Nothing here deserves to be characterized as morbid. Indeed, quite the opposite.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A tribute to the late film buff, author and Turner Classics Movies host, Robert Osborne.
A collection of some of our favorite interviews from 2016.
A packed version of our Blu-ray guide with thoughts on "Knight of Cups," "Midnight Special," "10 Cloverfield Lane," "45 Years" and many more!
The year to date in cinema as seen by our contributors.
30 Minutes on the latest by Jeff Nichols ("Take Shelter," "Mud").
An interview with Sally Field about Hello, My Name is Doris, along with a special cameo from director Michael Showalter.
Why comic books are radical; How Franklin was born; The Monkees's "Head"; Burt Reynolds has some regrets; The "Ishtar" effect.
A piece on the wave of new Black women directors, including Gina Prince-Bythewood, Amma Assante, Ava DuVernay and Dee Rees.
The Abraham Lincoln Presidential Library Foundation honored award-winning filmmaker Steven Spielberg with the prestigious Lincoln Leadership Prize at a dinner ceremony Wednesday at the Hilton Chicago.
The director of "Lincoln" is honored by the Abraham Lincoln Presidential Library Foundation.
Troll the NSA; clashes continue in Turkey; the "familiar profile" of the Santa Monica killer; wash your hands!; actresses in Hollywood are having a worse/better time of it; Lego faces getting angrier; great tracking shots.
Seasonal anticipation: as 2013 debuted, many were feeling it. The 28th iteration of the Santa Barbara International Film Festival, aka "SBIFF," was on the wind, with jazzed moviegoers soon to converge elbow-to-elbow in a familiar, even familial, and happy bustle on downtown's State Street.
I was among the excited, as this would be my third year covering the festival. And for me, extra sweetening would be provided by the tribute to Daniel Day-Lewis, the oft-reticent acting genius whose reanimation of Abraham Lincoln seemed certain to bring another Best Actor Academy Award -- his 3rd, making him the only actor to surpass Marlon Brando, who received 2.
Listen -- a billion people are throwing up. That's a rough estimate of course, but every year somebody at the Oscars says a billion people on the planet are watching the program; however many watched this year's Oscar show, they may well have felt sickened by it. It was a stomach-churning, jaw-dropping debacle, incompetently hosted and witlessly produced.
Between Two Ferns: Oscar Buzz Edition Part 2 from Zach Galifianakis
At the heart of Steven Spielberg's "Lincoln" is a quiet scene between President Abraham Lincoln (Daniel Day-Lewis) and two young men, Samuel Beckwith (Adam Driver) and David Homer Bates (Drew Sease), in an otherwise empty telegraph cipher office. Lincoln has to make a crucial decision: Does he consider a peace proposal from a Confederate delegation on its way to Washington, and thus perhaps immediately end the bloody Civil War that has claimed the lives of more than half a million Americans, knowing that it would doom his attempt to pass the Thirteenth Amendment to the Constitution, officially banning slavery in the United States? Or does he try to legally solidify and extend his Emancipation Proclamation by getting the Thirteenth Amendment passed during a narrow window of opportunity (during the lame duck session of Congress between his re-election and second inauguration) at the cost of extending the war?
Steven Spielberg's "Lincoln" (2102) is exactly what we would expect it to be. It is reverent. It is of such epic scope, with such microscopic attention to detail, that it competes with any period piece in the history of cinema. Daniel Day-Lewis disappears into Abraham Lincoln. So many supporting players ornament this film that a familiar face appears on screen every few minutes, adding depth, personality, and charm. Tony Kushner's script is complex, pious, and at times mesmerizing. Janusz Kaminski's cinematography, mixed with Rick Carter's production design, provides a portrait in every frame.
Marie writes: I may have been born in Canada, but I grew-up watching Sesame Street and Big Bird, too. Together, they encouraged me to learn new things; and why now I can partly explain string theory.That being the case, I was extremely displeased to hear that were it up Romney, as President he wouldn't continue to support PBS. And because I'm not American and can't vote in their elections, I did the only thing I could: I immediately reached for Photoshop....
(Click image to enlarge.)
Marie writes: Intrepid club member Sandy Kahn came upon the following recipe and wisely showed it to me, so that I might share it in turn with all of you. Behold the morning chocolate cookie - a healthy breakfast treat loaded with good stuff; like fiber and imported French chocolate.
Marie writes: Intrepid club member Sandy Kahn discovered the following Danish designers "Monstrum" who make extraordinary playgrounds for children. I think they're the stuff of dreams, whatever your age. Indeed; behold the Rahbek kindergarten in Frederiksberg, Denmark, and Monstrum's first playground...
The Rocket and The Princess Tower! "Just like a set design, a playground must have an inspiring front that attracts children, and a functional backside with climbing, sliding and relaxing options. The idea of the playground is to combine a girl's mind with a boy's approach into one big common playground. The princess tower consists of three floors, and the rocket has two floors. From the top floor of the Rocket, you can slide down the 6 m long double slide together with an astronaut friend." (click to enlarge.)
"I love music so much and I had such ambition that I was willing to go way beyond what the hell they paid me for. I wanted people to look at the artwork and hear the music." - Alex Steinweiss
• "The Rack" (1956) • "Until They Sail" (1957) • "The Prize" (1963) • "Tales of Tomorrow: Ice From Space" (1953)"The Rack," "Until They Sail" and "The Prize" are now available on made-to-order DVD from the Warner Archive Collection for $19.95 each. "Tales of Tomorrow" can be viewed on Hulu Plus and Amazon Instant Video.
by Jeff Shannon You would think that every film Paul Newman ever appeared in would be readily available on home video, right? Guess again. One of the best films from Newman's early career has managed to slip through the cracks of home-video distribution for decades, and unless you're old enough to have seen it in theaters or on TV over the years, it's possible you've never even heard of it. So when I heard that "The Rack" (1956) was available on home video for the very first time, I couldn't wait to break the news to Stewart Stern.
For anyone who's wondering "Stewart who?" there's a convenient shortcut you can use when discussing the impressive life and career of Stewart Stern. All you have to say is, "He wrote 'Rebel Without a Cause.'" Uh-huh, that one. With a credit like that, any screenwriter could legitimately claim a slice of movie immortality, like James Dean did as the now-iconic star of Nicholas Ray's 1955 teen-angst classic. But to say that Stern only wrote "Rebel" is a bit like saying Frank Lloyd Wright designed a house. In the course of his distinguished, decades-spanning career, Stern wrote rich, psychologically perceptive scripts that were magnets for great actors and great acting: His script for "The Ugly American" (1963) gave Brando plenty to chew on; his Oscar-nominated script for "Rachel, Rachel" (1968) gave Joanne Woodward what is arguably the best role of her career (under the direction of her husband, Paul Newman; they also earned Oscar nods); and Stern's Emmy and Peabody-winning teleplay for "Sybil" (1976) transformed cute TV actress Sally Field into an Emmy winner with a pair of Oscars in her future. A few years later, Stern left Hollywood, weary of the rat race and struggling with writer's block, the delayed effect of post-traumatic stress from service in World War II. In the mid-'80s, Stern relocated to Seattle and never looked back. And while Stern may have been a nephew of Paramount Pictures founder Adolph Zukor, with additional family ties to MGM moguls Arthur Loew Sr. and Jr., his closest Hollywood connection was more personal and more warmly indicative of the man's soul and spirit: For 55 years, Stewart Stern was one of Paul Newman's very best friends.
"Remember during the campaign when John McCain attacked Obama for acting like a celebrity and we all laughed at the grumpy old shellshocked fool? Well, it turns out he was right. [...] It's getting to where you can't turn on your TV without seeing Obama."
What grumpy old shellshocked fool said that? It was comedian Bill Maher, whose approach to political satire is to talk about televised presidential photo ops as if they were interfering with, or substituting for, policy-making. I mean, the guy admits he thinks what he sees on TV is "news," and then he watches PR puff pieces about presidential puppies and romantic nights out on Broadway and thinks it's Obama who lacks substance? Turn off the boob tube, Bill, and read a newspaper or a web site -- or a blog. If you wanted to learn something about politics (and "topical humor") from TV, you should be watching Jon Stewart or Stephen Colbert, not Leno. But I warn you, it's going to make you feel as tired and ancient as your schtick. You may as well be telling jokes about airline food and Geritol. (Anybody remember Geritol? That's my point.)