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Chicago Critics Film Festival Announces Full Schedule, Special Guests

“Hacks” Returns at the Peak of Its Comedic Powers

Netflix’s “Running Point” is Pretty Funny if You Don’t Think About it Too Hard

Sundance 2025: East of Wall, Obex, BLKNWS: Terms and Conditions

The Great Craft of 2024

The Great Performances of 2024, Part Two

2025 Sundance Film Festival Announces Ambitious Program

TIFF 2024: The Return, Riff Raff, The Friend

Fight or Flight: Jeremy Saulnier on Rebel Ridge

A Woman Without Peers: Gena Rowlands (1930-2024)

The Presumed Innocent Movie Was a Highlight of Hollywood’s Page-Turner Era

Cannes 2024 Diary 2: International Genre Picks

Where’s My Black Girlhood?: The Whitewashing of the Femme Boom

Bright Wall/Dark Room October 2023: Killing Time: 3:10 to Yuma & the Lonesome West by Nicholas Russell

A Piece of His Fire: Harry Belafonte (1927-2023)

The Underrated Sayles: An Appreciation of Baby It’s You on Its 40th Anniversary

Berlinale 2023 Highlights, Part One: She Came to Me, Blackberry, The Survival of Kindness

Twenty Movie Legends We Lost in 2022

Tragedy Actually Brings Hope: Bill Nighy on Living

Angelo Badalamenti (1937-2022)

Documentary Now Finally Returns with Wonderful Fourth Season

Sally Potter on Her New Short Film Look At Me, Her Metrograph Retrospective, Her Upcoming Comedy, and More

Andor Offers Rich New Approach to Telling a Star Wars Story

Hopelessly Devoted: Olivia Newton-John (1948-2022)

A Tale of the Tapes: On the ‘Recreated’ Conversations in Speer Goes to Hollywood (Updated)

Profiles in Courage: Special Updates on Erica Ford and Dr. Kahil El’Zabar

Cannes 2021: Where is Anne Frank, Stillwater, Lamb

Profiles in Courage: Erica Ford

George Segal: 1934-2021

The Energy Can’t Last: On the Grimy American Fringes of Jeremy Saulnier

The Mandalorian Faces Lies and Krykna in Chapter 10: The Passenger

Real Treasure: The Reunion at the Heart of Da 5 Bloods

Hulu’s Normal People Has All the Appeal of a Bad Date That Refuses to End

Timing Works For Second Season of Ricky Gervais’ After Life

Short Films in Focus: Guaxuma

Joker Leads Oscar Nominations

Music Box Memories: A Legendary Theatre Celebrates 90 Years

A Hitchockian Nightmare: On Alan J. Pakula’s Presumed Innocent

Bethesda’s Rage 2 Struggles to Make It Down the Fury Road

Tribeca 2019: Martha: A Picture Story, Recorder: The Marion Stokes Project

2019 Oscar Winners Include Green Book, Rami Malek, Olivia Colman, Ruth Carter, Spike Lee

Oscar Predictions 2019: Who Will Win, Who Should Win, and Who Should Have Been Nominated

IFC’s Documentary Now! Returns for Brilliant Third Season

The Favourite, Roma Lead 2019 Oscar Nominations

Roma, Vice, Black Panther Win Big at 24th Critics’ Choice Awards

Home Entertainment Consumer Guide: December 27, 2018

AFI Fest 2018: Michael Douglas and Alan Arkin in Netflix’s The Kominsky Method

Home Entertainment Consumer Guide: August 2, 2018

Home Entertainment Consumer Guide: July 5, 2018

KVIFF 2018: Winter Flies and Opening Night

Everyone is an Alien When You’re in Love: John Cameron Mitchell on How to Talk to Girls at Parties

Figuring It Out: The Films of Laura Dern

Minding the Gap, The King, Devil’s Freedom Among Highlights at DOC10 2018

Thumbnails Special Edition: And a Child Shall Lead Them

Star Trek: Discovery Returns to Series’ Musical Roots

30 Minutes on: Wonderstruck

Home Entertainment Consumer Guide: November 30, 2017

Highlights from the 2017 Los Cabos Film Festival

Interview with the Cast of “A Bad Moms Christmas”

Man on the Outside: The Films of Willem Dafoe

2017 Fall Movie Preview: 25 Films We’re Excited About

Comic-Con 2017: Interview with Brian Selznick about “Wonderstruck”

Charles Taylor on His New Book, “Opening Wednesday at a Theater or Drive-In Near You”

Cannes 2017: “How to Talk to Girls at Parties” and “Napalm”

Thumbnails 5/15/17

Hollywood Beginning: Eugenio Derbez on “How to Be a Latin Lover”

Sundance 2017: “The Force,” “Quest,” “Trophy”

Non-Stop Action, Festival Favorites and More: A Winter 2017 Film Preview

Writer Profiles: Brian Tallerico

There Are Not Two Sides to Every Story: Deborah Lipstadt on “Denial”

Young Debbie Edwards, Found: Lana Wood on “The Searchers”

2016 Fall Movie Preview: 50 Movies That’ll Prove Film Isn’t Dead

Arthur Hiller: 1923 – 2016

Islam in Western Cinema, Part 1 – The Exotic Muslim, from the Exotic Land

AFI Docs 2016 Opens with Alex Gibney’s “Zero Days”

Tribeca 2016: “Midsummer in Newtown,” “The Last Laugh” & “My Scientology Movie”

If We Picked the Winners 2016: Best Supporting Actress

Berlin 2016 Interview: Jeff Nichols & Michael Shannon on “Midnight Special”

Sundance 2016: “Jim,” “Newtown,” “Trapped”

Book Review: “Maggie Smith: A Biography” by Michael Coveney

The RogerEbert.com Interviews of 2015

FFC: “Another Woman”

Bill Hader, Fred Armisen Star in IFC’s Hysterical “Documentary Now!”

You Have to Kill the Judge: Parker Posey on “Irrational Man,” Woody Allen and Christopher Guest

Thumbnails 7/9/15

Who’s Who In Reviews: Susan Wloszczyna

Movie Personality Islands: The Formative Films of My Life

Home Entertainment Consumer Guide: April 23, 2015

Tribeca 2015: “Fastball”

Home Entertainment Consumer Guide: March 26, 2014

Film Critics Honor the Best of 2014

Robert Altman’s Lost Classics Finally on Blu-ray

Wes Anderson and Owen Wilson remember L.M. “Kit” Carson

“Life Itself” to Screen at the Tivoli Theatre

Yes, “Life Itself” Is Still In Theaters and On VOD Platforms
