There isn’t an honest moment in all 96 minutes of Traffik.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Part I of our round-up featuring filmmaker guests scheduled to attend Ebertfest 2018. We will include the film critics in a separate round-up.
A preview of dozens of films coming out this summer.
Glenn Kenny comments on awards season, Sean Penn, Neil Patrick Harris, and the actual Oscars.
R.I.P. David Carr; Kanye West: the biggest loser; Popcorn porn: "Fifty Shades" and "Kingsman"; Tilda Swinton's speech at Rothko Chapel; The film that Goebbels feared.
A report from the New York Comic-Con previewing the upcoming films, "Penguins of Madagascar" and "Home."
Hollywood is actually regressing on Latino issues. As the industry continues to make progress in its depiction of black America, what we need now is a Spanish Harlem Renaissance.
Marie writes: The West Coast is currently experiencing a heat wave and I have no air conditioning. That said, and despite it currently being 80F inside my apartment, at least the humidity is low. Although not so low, that I don't have a fan on my desk and big glass of ice tea at the ready. My apartment thankfully faces East and thus enjoys the shade after the sun has crossed the mid-point overhead. And albeit perverse in its irony, it's because it has been so hot lately that I've been in the mood to watch the following film again and which I highly recommend to anyone with taste and a discerning eye.
Cybill Shepherd recalls working on Peter Bogdanovich's "At Long Last Love" and the critical drubbing she in particular took in the press.
Happy New Year from the Ebert Club!TRAILERS
Marie writes: I may have been born in Canada, but I grew-up watching Sesame Street and Big Bird, too. Together, they encouraged me to learn new things; and why now I can partly explain string theory.That being the case, I was extremely displeased to hear that were it up Romney, as President he wouldn't continue to support PBS. And because I'm not American and can't vote in their elections, I did the only thing I could: I immediately reached for Photoshop....
(Click image to enlarge.)
Marie writes: It's official. I have died and gone to heaven. For here below, as part of an ongoing series exploring Britain's architectural wonders, the Observer's architecture critic Rowan Moore, introduces a spectacular interactive 360-degree panoramic photograph of "The grand staircase in the St Pancras Renaissance hotel" - which I regard as one of the most beautiful pieces of architecture I have ever seen. I adore this building and always will; it's the stuff of dreams. (Click photo to enlarge.)
Go here to explore a 360 panoramic view of the grand staircase!
"The Ant Bully" is now available through HBO On Demand and HBO Go until December 18.
A boy, a wizard and a war--that's the basic formula for many children's adventure stories. In "The Ant Bully," as the name suggests, this story takes place in the insect world, but the bully is the boy named Lucas (voiced by Zach Tyler Eisen). This modest morality tale doesn't go for big laughs but does deal with situations that young kids will inevitably face.
Based on John Nickle's 1999 book by the same name, this 2006 feature was the first animated film produced by Legendary Pictures. "The Ant Bully" followed two better known 1998 ant-themed films: DreamWorks' "Antz" and Disney's "A Bug's Life." All three movies have messages, but are aimed at different audiences.
"The Ant Bully," rated PG for mild violence, is definitely targeted at young children--preteen kids who might feel powerless, so far outside of the adult world. In the movie, 10-year-old Lucas has no friends and is the target of the neighborhood bully. He turns his frustrations on the anthill in his front yard, causing the ants to scurry about when he floods the anthill.
LOS ANGELES -- Sunday night's Oscarcast may be the first in recent history where the presenters and performers outdraw the nominees. This year's field of films and actors is of an unusually high standard, which translates to a smaller audience, given the general rule that the better something is on TV, the fewer people watch it. Consider that "Dancing With the Stars" outdrew the Olympics.
Ebert's Best Film Lists1967 - present
Q. I just read your review of "The Contender" with Jeff Bridges and Joan Allen. My wife and I had to laugh when we saw the trailer, because we just KNEW Gary Oldman's character was going to be an evil, mean and nasty Republican. As it turns out, we were right! "Random Hearts" is the only film I can recall where a Republican politician was treated as a sympathetic character in a Hollywood film. Can you think of any others? (Marc Giller, Tampa, FL)
Q. In the trailer for "Highlander: Endgame," the villain is cut in two, is called a sorcerer, suspends a sword in mid air, and views people on a magic floating crystal ball. The heroes are seen jumping through a "Poltergeist"-style swirling vortex. None of these scenes are in the movie. The villain isn't a sorcerer, just a guy good at cutting off heads and hissing like the Emperor in "Star Wars." I've since found out from the "Highlander" internet newsgroup that the scenes I mentioned were shot just for the "Highlander: Endgame" trailer and were never going to be in the movie. Not even scenes that were later cut but scenes that were never going to be used. How different can a trailer be from the film before it is just lying? (Ian Boothby, Vancouver)
Q. In your review of "The Cell" you described the outfits worn by Jennifer Lopez and others while voyaging into the minds of patients as "virtual reality gear." I think the opposite was the case. The outfits were probably worn by the characters to completely desensitize them from the external world so that the therapy could not be interrupted. That's probably also why they were suspended in mid-air. During the therapy sessions the characters did not move their bodies at all. If they were wearing virtual reality gear their bodies, conceivably, would have been mimicking their movements. (Jordan Potasky, Toronto)
Between Memorial Day and Labor Day, the best films fell into three summer traditions, plus some unclassifiable but memorable titles.
Ebert's Best Film Lists1967 - present
Ebert's Best Film Lists1967 - present
Q. My 10-year-old son and I took off half a day so we could see "Jack," our favorite actor's "sweet little movie," as Robin Williams described it on Leno. I was stunned by the highly sexualized depiction of boys in the fifth grade. Since we have one, I can assure you that Penthouse magazine is really not part of the picture at this developmental stage. My greatest concern was the conduct between Fran Drescher and Robin Williams. None of the little boys were laughing or even connecting with the weird scene of Williams pawing his friend's mother. The french kiss was offensive, and proved that somehow Hollywood felt it had to even the score by showing that boys can be exploited by women. What was the point? This was hardly intended for the same audience as "The Graduate" or "Summer of '42." My son's reaction was confusion and disgust as he tried to figure out why this was in the movie. My reaction was, the movie was a colossal betrayal by Mr. Williams. FYI, I am a lawyer and have spent much of my professional career involved in the representation of children and the creation and implementation of laws related to child abuse and neglect. Please consider the content of the movie as people need to at least be aware that it is hardly the benign little story it is cracked up to be! (Myra Werrin Sacks, Harrisburg, Pa.)
Why don't we ever see Latino families in the movies? All the other American ethnic groups have given us movies about their march through the generations, but Latinos, until now, have been represented mostly by crime movies and comedies, neither presenting their culture in an especially positive light. A Chicano I know went to see "American Me," a film by Edward James Olmos that is brave and powerful but unremitting in its portrait of a man destroyed by prison, and came out saying, "If I wasn't Chicano, this movie wouldn't have made me want to know any."