An ambitious, challenging piece of work that people will be dissecting for years. Don’t miss it.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A look at the contenders for Best Actress and Best Supporting Actress this year and how many of them play a historically-beloved role for Oscar, the mother.
Reviews and screenings of "Hair" and "Being There" at Ebertfest 2017, and Q&A with producers Michael Butler and Michael Hausman by Michael Phillips, Nate Kohn and Chaz Ebert; and with Oscar-nominated Caleb Deschanel by Simon Kilmurry and Scott Mantz.
A tribute to Debra Winger, on the occasion of her first leading role in over 20 years in this week's "The Lovers."
An article announcing the final slate of films scheduled to be screened at Ebertfest 2017.
The winners of the 89th Academy Awards.
A tribute to the late Debbie Reynolds.
A tribute to the late Carrie Fisher.
Premieres, Midnights, Special Events and more have been announced for next month's Sundance Film Festival.
A report on the Museum of the Moving Image's Salute to Warren Beatty.
A recap of highlights of the 2016 New York Film Festival.
Albert Brooks on "Defending Your Life"; Profile of Frank Sinatra Jr.; Comic Con on the couch; Sean J.S. Jourdan on "Teddy Boy"; Sterling Hayden's towering screen presence.
Billy Wilder's groundbreaking comedy-drama still has the power to wound.
A piece on the history of Cameron Crowe in light of this week's Aloha.
A recap of the 2015 TCM Film Festival.
An interview with Jason Sudeikis and Leslye Headland for "Sleeping with Other People."
Chaz Ebert to present the Morning Keynote at the Palm Springs Film Festival on January 8th.
The 2014 Toronto Film Festival opened with "The Judge," starring Robert Downey Jr. and Robert Duvall, and we were there.
For the last three weeks, two films with female protagonists ("The Hunger Games: Catching Fire" and "Frozen") have been at the top of the box office. Carrie Rickey does some numbers on the history of box office numbers and films with women as protagonists.
Simon Abrams reports on the New York Film Festival.
Seongyong Cho sings the praises of Richard Linklater's quirky small-town true-crime comedy "Bernie."
PRESS RELEASE: CHAMPAIGN, Ill. -- Terrence Malick's 1978 film "Days of Heaven" won an Oscar for best cinematography, and Roger Ebert likely found that no surprise. It is "above all one of the most beautiful films ever made," Ebert said in a 1997 review. So it's only appropriate that the film will open the 15th annual Roger Ebert's Film Festival on April 17 in the big-screen, newly renovated Virginia Theater in downtown Champaign.
Spoken Word writes on his wonderful Spoken Verse.com: . Ezra Pound shared a cottage with W B Yeats during a period of three years. It seems that he didn't share Yeats' ambition to end up living alone on an island in the middle of a lake.
The title refers to Yeats' poem "The Lake Isle of Innisfree. McHugh and I drove out there from Sligo, but your man who lived in the cottage on this shore didn't feel like rowing us out.
"Volailles" actually means "chickens," if we ]take it literally, but here it means whores. "Poules" is similar and it also means both chickens and whores. There was a delightful film called Irma la Douce with Shirley MacLaine and Jack Lemmon set in the seedy part of Paris populated mainly with the Poules, their Mecs and the Flics - meaning the Prostitutes, their Pimps and the Cops. And, if you haven't seen Irma La Douce here it is - just watch the opening few minutes and you'll be hooked--er, yes, "hooked" is appropriate:.
The first tobacconist is in 'Little Britain' : Government Street, Victoria, British Columbia, Canada.
The second tobacco shop is in Old Town. San Diego, California, USA.
O GOD, O Venus, O Mercury, patron of thieves, Give me in due time, I beseech you, a little tobacco-shop, With the little bright boxes piled up neatly upon the shelves And the loose fragrant cavendish and the shag, And the bright Virginia loose under the bright glass cases, And a pair of scales not too greasy, And the volailles dropping in for a word or two in passing, For a flip word, and to tidy their hair a bit.
O God, O Venus, O Mercury, patron of thieves, Lend me a little tobacco-shop, or install me in any profession Save this damn'd profession of writing, where one needs one's brains all the time.
Marie writes: Kudos to fellow art buddy Siri Arnet for sharing the following; a truly unique hotel just outside Nairobi, Kenya: welcome to Giraffe Manor.
While he has been called "the Master of Suspense," Alfred Hitchcock has also been called "the Master of the Macabre," and that title is exemplified by his delightful black comedy "The Trouble with Harry" (1955). On the surface, it looks quite atypical compared to Hitchcock's more famous works, but this is a vintage story from a great director with a wry sense of humor, and it is also one of the most liveliest works in his exceptional career. Although somebody is dead, there is no suspense or danger or blond lady in the movie, and all we have to do is leisurely enjoy a pleasant walk with its funny characters as they try to deal with bizarre trouble on one fine autumn day in their ordinary peaceful rural town in Vermont.