Jamesy Boy
Guillermo
Taboo
Taboo
Taboo Movie Reviews
Blog Posts That Mention Taboo
Interviews
Cinema is My Calling Again: Nicolas Winding Refn on “Her Private Hell”
Festivals & Awards
Karlovy Vary Celebrates Its 80th Anniversary with Tributes, Retrospectives
Festivals & Awards
SXSW 2026: baby/girls, Manhood, Drift
Women Writers Week
Monstrous Women: From Medusa to the Bride and Rumi Too
Festivals & Awards
CIFF 2025: The Book of Sijjin & Illiyyin, The Holy Boy, Anything That Moves
Interviews
Some Things You Consume, Some You Experience: Mary Bronstein on “If I Had Legs I’d Kick You”
Festivals & Awards
Locarno Film Festival 2025: Prejudice Across the Pond in “Pool of London” and “The Story of a Three-Day Pass”
Festivals & Awards
Locarno Film Festival 2025: “Tabi to Hibi,” “Hair, Paper, Water…,” “Yakushima’s Illusion”
Features
“Zola,” “Anora,” and the DEI Mirage
Interviews
Dream of Death: Robert Eggers on “Nosferatu”
Features
The Private is Public: On the 10th Anniversary of “Nightcrawler”
Festivals & Awards
CIFF 2024: Compensation, The Spook Who Sat by the Door, Save the Children
Interviews
Suicide by Proxy: An Interview With the Filmmakers of The Devils’ Bath
Black Writers Week
Black Out: The Disappearance of Black Couples in Advertising
Festivals & Awards
Cannes 2024: My Sunshine, Rumours, The Balconettes
Festivals & Awards
Berlin Film Festival 2024: Who Do I Belong To, Memories Of A Burning Body, Sons
Interviews
Looking for Loneliness: Wayne Wang on His Career
TV/Streaming
Criterion Releases Special Edition of Nicolas Roeg’s Masterful Walkabout
Interviews
Triage Is a Huge Part of Filmmaking: Laura Moss on Birth/Rebirth
TV/Streaming
The Horror of Dolores Roach is Laughing With Us
Tributes
A Piece of His Fire: Harry Belafonte (1927-2023)
Festivals & Awards
Berlinale Highlights, Part Three: Hummingbirds, Concrete Valley, Afire
Interviews
Female Filmmakers in Focus: Maryam Touzani on The Blue Caftan
Tributes
Call Me Crazy: Anne Heche (1969-2022)
Festivals & Awards
A Look Back at Tribeca 2022: The Documentary Features
Interviews
Sex is a Good Thing: Ninja Thyberg on Pleasure
Interviews
A Delicate Balance: Thora Birch on Directing Her First Feature, The Gabby Petito Story
Interviews
A Story Beyond Gender: Audrey Diwan and Anamaria Vartolomei on Happening
Festivals & Awards
TCM Film Festival 2022: Highlights of Getting Back to the Big Screen
TV/Streaming
HBO Max’s Julia is a Charming First Course that Leaves Room for More
TV/Streaming
Netflix’s Bridgerton Returns with a Tame, Slow Second Season
Features
The Legacy of ‘90s Teen Girl Murder Films
Festivals & Awards
NYFF 2021: Songs for Drella, Marx Can Wait, Il Buco, Belle
Features
Women at SDCC At Home 2021
Tributes
Dilip Kumar, 1922-2021: The Passing of a Bollywood King
Black Writers Week
Look Away, Look Away
Festivals & Awards
Sundance 2021: Luzzu, Hive, Fire in the Mountains, One for the Road
Interviews
Magical Feelings of East Meets West: Sion Sono on Prisoners of the Ghostland
TV/Streaming
The Lynchian Aspirations of Losing Alice Underwhelm Rather Than Intrigue
Interviews
Something as Extraordinary as Birth Itself: Kornél Mundruczó and Kata Wéber on Pieces of a Woman
Interviews
The Illusionary Quality of a Dream: Stella Hopkins on Her Directorial Debut, Elyse
TV/Streaming
Luca Guadagnino’s HBO Series We Are Who We Are Off to a Glorious Start
TV/Streaming
Netflix’s Salacious, Messy White Lines is Like a Beach-Read You Can Watch
TV/Streaming
Apple TV Plus Drama See Lacks Vision
Features
Bright Wall/Dark Room October 2019: A New Spirit for ’75! by Ethan Warren
Features
Robert Forster: 1941-2019
Festivals & Awards
Ava DuVernay, Ryan Murphy, Jharrel Jerome and CBS Win Big at Inaugural AAFCA TV Honors Ceremony
Features
Book Excerpt: Tour of Memories: The Creative Process Behind Joanna Hogg’s The Souvenir
Features
Midsommar and the Legacy of Break-Up Horror Movies
Interviews
Where the Scene Lives: Alex Thompson and Kelly O’Sullivan on Saint Frances
Chaz's Journal
How Phoebe Waller-Bridge’s Killing Eve Invites Us to Live Out our True-Crime Fantasies
Chaz's Journal
Just Us Girls: The Chatty Chick Flicks of the ’90s
Festivals & Awards
Sundance 2019: Wounds, Greener Grass, Mope
MZS
Matt Zoller Seitz and Alan Sepinwall on College, the Episode that Made The Sopranos
Features
Bernardo Bertolucci: 1941-2018
Interviews
Anatomy of a Relationship: Silas Howard on A Kid Like Jake
Festivals & Awards
Cannes 2018 Video #2: The 2018 Cannes Film Festival Has Begun!
MZS
Partners in mind: Keith Carradine and Alan Rudolph
Interviews
Parental Guidance: Jason Reitman & Mackenzie Davis on ‘Tully’
Features
A Matter of Legitimacy: Female Nudity On-screen
Chaz's Journal
How to Create Sex Scenes That Women Will Enjoy as Much as Men
Chaz's Journal
My Favorite Films of 2017
TV/Streaming
HBO Takes Viewers Back to 42nd Street with “The Deuce”
Interviews
James Ivory on the Return of “Heat and Dust”
Festivals & Awards
Cannes 2017: “The Killing of a Sacred Deer,” “The Day After,” “The Workshop”
MZS
The Unloved, Part 41: Crash
Festivals & Awards
Tribeca 2017 Interview: Quinn Shephard on “Blame”
Festivals & Awards
If We Picked the Winners 2017: Best Actress
TV/Streaming
Tom Hardy Anchors FX’s Engaging “Taboo”
Features
Make it To Shore: The Staff Says Goodbye to Carrie Fisher
Features
A Horror Story For Our Times: Another Look at Bob Fosse’s “Star 80”
Interviews
Fanning the Flames of Awareness: James Redford on “Resilience”
Festivals & Awards
CIFF 2016: “Miles,” “Among Wolves,” “The View from Tall”
Interviews
There is No “Heavy-Handed” Anymore: Ben Wheatley on “High-Rise”
Features
Godfrey Cheshire on Knowing Abbas Kiarostami Through His Films and Friendship
Interviews
Living with Our Common Humanity: A Few Words with Norman Lear
Festivals & Awards
