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Roma

It’s a masterful achievement in filmmaking as an empathy machine, a way for us to spend time in a place, in an era, and with…

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Robin Hood

A disjointed, often incoherent take on the legend, squandering some good ideas.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

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Amy Winehouse's "Frank"; "Mr. Robot" is the spiritual successor of "Fight Club"; "Pride and Prejudice and Zombies" director Burr Steers; Uncertain future of film criticism; Joe Gibbons goes to prison.

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National Society of Film Critics falls for "Amour"

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Michael Haneke's "Amour," which won the Palme d'Or last May at Cannes, was voted Saturday the best film of 2012 by the prestigious National Society of Film Critics. The award, coming on the eve of voting for the 2013 Academy Awards, confirms "Amour" as a Best Foreign Film frontrunner. Other NSFC winners will also draw welcome attention.

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Skyfall: Hey kids, let's put on a show!

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"Skyfall" is a theatrical film in the same way that its director, Sam Mendes, is a theatrical filmmaker. That is, its approach to organizing space for an audience (the camera lens) is noticeably stagey. I mean that in a "value-neutral" way. I just mean the frame is frequently used as a proscenium and the images are action-tableaux deployed for a crowd -- whether it's the designated audience surrogates in the movie (bystanders or designated dramatis personae), or the viewers in the seats with the cup-holders. That's not to say it's uncinematic (it's photographed by the great Roger Deakins!), but many of the set-pieces in "Skyfall" are conceived and presented as staged performance pieces.

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