers have captured the first-ever video footage of a live giant squid at i09.com
Marie writes: As TIFF 2012 enters its last week and the Grand Poobah nurses his shoulder in Chicago (having returned home early for that reason) the Newsletter presents the final installment of Festival trailers. There was a lot to chose from, so many in fact there was no room for theatrical releases; they'll return next week. Meanwhile, enjoy!
Marie writes: I have no words. Beyond the obvious, that is. And while I'm okay looking at photos, the video.... that was another story. I actually found myself turning away at times, the suspense too much to bear - despite knowing in advance that he's alive and well and there was nothing to worry about. The bottom of my stomach still fell out...
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Woody Allen's "Another Woman" (1988) begins with a shot that is the whole movie in miniature. As followers of the Opening Shots Project know, that's one of my favorite approaches, and I think "Another Woman" is one of Allen's best movies.
A woman (Marion Post, played by Gena Rowlands) appears at the far end of a dark hallway and strides toward the camera, passing in and out of light. She is wearing a long coat, and she puts a scarf around her shoulders as she walks. She's a woman who knows where she's going. We don't get a good look at her until she moves into medium close-up, adjusts an earring and comes face to face with herself in the mirror. (Bergman reference intentional.) Her reflection is obscured from our point of view, but for a moment we see her look directly into her own eyes.
Marion, who has recently turned 50, thinks she knows herself and what kind of life she has led. But what she encounters when she steps out the door will overturn her establish notions of who she is and what she has done with her life: her memories of the past, her marriages, her lovers, her friendships, her relationships with her own family... Everything she though was solid and certain is swept out from under her feet and she goes into free-fall. With wit and insight, the movie details her unexpected investigation into what she's made of herself. And as the illusions crumble around her, she notices her mother's tear stains on the last line of a favorite poem, Rainer Maria Rilke's "Archaic Torso of Apollo," which reads: "... for here there is no place that does not see you. You must change your life."