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Vanity
Vanity Movie Reviews
Blog Posts That Mention Vanity
Cannes 2025: Splitsville, Love Me Tender, Nino
Movies That Deal with the Peculiarities of Being a Teenager: Bruce Handy on His New Book about Teen Movies
14 Underrated Movies of 2024
The Private is Public: On the 10th Anniversary of “Nightcrawler”
30 Years of “Hoop Dreams”: Steve James on Roger Ebert, Oscar Snubs, and Documentary Filmmaking
13 Films Illuminate Locarno Film Festival’s Columbia Pictures Retrospective
Bright Wall/Dark Room July 2024: No, Captain, My Captain: Crimson Tide and the Perils of Mutiny by Bryan Miller
You’re Naked Without Us: A Report from the Costume Designers Guild
Danny Boyle Explains What Made Cillian Murphy So Special from the Start
Japanese Horror Comes to the Film Forum
The Internet Will Never Let Russell Crowe Forget Les Miserables
10 Music Documentaries You Should See After The Greatest Night in Pop
How Will Dakota Johnson Survive Madame Web? The Same Way She Handled Fifty Shades of Grey
Sundance 2024: Handling the Undead, Desire Lines, A Different Man
HBO’s True Detective: Night Country is a Haunting, Riveting Return to Form
Where’s My Black Girlhood?: The Whitewashing of the Femme Boom
A Final Goodbye: Tributes to Some of the People We Lost in 2023
R.I.P. Icon Norman Lear, Thank You for Your Century of Inspiration
Time to Rest: Matthew Perry (1969-2023)
Rosario Dawson is a Force to Follow in Disney+ Series Ahsoka
Short Films in Focus: TESLA
Legacy Forever: Memories of Tony Bennett (1926-2023)
Meet the Writers of Black Writers Week 2023
Netflix’s Unstable is a Wasted Opportunity to Get to Know the Lowes
The Real Deal: Tom Sizemore (1961-2023)
Twenty Movie Legends We Lost in 2022
Louise Fletcher (1934-2022)
Telluride Film Festival 2022 Highlights
Bright Wall/Dark Room August 2022: Innerspace: When I Look In Your Eye by Frank Falisi
Happy 100th Birthday to Norman Lear!
10 Films We Can’t Wait to See at the 2022 Fantasia Festival
Meet the Writers of Black Writers Week 2022
Netflix’s The Lincoln Lawyer Makes Case for Streaming Success
Female Filmmakers in Focus: Mira Nair on Mississippi Masala
He Was Always Nice to Me: Gilbert Gottfried (1955-2022)
Meet the Guests of Ebertfest 2022
The Annotated Table of Contents and Bios for Women Writers Week 2022
Kirsten Dunst, Always on the Brink of Transformation
Michael K. Williams: 1966-2021
Meet the Writers of Black Writers Week 2021
The Unloved, Part 85: By the Sea
The Best Television of 2020
The Stand is a Hell of a Mixed Bag
Mira Nair’s Charming A Suitable Boy Miniseries Will Transport You
HBO’s Industry is a Bitter Mix of Grey’s Anatomy and Succession
Gang of Three: A Conversation with Godfrey Cheshire, Matt Zoller Seitz, and Armond White
Our Writers Highlight Articles to Enjoy on our Newly Redesigned RogerEbert.com: Part II
Celebrating Living Legend Norman Lear on His 98th Birthday
Frederick Douglass Reminds Us Why Black Lives Matter on the Fourth of July
Living Legends: A Salute to Norman Lear
A Little Bit of Buffer Room for Surprise: Bryce Dallas Howard on Dads
Nausicaä Awakens: The Influence of Hayao Miyazaki on the Star Wars Sequel Trilogy
True/False 2020 Dispatch 3: IWOW: I Walk on Water, Mayor, Some Kind of Heaven
Meet the Writers of Women Writers Week 2020
The Best Performances of the 2020 Sundance Film Festival
Rob Garver on What She Said: The Art of Pauline Kael
AFI Fest 2019: Richard Jewell
From Don’t Look Back to Rolling Thunder Revue: The Cinema of Bob Dylan
Cannes 2019: Sylvester Stallone, Cannes Darling
Talk Easy Podcast with Chaz Ebert
Albert Finney: 1936-2019
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Happy New Year from All of Us at RogerEbert.com
Stan Lee: 1922-2018
Life During Wartime: Matthew Heineman on A Private War
The Natural-Born Movie Star: Burt Reynolds, 1936-2018
Venice Film Festival 2018: A Star is Born, The Other Side of the Wind
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KVIFF 2018: Denis O’Hare, Stephen Moyer and Anna Paquin on The Parting Glass
Bright Wall/Dark Room June 2018: Bob Fosse’s Dance with the Five Stages of Grief in “All That Jazz”
Cannes 2018: Ayka, Knife + Heart
Tom Wolfe: 1931-2018
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Ebertfest 2018 Guests: Critical Mass
True/False 2018, Part 1: Bucking the Trend
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Spike Lee Triumphantly Updates “She’s Gotta Have It” for Netflix
The Time That David Schwimmer Understood the Danger of Hollywood Culture
Stanley Kubrick’s “Barry Lyndon” Joins the Criterion Collection
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The Fall of Toxic Masculinity and the Rise of Feminine Consciousness
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Star Power Almost Justifies “Feud: Bette & Joan”
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