The House with a Clock in Its Walls
Black, more than anyone else, should have been the one to wind up The House with a Clock in Its Walls. Too bad he doesn't…
Roger Deakins
-
Blade Runner 2049 (2017)
—
Cinematographer
Brian Tallerico -
Hail, Caesar! (2016)
—
Director of Photography
Glenn Kenny -
Sicario (2015)
—
Director of Photography
Brian Tallerico -
Unbroken (2014)
—
Director of Photography
Brian Tallerico -
The Shawshank Redemption (1994)
—
Cinematographer
Roger Ebert -
Homicide (1991)
—
Photographed by
Roger Ebert -
Barton Fink (1991)
—
Photographed by
Roger Ebert -
The Long Walk Home (1991)
—
Photographed by
Roger Ebert -
Mountains of the Moon (1990)
—
Photographed by
Roger Ebert -
Pascali's Island (1988)
—
Photographed by
Roger Ebert -
White Mischief (1988)
—
Photography by
Roger Ebert -
Stormy Monday (1988)
—
Photographed by
Roger Ebert -
Personal Services (1987)
—
Photographed by
Roger Ebert -
Defense Of The Realm (1987)
—
Photographed by
Roger Ebert -
1984 (1984)
—
Photographed by
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
You Can't Stop What's Coming: On No Country for Old Men
A look back at the Coen brothers' "No Country for Old Men."
Inclusion Rider: Backstage at the 90th Academy Awards
A report from the Oscar press room at the 90th Academy Awards.
"The Shape of Water," "Three Billboards" Win Big at 90th Oscars
A recap of the 90th Academy Awards.
"The Shape of Water" Tops 2018 Oscar Nominees
An article about the 2018 Academy Award nominees.
Women Rock the 23rd Critics Choice Awards
A report from the 2018 Critics Choice Awards.
L.A. Film Critics Association Awards Ceremony to be Held January 13th
An article about the L.A. Film Critics Association Awards (LAFCA) ceremony scheduled for Saturday, January 13th.
Alliance of Women Film Journalists Announce 2017 EDA Winners
An article about the 2017 Alliance of Women Film Journalists' EDA Award Winners.
Lady Bird, Call Me By Your Name Win Big For the Chicago Film Critics Association
The winners for the 2017 Chicago Film Critics Association.
"Blade Runner" vs. "Blade Runner 2049"
May Contain Spoilers
A Great Movie is hidden somewhere within "Blade Runner" and "Blade Runner 2049."
Video Essay: Roger Deakins: 0 for 13
A celebration of "Blade Runner 2049" cinematographer Roger Deakins' Oscar-nominated work.
2017 Fall Movie Preview: 25 Films We're Excited About
The 25 films we're most excited to see during the fall of 2017.
A Deeper Look into Sam Mendes' "Spectre"
FFC Gerardo Valero reexamines the 2015 James Bond film "Spectre" after the dust has settled.
Complete List of 88th Academy Award Nominees
A list of the 2016 Academy Award nominees.
AFI Fest 2015: "By the Sea"
A dispatch from AFI Fest on Angelina Jolie Pitt's "By the Sea."
Thumbnails 7/14/15
Amy Winehouse's "Frank"; "Mr. Robot" is the spiritual successor of "Fight Club"; "Pride and Prejudice and Zombies" director Burr Steers; Uncertain future of film criticism; Joe Gibbons goes to prison.
The Unloved, Part 19: "The Assassination of Jesse James by the Coward Robert Ford"
The July 2015 edition of The Unloved looks at Andrew Dominik's "The Assassination of Jesse James by the Coward Robert Ford."
Cannes 2015: Palme predictions
Ben Kenigsberg hazards a few guesses as to what the Coen brothers' jury might pick.
If We Picked the Winners 2015: Best Original Score
Scout Tafoya and Olivia Collette make the case for Alexandre Desplat's score for "The Grand Budapest Hotel" to win the Oscar on Sunday with a fantastic video essay.
The 87th Academy Award Nominations and Fun Facts
The official nominees along with some fun facts about this year's crop.
"Mountains of the Moon": Bob Rafelson's lost classic
Blu-ray Consumer Guide: May 2014
May 2014 Blu-rays of note.
Surprises, Snubs and Fun Facts: The 86th Oscar Nominations
What were the surprises, snubs and twists of today's Oscar nominations?
National Society of Film Critics falls for "Amour"
Michael Haneke's "Amour," which won the Palme d'Or last May at Cannes, was voted Saturday the best film of 2012 by the prestigious National Society of Film Critics. The award, coming on the eve of voting for the 2013 Academy Awards, confirms "Amour" as a Best Foreign Film frontrunner. Other NSFC winners will also draw welcome attention.
Skyfall: Hey kids, let's put on a show!
"Skyfall" is a theatrical film in the same way that its director, Sam Mendes, is a theatrical filmmaker. That is, its approach to organizing space for an audience (the camera lens) is noticeably stagey. I mean that in a "value-neutral" way. I just mean the frame is frequently used as a proscenium and the images are action-tableaux deployed for a crowd -- whether it's the designated audience surrogates in the movie (bystanders or designated dramatis personae), or the viewers in the seats with the cup-holders. That's not to say it's uncinematic (it's photographed by the great Roger Deakins!), but many of the set-pieces in "Skyfall" are conceived and presented as staged performance pieces.
Growing up with James Bond
I find it mind-boggling that something as trivial as an action film series could become such a constant presence in my life but that's been the case with the James Bond movies. It's not so much that their span happens to equal mine (to the very week, by the way) as I didn't start following them until I was 9 years old -- but ever since, they've always been around one way or another: from big theatrical openings to re-re-releases in the beat up movie houses of old; from Betamax tapings of network T.V. broadcasts (pausing the machine to edit the commercials), to the great looking discs of today. Every couple of years or so they have made their appearance and I've watched each one dozens of times regardless how good or bad they were, an odd fact for which I've had no reasonable explanation.
