Fool’s Paradise
The Dagger
Common
Common
Common Movie Reviews
Alice
Frank
Ava
Michael
A Most Beautiful Thing
Narrator
The Kitchen
Gary Silver
Hunter Killer
RA John Fisk
The Hate U Give
Carlos
All About Nina
Rafe
The Tale
Martin
Megan Leavey
Gunny Martin
Two Trains Runnin’
Narrator
Being Charlie
Travis
Barbershop: The Next Cut
Jabari
Every Secret Thing
Run All Night
Mr. Price
Selma
James Bevel
LUV
Vincent
Happy Feet Two
Seymour (voice)
Just Wright
Scott McKnight
Terminator Salvation
Barnes
Blog Posts That Mention Common
Tribeca 2023: The Gullspång Miracle, Common Ground, Transition, Songs About F***ing
Tragically Common: Jamie Dack, Lily McInerny and Jonathan Tucker on Palm Trees and Power Lines
Common Grounds and Various Teas
It Just Takes Common Sense: Dr. Marty Goldstein on The Dog Doc
Living with Our Common Humanity: A Few Words with Norman Lear
Robert Daniels & Odie Henderson Talk “Baby Boy” at 25
J. Christopher Hamilton on Culture, Capital, and Creative Leverage
Film Criticism’s Crisis in the Letterboxd Era
Through My Lens: The Accidental Archivist of ‘90s Howard University
250 Years Later and Blacks Are Still Politically and Racially Enslaved
The Horror of AI in “Obsession” & “Backrooms”
Bentonville Film Festival 2026 Preview
The 20 Best Films of 2026 So Far
Humor Is a Weapon: A Conversation with John Waters
Hearing a Movie: Daniel Roher on “Tuner”
Cannes 2026: Maverick: The Epic Adventures of David Lean, Dernsie: The Amazing Life of Bruce Dern
Cannes 2026: A Man of His Time, Moulin, Coward
Netflix’s “The Boroughs” Offers a Clever Spin on the “Stranger Things” Formula
Cannes 2026: Minotaur, Red Rocks
Cannes 2026: Club Kid, Marie Madeleine
Prime Video’s “Off Campus” is Big on Romance, Music, and Spice
Male Directors Can’t Stop Making Movies About Female Pop Stars
Love’s in Need of Love Today: Reflections on EbertFest, Cinema, and Empathy
Netflix’s Animated “Stranger Things: Tales from ’85” is an Insulting Waste of Time
Netflix’s “Beef” Returns with a Season as Twisted and Hysterical as the First
Capcom’s “Pragmata” is the Next Great Dad Game
Short Films in Focus: Trapped (with Sam Cutler-Kreutz)
SXSW 2026: Crash Land, The Fox, Love Language
SXSW 2026: Brian, Basic, Seekers of Infinite Love
SXSW 2026: Imposters, Sender, Monitor
SXSW 2026: Chili Finger, Kill Me, Family Movie
At This Year’s Oscars, The Show Must Go On
We Broke the Loop: Ian Tuason and Nina Kiri on “undertone”
Monstrous Women: From Medusa to the Bride and Rumi Too
Across 50 Seasons, “Survivor” Reflects Evolving Views of American Women
Reflections on Nuremberg: Lessons on Evil
“RJ Decker” Successfully Brings Whimsy to Network Procedural
Joan Cusack: Best Supporting Energy
Twisty, Funny HBO’s “DTF St. Louis” is an Addictive Watch
Christy Lemire Bids a Fond Farewell to RogerEbert.com
Book Excerpt: STEVE JOBS MONOGRAPH, Edited by B.C. Wallin
The Belle of Absurdity: Catherine O’Hara (1954-2026)
Sundance 2026: When a Witness Recants, Time and Water, Antiheroine
Sundance 2026: Joybubbles, Soul Patrol, Who Killed Alex Odeh?
Sundance 2026: Birds of War, One in a Million, Silenced
The 8 Biggest Snubs of the 2026 Oscar Nominations
A Tribute to Former FCC Chair and Media Champion Newton Minow
“Stranger Things” Hurtles to Its Series Finale with Second Volume of Fifth Season
The 10 Best Horror Films of 2025
As You Wish: Rob Reiner (1947-2025)
The Ten Best Films of 2025
Female Filmmakers in Focus: Tamara Kotevska on “The Tale of Silyan”
Their Show Cracked Open the World: Siskel & Ebert Memories
A Source of Inspiration: Elle Fanning and Stellan Skarsgård on “Sentimental Value”
It’s Important for a Film to Wake an Audience Up: Ira Sachs on “Peter Hujar’s Day”
No Other Land: Surviving a Crushing Machine
Tokyo Film Festival 2025: Journey into Sato Tadao
Female Filmmakers in Focus: Sepideh Farsi on “Put Your Soul on Your Hand and Walk”
Short Films in Focus: 24 Hours After Reading Tuesdays With Morrie (with Scott Tinkham)
CIFF 2025: Silent Friend, Calle Malaga, Belén
HBO’s “IT: Welcome to Derry” Feels too Much Like a Sideshow in the Stephen King Circus
CIFF 2025: The Stranger, Franz, Kontinental ’25
“Battlefield 6” Seeks to Reclaim the Front Line of Multiplayer Shooters
NYFF 2025: The 63rd Edition Comes to a Close
Tim Robinson Sits in a World of Paranoid Conspiracies in HBO’s “The Chair Company”
An Ear for Writing For Women: Stan Zimmerman on Golden Girls, Rosanne, Gilmore Girls
TIFF 2025: The Tale of Silyan, Love+War, The Balloonists
Cheese, Glue, and Skiffle: Spinal Tap & Marty DeBergi on “Spinal Tap II: The End Continues”
TIFF 2025: The Voice of Hind Rajab, Unidentified, The Fence
TIFF 2025: The Christophers, &Sons, Dead Man’s Wire, Tuner
TIFF 2025: Wasteman, Winter of the Crow, Charlie Harper
Robert Daniels & Odie Henderson Talk “Highest 2 Lowest”
50 Years Later, “Sholay” Remains a Captivating South Asian Epic
