Rian Johnson

Reviews

Knives Out (2019)
Looper (2012)
Brick (2006)

Blog Posts

Far Flungers

Suicide by way of homicide

Rian Johnson's hyperviolent "Looper" (2102) is the smartest movie I have seen in a long time. It has that fearless edge of an independent film, throwing out all the stops. Its masterful plot carefully hides its foreshadows as elements of its constructed universe. It is a science fiction movie with rudiments of mystery, thriller, horror, comedy and even eschatology. So many characters, young and old, were loaded with charisma, sometimes unexpectedly. My fellow critic Nick Allen was correct when he told me not to watch any trailers (too late) and not to let anyone tell me about this movie. Because of its hyperkinetic, volatile unpredictability, I cannot help but to call this movie "crazy." After watching it, you might have to go look at snails for a few hours to calm down. More than that, this movie is clearly one of the best of the year.

Roger Ebert

Toronto #5: Loopers and the looped

Time travel, as we all know, is (1) impossible in any real-life, non-quantum sense, and (2) irresistible to filmmakers. Rian Johnson's Toronto entry "Looper" asks us to accept it as a premise, and you know what? It's handled more realistically here than anything in the plots of the average superhero movie. One of the strengths of time travel is its demonstration that if we could travel through time and meet our parents or even ourselves at an earlier age, it could be an unbearably emotional experience.

Scanners

Preparing for The Dark Knight to Rise

So, we're having this wonderful discussion at Scanners about the moral dimensions of superhero movies -- mostly about "The Amazing Spider-Man," "Marvel's The Avengers" and "The Dark Knight." I was bringing up some things from 2008 and 2009 about how some see the Joker as a "nihilist" or an "agent of chaos" and how I see him figuring into the moral design of the movie, and somebody posted this comment:

I'm so confused. You've spent the better part of 4 years slamming the dark knight for not being a "good" film, even though you're now saying its chalked full of thematic material. So am I correct in assuming you like the themes it raises, it's that the execution was poorish? So it's ok to like the themes just not the way it's presented, or that they presented too obviously, sloppily. Please give me a straight answer. I want to understand your interpretation of the material once and for all.

OK! Now, on the eve of the release of "The Dark Knight Rises," is probably a good time to attempt to do that once again -- if only to remind people that, although I have written a lot about "The Dark Knight" and Christopher Nolan (including pieces on "Following," "Memento,"The Prestige" and "Inception"), my reservations about his work have been closely focused on two things, involving writing and direction. Here's my (slightly cleaned-up) reply to that comment above: