Elevator to the Gallows
Written by
Louis Malle
Louis Malle Movie Reviews
Blog Posts That Mention Louis Malle
Interview with Louis Malle (1976)
Interview with Louis Malle
Malle’s only constant was unpredictability
30 Minutes on: “Elevator to the Gallows”
Greetings from Boulder
Torture porn: Want popcorn with that?
Movies too personal to share with an audience
Wes Anderson scavenger hunt: Truffaut, Welles, Peanuts…
Lisa Nesselson from Paris: On the man who made you think you spoke French
Tom Luddy (1943-2023)
15 Films We Can’t Wait to See at Sundance 2023
Meet the Guests of Ebertfest 2022
Bright Wall/Dark Room December 2021: I’ve Had a Rough Year, Dad: The Unbearable, Beautiful Messiness of One Line in The Royal Tenenbaums by Matt Chambless
Jean-Paul Belmondo: 1933-2021
On the Graceful Work of Composer Emile Mosseri
Virtual Ebert Symposium 2020 Will Kick off October 8th, Explore the Evolving Media Landscape
Happiness and Artifice: The Performances of Julianne Moore
Sexualized Innocence: Revisiting The Blue Lagoon
RIP Cinema: On James Dean’s Disappearance and French New Wave Legacy
NYFF 2018: The Times of Bill Cunningham, Cold War, Detour
Home Entertainment Consumer Guide: June 7, 2018
TIFF 2017: “You Disappear,” “Disappearance”
Jeanne Moreau and the Art of Refusal
Jeanne Moreau: 1928-2017
True/False Film Festival 2017
Telluride 2016: A Cinematic High
The RogerEbert.com Interviews of 2015
Thumbnails 8/12/15
Sex Symbol Without Auteur: The Strange Case of the Gina Lollobrigida Filmography
Interview: André Gregory and Wallace Shawn
Bright Wall/Dark Room October 2014: “The Flower of Evil” by Karina Wolf
“Film & Cultural Politics” at Ebertfest
Blu-ray Consumer Guide: March 25, 2014
Eight Films for which Roger’s Reviews Made the Difference
Public Edition #5
Looking back at 1968, through a lens
The Best 10 Movies of 1992
The Best 10 Movies of 1988
Godard: “It’s all showbiz…”
It Ain’t the Meat (It’s the Motion): Thoughtson movie technique and movie criticism
Almodovar’s passionate celebration of cinema: Omar Moore on “Broken Embraces”
Taking the Plunge
“You give out too many stars”
On orgasms
9/11, through eyes of ‘The Guys’
Sex, laughs and videotape
Cannes all winners
Eric Rohmer: In Memory
In Memory: Burt Lancaster
Lancaster Wrote Own Script
Binoche evokes quality of simply existing
Interview with William Katt
Jeanne Moreau as star and as director
There will be blood bonds
Movie Answer Man (02/08/1998)
