Rarely has a remake felt more contractually obligated than the 2015 version of Poltergeist.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Sam Fragoso reports on the Eberfest screening of Jason Reitman's "Young Adult" with Patton Oswalt.
A complete guide to the 16th Annual Roger Ebert's Film Festival.
Spike Lee will present a screening of "Do the Right Thing" at Ebertfest 2014 to commemorate the film's 25th anniversary.
Ebertfest sneaks the names of a few guests in anticipation of announcing the full lineup.
Marie writes: I've been watching a lot of old movies lately, dissatisfied in general with the poverty of imagination currently on display at local cinemas. As anyone can blow something up with CGI - it takes no skill whatsoever and imo, is the default mode of every hack working in Hollywood these days. Whereas making a funny political satire in the United States about a Russian submarine running aground on a sandbank near a small island town off the coast of New England in 1966 during the height of the Cold War - and having local townsfolk help them escape in the end via a convoy of small boats, thereby protecting them from US Navy planes until they're safely out to sea? Now that's creative and in a wonderfully subversive way....
Marie writes: Holy crap! THE KRAKEN IS REAL!" Humankind has been looking for the giant squid (Architeuthis) since we first started taking pictures underwater. But the elusive deep-sea predator could never be caught on film. Oceanographer and inventor Edith Widder shares the key insight - and the teamwork - that helped to capture the squid on camera for the first time, in the following clip taken from her recent TED talk." And to read more about the story, visit Researchers have captured the first-ever video footage of a live giant squid at i09.com
HAPPY BELATED BIRTHDAY TO THE EBERT CLUB!
Marie writes: I recently heard from an ex-coworker named Athena aka the production manager on an animated series I'd painted digital backgrounds for. She sent me some great photos she'd found on various sites. More than few made me smile and thus inspired, I thought I'd share them with club members. I've added captions for fun but if you can come up with something better, feel free to submit your wit by way of posted comment. Note: I don't know who the photographers are; doesn't say. (Click pics to enlarge.)
"I want a peanut for every photo you took of me..."
Marie writes: I received the following from intrepid club member Sandy Kahn and my eyes widened at the sight of it. It's not every day you discover a treasure trove of lost Hollywood jewelry!
Grace Kelly is wearing "Joseff of Hollywood"chandelier earrings in the film "High Society" (1965)(click image to enlarge.)
Marie writes: I can't prove it but I'm convinced they're related.
Marie writes: Belgium club member Koen Van Loocke has submitted the following and it's so awesome, I have no words. But first, background..The Cinematic Orchestra is led by composer/programmer/multi-instrumentalist Jason Swinscoe, who formed his first group "Crabladder" in 1990 while a Fine Arts student at Cardiff College. The group's fusion of jazz and hardcore punk elements with experimental rhythms, inspired Swinscoe to further explore the musical possibilites and by the time the group disbanded in the mid-'90s, he was playing DJ at various clubs and pirate radio stations in and around London.
Marie writes: Behold an extraordinary collection of Steampunk characters, engines and vehicles created by Belgian artist Stephane Halleux. Of all the artists currently working in the genre, I think none surpass the sheer quality and detail to be found in his wonderful, whimsical pieces...
Left to right: Little Flying Civil, Beauty Machine, Le Rouleur de Patin(click images to enlarge)
"I believe that if, at the end, according to our abilities, we have done something to make others a little happier, and something to make ourselves a little happier, that is about the best we can do. To make others less happy is a crime. To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world. That is true no matter what our problems, our health, our circumstances. We must try. I didn't always know this, and am happy I lived long enough to find it out." - from LIFE ITSELF
(click image to enlarge)
Marie writes: Doug Foster is a filmmaker and artist who produces large scale digital film installations that often play with ideas of symmetry and optical illusion. His piece The Heretics' Gate is currently on view at "Daydreaming with... St. Michael's" - an exhibition taking place at St. Michael's church in Camden, London. Note: Foster's piece first appeared at the Hell's Half Acre exhibition at the Old Vic Tunnels in London in 2010."The Heretics' Gate" draws inspiration from Dante's Inferno, the first part of his epic poem The Divine Comedy. A twenty foot high, arched screen and a thirty foot long reflecting pool, are cleverly combined to deliver a mesmerizing and strangely ethereal vision of hell at the central focus point of the church's imposing gothic architecture. To learn more, visit: Liquid Hell: A Q&A With Doug Foster.NOTE: The exhibition is the latest installment in renowned British music producer James Lavelle's curatorial and collaborative art venture, "DAYDREAMING WITH..." - a unique and visceral new exhibition experience, inspired by the desire to marry music and visual art. The goal is to bring together some of the most acclaimed creative names working in music, art, film, fashion and design.
Gathered here in one convenient place are my recent reviews that awarded films Two Stars or less. These are, generally speaking to be avoided. Sometimes I hear from readers who confess they are in the mood to watch a really bad movie. If you're sincere, be sure to know what you're getting: A really bad movie. Movies that are "so bad they're good" should generally get two and a half stars. Two stars can be borderline. And Pauline Kael once wrote, "The movies are so rarely great art that if we cannot appreciate great trash, we shouldn't go at all."
"Just Go With It" (PG-13, 116 minutes). This film's story began as a French farce, became the Broadway hit "Cactus Flower," was made into a 1969 film and now arrives gasping for breath in a witless retread with Adam Sandler, Jennifer Aniston and Brooklyn Decker. The characters are so stupid it doesn't seem nice to laugh at them. One star.
"Sanctum" (R, 109 minutes). A terrifying adventure shown in an incompetent way. Scuba-diving cave explorers enter a vast system in New Guinea and are stranded. But this rich story opportunity is lost because of incoherent editing, poor 3D technique, and the effect of 3D dimming in the already dark an murky caves. A "James Cameron Production," yes, but certainly not a "James Cameron Film." One and a half stars
"I Am Number Four" (PG-13, 110 minutes). Nine aliens from the planet Mogador travel across the galaxy to take refuge on earth and rip off elements of the Twilight and Harry Potter movies, and combine them with senseless scenes of lethal Quidditch-like combat. Alex Pettyfer stars as Number Four, who feels hormonal about the pretty Sarah (Dianna Agron), although whether he is the brooding teenage Edward Cullen he seems to be or a weird alien life form I am not sure. Inane setup followed by endless and perplexing action. One and a half stars
"Certifiably Jonathan" (Unrated, 80 minutes). Jonathan Winters deserves better than this. Jim Pasternak's mockumentary is not merely a bad film, but a waste of an opportunity. Nearing 80, Winters is still active and funny, and deserves a real doc, not this messy failed attempt at satirizing--what? Documentaries themselves? Lame scenes involving an art show, a theft and the "Museum of Modern Art" fit awkwardly with cameos of too many other comics, who except for the funny Robin Williams seem to be attending a testimonial. One star.
"The Green Hornet" (PG-13, 108 minutes) An almost unendurable demonstration of a movie with nothing to be about. Although it follows the rough storyline of previous versions of the title, it neglects the construction of a plot engine to pull us through. There are pointless dialogue scenes going nowhere much too slowly, and then pointless action scenes going everywhere much too quickly. One star.
"The Nutcracker in 3D" (PG, 107 minutes) A train wreck of a movie, beginning with the idiotic idea of combining the Tchaikovsky classic with a fantasy conflict that seems inspired by the Holocaust. After little Mary (Elle Fanning) discovers her toy nutcracker can talk, he reveals himself as a captive prince and spirits her off to a land where fascist storm troopers are snatching toys from the hands of children and burning them to blot out the sun. I'm not making this up. Appalling. And forget about the 3D, which is the dingiest and dimmest I've seen. One star
"I Spit on Your Grave" (Unrated; for adults only. Running time: 108 minutes) Despicable remake of the despicable 1978 film "I Spit On Your Grave." This one is more offensive, because it lingers lovingly and at greater length on realistic verbal, psychological and physical violence against the woman, and then reduces her "revenge" to cartoonish horror-flick impossibilities. Oh, and a mentally disabled boy is forced against his will to perform a rape. Zero stars.
"Life As We Know It" (PG-13, 113 minutes). When their best friends are killed in a crash, Holly and Messer (Katherine Heigl and Josh Duhamel) are appointed as joint custodians of their one-year-old, Sophie. Also, they have to move into Sophie's mansion. But Holly and Messer can't stand one another. So what happens when they start trying to raise Sophie. You'll never guess in a million years. Or maybe you will. One and a half stars
"Hatchet II" (Unrated, 85 minutes). A gory homage to slasher films, which means it has its tongue in its cheek until the tongue is ripped out and the victims of a swamp man are sliced, diced, slashed, disemboweled, chainsawed and otherwise inconvenienced. One and a half stars
"The Last Airbender" (PG, 103 minutes). An agonizing experience in every category I can think of and others still waiting to be invented. Originally in 2D, retrofitted in fake 3D that makes this picture the dimmest I've seen in years. Bad casting, wooden dialogue, lousy special effects, incomprehensible plot, and boring, boring, boring. One-half of one star.
"The A-Team" (PG-13, 121 minutes). an incomprehensible mess with the 1980s TV show embedded within. at over two hours of Queasy-Cam anarchy it's punishment. Same team, same types, same traits, new actors: Liam Neeson, Jessica Biel, Bradley Cooper, Sharlto Copley, "Rampage" Jackson, Patrick Wilson. One and a half stars
"Sex & the City 2" (R, 146 minutes). Comedy about flyweight bubbleheads living in a world where their defining quality is consuming things. They gobble food, fashion, houses, husbands, children, and vitamins. Plot centers on marital discord between Carrie (Sarah Jessica Parker) and Mr. Big (Chris Noth), a purring, narcissistic, velvety idiot? Later, the girls are menaced for immodest dress during a luxurious freebie in Abu Dhabi. Appalling. Sure to be enjoyed by SATC fans. One star
"The Good Heart" (R, 98 minutes). Oh. My. God. A story sopping wet with cornball sentimentalism, wrapped up in absurd melodrama, and telling a Rags to Riches story with an ending that is truly shameless. That fine actor Brian Cox and that good actor Paul Dano and that angelic actress Isild Le Besco cast themselves on the sinking vessel of this story and go down with the ship. One and a half stars.
"Kick-Ass" (R, 117 minutes). An 11-year-old girl (Chloe Grace Moretz), her father (Nicolas Cage) and a high school kid (Aaron Johnson) try to become superheroes to fight an evil ganglord. There's deadly carnage dished out by the child, after which an adult man brutally hammers her to within an inch of her life. Blood everywhere. A comic book satire, they say. Sad, I say. One star
"Nightmare on Elm Street" (R, 95 minutes). Teenagers are introduced, enjoy brief moments of happiness, are haunted by nightmares, and then slashed to death by Freddy. So what? One star
"The Bounty Hunter" (PG-13, 110 minutes). An inconsequential formula comedy and a waste of the talents of Jennifer Aniston and Gerard Butler. He's a bounty hunter, she's skipped bail on a traffic charge, they were once married, and that's the end of the movie's original ideas. We've seen earlier versions of every single scene to the point of catatonia. Rating: One and a half stars.
"Cop Out" (R, 110 minutes). An outstandingly bad cop movie, starring Bruce Willis and Tracy Morgan as partners who get suspended (of course) and then try to redeem themselves by overthrowing a drug operation while searching for the valuable baseball card Willis wants to sell to pay for his daughter's wedding. Morgan plays an unreasonable amount of time dressed as a cell phone, considering there is nothing to prevent him from taking it off. Kevin Smith, who directed, has had many, many better days. One and a half stars.
"The Lovely Bones" (PG-13). A deplorable film with this message: If you're a 14-year-old girl who has been brutally raped and murdered by a serial killer, you have a lot to look forward to. You can get together in heaven with the other teenage victims of the same killer, and gaze down in benevolence upon your family members as they realize what a wonderful person you were. Peter Jackson ("Lord of the Rings") believes special effects can replace genuine emotion, and tricks up Alive Sebold's well-regarded novel with gimcrack New Age fantasies. With, however, affective performances by Mark Wahlberg, Rachel Weisz, Susan Sarandon, Stanley Tucci and Saoirse Ronan as the victim. One star.
"The Spy Next Door" (PG, 92 minutes). Jackie Chan is a Chinese-CIA double agent babysitting girl friend's three kids as Russian mobsters attack. Uh, huh. Precisely what you'd expect from a PG-rated Jackie Chan comedy. If that's what you're looking for, you won't be disappointed. It's not what I was looking for. One and a half stars.
"Old Dogs" (PG, 88 minutes). Stupefying dimwitted. John Travolta's and Robin Williams' agents weren't perceptive enough to smell the screenplay in its advanced state of decomposition. Seems to have lingered in post-production while editors struggled desperately to inject laugh cues.Careens uneasily between fantasy and idiocy, the impenetrable and the crashingly ham-handed. Example: Rita Wilson gets her hand slammed by a car trunk, and the sound track breaks into "Big Girls Don't Cry." When hey get their hands slammed in car trunks, they do. One star. View the trailer.
"Did You Hear About the Morgans?" (PG-13, 103 minutes). Feuding couple from Manhattan (Hugh Grant and Jessica Sarah Parker) are forced to flee town under Witness Protection Program, find themselves Fish Out of Water in Strange New World, meet Colorful Characters, survive Slapstick Adventures, end up Together at the End. The only part of that formula that still works is The End. With supporting roles for Sam Elliott and Wilford Brimley, sporting the two most famous mustaches in the movies. One and a half stars.
"The Twilight Saga: New Moon" (PG-13, 130 minutes). The characters in this movie should be arrested for loitering with intent to moan. The sequel to "Twilight" (2008) is preoccupied with remember that film and setting up the third one. Sitting through this experience is like driving a tractor in low gear though a sullen sea of Brylcreem. Kristen Stewart and Robert Pattinson return in their original roles, she dewy and masochistic, he sullen and menacing. Ah, teenage romance! One star
"The Boondock Saints II: All Saint's Day" . (R, 21 minutes) Idiotic ode to macho horseshite (to employ an ancient Irish word). Distinguished by superb cinematography. The first film in 10 years from Troy Duffy, whose "Boondock Saints" (1999) has become a cult fetish. Sean Patrick Flanery and Norman Reedus are Irish brothers who return to Boston for revenge and murder countless enemies in an incomprehensible story involving heavy metal cranked up to 12 and lots of boozing, smoking, swearing and looking fierce and sweaty. One star. View the trailer.
"Gentlemen Broncos". (PG-13, 107 minutes) Michael Angarano plays Benjamin Purvis, a wannabe sci-fi Doctor Ronald Chevalier (Jemaine Clement). Alas. the great man rips off the kid's book, just when get kid has sold the miniscule filming rights. All sorts of promising material from Jared Hess ("Napoleon Dynamite"), but it's a clutter of jumbled continuity that doesn't add up, despite the presence of Jennifer Coolidge. Two stars. View the trailer.
"The Fourth Kind". (PG-13, 98 minutes). Nome, Alaska (pop. 3,750) has so many disappearances and/or alien abductions that the FBI has investigated there 20 times more than in Anchorage. So it's claimed by this pseudo-doc that goes to inane lengths to appear factual. Milla Jovovich is good as a psychologist whose clients complain that owls stare at them in the middle of the night. One and a half stars. View the trailer.
21 and a Wakeup . (R, 123 minutes). A disjointed, overlong and unconvincing string of anecdotes centering around the personnel of an Army combat hospital in Vietnam. Amy Acker plays an idealistic nurse who is constantly reprimanded by absurdly hostile officer (Faye Dunaway). Plays like a series of unlikely anecdotes trundled onstage without much relationship to one another. One episode involves an unauthorized trip into Cambodia by a nurse and a civilian journalist; it underwhelms. One and a half stars. Visit the website.
"Cirque de Freak: The Vampire's Assistant". (PG-13, 108 minutes) This movie includes good Vampires, evil Vampanese, a Wolf-Man, a Bearded Lady, a Monkey Girl with a long tail, a Snake Boy, a dwarf with a four-foot forehead and a spider the size of your shoe, and they're all boring as hell. They're in a traveling side show that comes to town and lures two insipid high school kids (Josh Hutcherson and Chris Massoglia) into a war between enemy vampire factions. Unbearable. With Joh C. Reilly, Salma Hayek, Ken Watanabe, Patrick Fugit, and other wasted talents. One star. View the trailer.
"Couples Retreat" (PG-13, 107 minutes). Four troubled couples make a week's retreat to an island paradise where they hope to be healed, which indeed happens, according to ages-old sitcom formulas. This material was old when it was new. The jolly ending is agonizing in its step-by-step obligatory plotting. I didn't care for any of the characters, and that's about how much they seemed to care for one another. Starring Vince Vaughn, Jason Bateman, Faizon Love, Jon Favreau, Malin Akerman, Kristen Bell, Kristin Davis and Kali Hawk. Two stars. View the trailer.
"Fame.". (PG, 90 minutes). A pale retread of the 1980 classic, lacking the power and emotion of the original. A group of hopeful kids enroll in the New York City School of the Performing Arts and struggle through four years to find themselves. Their back stories are shallow, many seem too old and confident, the plot doesn't engage them, and although individual performers like Naturi Naughton sparkle as a classical pianist who wants to sing hip hop, the film is too superficial to make them convincing. Two stars. View the trailer.
"All About Steve". (PG-13, 87 minutes ) Sandra Bullock plays Mary Horowitz, a crossword puzzle constructor who on a blind date falls insanely in love with Steve, a TV news cameraman (Bradley Cooper, from "The Hangover"). The operative word is "insanely." The movie is billed as a comedy but more resembles a perplexing public display of irrational behavior. Seeing her run around as a basket case makes you appreciate Lucille Ball, who could play a dizzy dame and make you like her. One and a half stars. View the trailer.
Actress Jill Clayburgh, whose portrayal of women in the 1970s helped define and and reshape the role of leading lady, died last week of chronic lymphocytic leukemia at her home in Lakeville, Connecticut; she was 66. She's best known for her Academy Award nominated roles in "An Unmarried Woman" (Winner: Best Actress Cannes 1978) and "Starting Over." Roger has remembered her on his site: Jill Clayburgh: In Memory.
"Beware of artists - they mix with all classes of societyand are therefore most dangerous." ~ Queen Victoriastencil by Banksy, British graffiti artistAnd who inspired a recent film about art...
Inside many superhero stories is a Greek tragedy in hiding. There is the godlike hero, and he is flawed. In early days his weaknesses were simplistic, like Superman's vulnerability to Kryptonite. Then Spider-Man was created as an insecure teenager, and comic books began to peer deeper. Now comes the "Watchmen," with their origins as 1940s goofballs, their development into modern costumed vigilantes, and the laws against them as public nuisances. They are human. Although they have extraordinary physical powers, they aren't superheroes in the usual sense. Then everything changes for Jon Osterman, remade after a nuclear accident as Dr. Manhattan. He isn't as human as Batman, but that can be excused because he isn't human at all.
He is the most metaphysically intriguing character in modern superhero movies. He not only lives in a quantum universe, but is aware that he does, and reflects about it. He says, "This world's smartest man means no more to me than does its smartest termite." He lives outside time and space. He explains that he doesn't see the past and the future, but he does see his
Neil Labute made three tightly-wound films about Gender Wars, and now he's made a fourth, "Lakeview Terrace," with race added to the battlefield. Like his other films, it involves close scrutiny of the behavior of men in conflict and women in between. The movie opens Friday (Sept. 19).
Latest Contrarian Week News:
In his New York Observer year-end wrap-up (and ten-best list), Andrew Sarris attempts to steal the thunder of one of his New York "alternative weekly" rivals.
Sarris writes: Fortunately, modern technology makes it almost impossible for a good movie to get “lost” because of end-of-the-year mental exhaustion. So, with the proviso that I still have a great deal of catching up to do, here are my considered choices for the various 10-best categories, and one of my patented 10-worst lists under the provocative heading of “Movies Other People Liked and I Didn’t.” I am not at all deterred in dishing out my annual supply of negativity by the correspondent who informed me last year that he preferred all the films on my 10-worst list to all the films on my 10-best list. I have long ago become resigned to my fate as a reviled revisionist ever since my first column in The Village Voice in 1960 hailed Alfred Hitchcock as a major artist for "Psycho," and inspired more hate mail than any Voice column had received up to that time. That clinched my job at the ever-contrarian Voice, and I have simply gone on from there.So, how contrarian is the "reviled revisionist" 46 years later? Let's see:
"The Departed" as best film of the year. (Only in New York!)
"Blood Diamond" as #5.
Best Supporting Actresses: 1) Jennifer Connelly, "Blood Diamond" 2) Gong Li, "Miami Vice" 3) Maggie Gyllenhaal, "World Trade Center"
And then there's this: Other striking male performances were provided by: Leonardo DiCaprio, Matt Damon, Mark Wahlberg, Martin Sheen, Ray Winstone, Alec Baldwin and Anthony Anderson in The Departed; Edward Norton, Liev Schreiber and Toby Jones in The Painted Veil; Wim Willaert in When the Sea Rises; Leslie Phillips and Richard Griffiths in Venus; Clive Owen, Denzel Washington, Christopher Plummer, Willem Dafoe, and Chiwetel Ejiofor in Inside Man; Ken Watanabe, Kazunari Ninomiya, Tsuyoshi Ihara, Ryo Kase and Shido Nakamura in Letters from Iwo Jima; Greg Kinnear, Steve Carell, Alan Arkin and Paul Dano in Little Miss Sunshine; Edward Norton, Paul Giamatti and Rufus Sewell in The Illusionist; Patrick Wilson, Jackie Earle Haley, Noah Emmerich, Gregg Edelman and Ty Simpkins in Little Children; Keanu Reeves, Christopher Plummer and Dylan Walsh in The Lake House; Nicolas Cage, Michael Pena and Stephen Dorff in World Trade Center; Tim Blake Nelson, Pat Corley, Jeffrey Donovan, Stacy Keach and Scott Wilson in Come Early Morning; Ryan Gosling and Anthony Mackie in Half Nelson; Jason Schwartzman, Rip Torn, and Danny Huston in Marie Antoinette; Matt Damon, Michael Gambon, Alec Baldwin, William Hurt, Billy Crudup, Robert De Niro, Keir Dullea, Timothy Hutton, Eddie Redmayne, Mark Ivanir and Joe Pesci in The Good Shepherd; Hugh Jackman, Patrick Stewart, Ian McKellen, Kelsey Grammer, James Marsden, Shawn Ashmore, Aaron Stanford, Vinnie Jones and Ben Foster in X-Men: The Last Stand; Mads Mikkelsen, Jeffrey Wright, Giancarlo Giannini, Simon Abkarian, Sebastien Foucan, Jesper Christensen and Tobias Menzies in Casino Royale; Ebru Ceylan and Mehmet Eryilmaz in Climates; Adrien Brody, Ben Affleck and Bob Hoskins in Hollywoodland; Jamie Foxx, Danny Glover, Keith Robinson and Hinton Battle in Dreamgirls; Brian O’Halloran, Jeff Anderson, Jason Mewes, Trevor Fehrman, Kevin Smith and Jason Lee in Clerks II; Justin Kirk and Jamie Harrold in Flannel Pajamas; Stanley Tucci, Simon Baker and Adrian Grenier in The Devil Wears Prada; Will Ferrell, Dustin Hoffman and Tom Hulce in Stranger Than Fiction; Samuel L. Jackson, Curtis Jackson, Chad Michael Murray, Sam Jones III and Brian Presley in Home of the Brave; Harris Yulin, Ty Burrell and Boris McGiver in Fur: An Imaginary Portrait of Diane Arbus; Max Minghella, John Malkovich, Jim Broadbent, Matt Keeslar, Ethan Suplee, Joel David Moore and Nick Swardson in Art School Confidential; Joseph Cross, Brian Cox, Joseph Fiennes and Alec Baldwin in Running with Scissors; Jamie Foxx, Colin Farrell, Ciarán Hinds, Justin Theroux, Barry Shabaka Henley, Luis Tosar and John Ortiz in Miami Vice; Michael Sheen, James Cromwell, Alex Jennings, Roger Allam and Tim McMullan in The Queen; Samuel L. Jackson, Ron Eldard, William Forsythe, Anthony Mackie, Marlon Sherman and Clarke Peters in Freedomland; Vin Diesel, Peter Dinklage, Linus Roache, Alex Rocco, Ron Silver and Raul Esparza in Find Me Guilty; Josh Hartnett, Bruce Willis, Stanley Tucci, Morgan Freeman and Ben Kingsley in Lucky Number Slevin; Hugh Grant, Dennis Quaid, Chris Klein, Shohreh Aghdashloo, John Cho, Tony Yalda, Sam Golzari and Willem Dafoe in American Dreamz; Keanu Reeves, Robert Downey Jr., Woody Harrelson and Rory Cochrane in A Scanner Darkly; Adam Beach, Ryan A. Phillippe, Jesse Bradford, John Benjamin Hickey, Jon Slattery, Barry Pepper, Jamie Bell, Paul Walker and Robert Patrick in Flags of Our Fathers; Chow Yun-Fat in Curse of the Golden Flower; Sergi López, Doug Jones, Álex Angulo and Federico Luppi in Pan’s Labyrinth; Bill Nighy in Notes on a Scandal.Take that, A----- W----!
"Beauty is overrated": Patrick Wilson to Kate Winslet in "Little Children."
What are your expectations about the second feature directed by Todd Fields (Nick Nightingale in "Eyes Wide Shut") after "In the Bedroom"? Ditch them -- a smart thing to do before watching any movie. If "In the Bedroom" was the child of Chabrol (specifically "La Femme Infidel"), "Little Children" takes a sample of Todd Solondz's DNA. I don't think it's giving away anything too important to say that "Little Children" is a melodramatic tragi-comedy (co-written by novelist Tom "Election" Perratta, based on his novel), and that the title refers not so much to wee ones who have been born recently as to the immature young adults who are now faced with raising their offspring.
It's a funny, frustrating, even infuriating film -- and at Toronto people seemed to either love it or hate it. I know I did. It just depended on the scene. I think I appreciate it more now, 24 hours later, than I did the moment it was over. It's an odd film, with a wryly intrusive, deep-voiced narrator who appears to be standing just behind the screen reading excerpts from the novel.