Darkest Hour stands apart from more routine historical dramas.
The latest edition of Scout Tafoya’s “The Unloved” video essay series focuses on David Cronenberg’s 1996 film “Crash,” as based on the novel by J.G. Ballard. Controversial since its Cannes premiere, the James Spader and Holly Hunter film about the eroticism of car crashes is framed by Tafoya as “a feature length incantation … urging us to allow each wicked sight the potential to change us.” As this “perfect instrument of upset and provocation” takes viewers on its unforgettable, taboo ride, Tafoya assures us that “If you’re still in your chair, then you’re in Cronenberg’s passenger seat.”
Stop watching movies made by assholes. It'll be OK.
A review of Netflix's new Marvel series, "The Punisher."
One of the best superhero films, in large part because the title character sincerely believes in values larger than a...
The work of the late author, writer and director William Peter Blatty will continue to haunt the dreams of readers an...