The Dark Half
Screenplay by
Romero
Romero
Romero Movie Reviews
Blog Posts That Mention Romero
Unboxing the Artist: Suzanne Desrocher-Romero on Restoring George A. Romero’s The Amusement Park
John Hughes Meets George A. Romero in Netflix’s Daybreak
A Lasting Bite: The RogerEbert.com Staff Remembers George Romero
George Romero: 1940-2017
Interview with George Romero
Cannes 2026: Colony, The End of It, Roma Elastica
The Unloved, Part 149: Oh… Rosalinda!!
Netflix’s “One Piece” Sails Into the Grand Line with a Swashbuckling Season 2
The 10 Best Horror Films of 2025
Home Entertainment Guide: “28 Years Later,” “Materialists,” “Superman,” “Jurassic World Rebirth,” More
Chloe Zhao’s “Hamnet” Wins the TIFF People’s Choice Award
Tribeca Film Festival 2025: The Narrative Features
What to Watch on Netflix: May 2025
Sundance 2025: All That’s Left of You, Magic Farm, Didn’t Die
A Voice from the Great Unconscious: Tony Todd (1954-2024)
10 Great Horror Films from 2024 (and Where to Watch Them)
Iowa City Celebrates with Enriching Pair of Festivals
Criterion Adds Val Lewton Double Feature to the Collection
Home Entertainment Guide: July 2024
The Unloved, Part 118: The Dead Don’t Die
Triage Is a Huge Part of Filmmaking: Laura Moss on Birth/Rebirth
Short Films in Focus: Five Cents
Horror Movies and The Fate of the Black Man
The Fire is Gone: Kenneth Anger (1927-2023)
Dead Island 2 Feels Like Reincarnated Corpse of Undead Influences
From Prancer to Award-Winning Documentarian, Rebecca Harrell Tickell Credits Roger Ebert with Pointing Her Way
Home Entertainment Guide: January 2023
Home Entertainment Guide: Horror Movie Edition
Venice Film Festival 2022: A Couple, Bones and All, Master Gardener
The Last of Us, Part 1 Rebuilds Landmark Game from the Ground Up
Home Entertainment Guide: June 2022
The Annotated Table of Contents and Bios for Women Writers Week 2022
The Individual Top Tens of 2021
The Unloved, Part 94: The Phantom of the Opera
TIFF 2021: Violet, A Banquet, Kicking Blood
Fantasia 2021: Junk Head, The Great Yokai War: Guardians, The Sadness, Yakuza Princess
Bringing Out the Dead: A Pandemic Dialogue
Home Entertainment Guide: June 2021
The Annotated Table of Contents for Women Writers Week 2021
The Energy Can’t Last: On the Grimy American Fringes of Jeremy Saulnier
Hal Holbrook: 1925-2021
19 Dazzling Favorite Movies and Reviews from 2020
A Seat at the Table: The State of International Horror in 2020
How the Drive-In Saved Me in 2020
A Look Back at David Cronenberg’s Debut Shivers, 45 Years Later
HBO’s Lovecraft Country is Wicked Smart Television
Resident Evil 3 Plays Differently During a Pandemic
What to Watch During a Quarantine
Sundance 2020: His House, The Night House
Diary of a Future President Offers Laughs, Hope to Disney+ Families
Robert Evans: 1930-2019
TV Review: Shudder Revives ‘80s Anthology Classic Creepshow
The Pain Needs to Mean Something: On Horror and Grief
Stranger Things Returns with Phenomenally Entertaining Third Season
Danzig the Director, Tammy and the T-Rex, Joe Bob Briggs and More: A Preview of Cinepocalypse 2019
Cannes 2019 Video #2: The Dead Don’t Die & Gender Disparity
Cannes 2019: The Dead Don’t Die
Bright Wall/Dark Room May 2019: A Million Little Postcards from the Edge by Lindsey Romain
Netflix Returns to the Zombie Genre with Dull Z Nation Prequel Black Summer
Larry Cohen: 1941-2019
SXSW 2019: Boyz in the Wood, Tales From the Lodge, Darlin’
Gaspar Noe on Climax, Accidental Allegories, Catastrophe Movies and More
Sundance 2019: The Lodge, Memory – The Origins of Alien, Little Monsters
25 Underrated Horror Films For Halloween
Home Entertainment Consumer Guide: October 25, 2018
The Legendary Tom Savini on a Career of Special Effects Wizardy and Unforgettable Horror
Criterion Collection Celebrates Powell & Pressburger’s A Matter of Life and Death
How Night of the Living Dead Destroyed Hammer Films
Home Entertainment Consumer Guide: March 22, 2018
American Horror: On Criterion’s Night of the Living Dead and The Silence of the Lambs
Home Entertainment Consumer Guide: November 2, 2017
“The Thing” That Wouldn’t Die: On the Legacy of John Carpenter’s Classic Film
Short Films in Focus: “Dawn of the Deaf”
We Should Be So Lucky: A Tribute to Harry Dean Stanton
A Tale of Two Chainsaws: Humor and Horror in the Films of Tobe Hooper
The Unloved, Part 44: Survival of the Dead
Home Entertainment Consumer Guide: April 27, 2017
What Nightmares May Come: How the “Resident Evil” Films and Games Work Together
Writer Profiles: Susan Wloszczyna
Let’s Me And You Go For A Ride: John McNaughton and Michael Rooker on “Henry: Portrait of a Serial Killer” at 30
Venice Film Festival 2016: Venice Classics Program Includes Restorations of “Stalker,” “Manhattan”
Home Entertainment Consumer Guide: July 21, 2016
So Different in Daylight: On the Masterful “Carnival of Souls”
30 Minutes on: “They Live”
Who’s Who In Reviews: Susan Wloszczyna
Who’s Who In Reviews: Brian Tallerico
Two-and-a-Half-Star Reviews of 2015
In Praise of Film Critics: Why They Matter More Than Ever
From “Tales of Hoffmann” to “Taxi Driver”: An Interview with Thelma Schoonmaker
Comic-Con 2014: The Saga of “Batkid Begins”
Thumbnails 7/28/14
You Like This Face: Jumping Into the Void With the 40th Anniversary of “The Texas Chainsaw Massacre”
Thumbnails 5/14/14
Great Comic Book Movies Not Based On Comics
Things crashing into other things: or, my superhero movie problem
Meet the Writers: Susan Wloszczyna
Thumbnails 7/29/2013
In a heartbeat: “28 Days Later” revisited
People Are Vectors: The Humanist Tradition in Zombie Narratives
