The Second Mother
A domestic comedy-drama that starts off from a fairly pat premise but builds strength over the course of its careful, empathetic, and crafty unpeeling of…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A preview of dozens of films being released this Summer.
Chaz writes to Roger about attending the Oscars without him.
Far Flung Correspondent Anath White reports from the Santa Barbara International Film Festival.
Eirk Childress looks at the track record of films from the Sundance Film Festival going to the Oscars.
Alyssa Rosenberg considers the women on the big screen and the small screen in the past year.
Erik Childress looks at the first awards of the season and their possible impact on the Oscar race.
The 50th anniversary of JFK's assassination; critical reviews of a critical review of Sarah Silverman's career; Guillermo Del Toro's biggests firsts; an official video for "Like a Rolling Stone"; is Harvey "Scissorhanding" his company's awards site?
Four standout performances by black actors make the Oscar Best Actor race more interesting this year.
Director Ryan Coogler and his star Michael B. Jordan talk about the making of "Fruitvale Station," and why this project matters so much to them.
From the Sundance Institute:
Los Angeles, CA — Last night, Wednesday, June 5, the third annual ‘Celebrate Sundance Institute’ benefit in Los Angeles honored the life and work of beloved journalist and film critic Roger Ebert with the Vanguard Leadership Award in Memoriam. The event also honored filmmaker Ryan Coogler – whose debut feature film, Fruitvale Station, was selected for Sundance Institute's Screenwriters Lab and went on to win both the Grand Jury Prize and the Audience Award at the 2013 Sundance Film Festival – with the Vanguard Award, Presented by Tiffany & Co.
Josh Trank's "Chronicle" is the kind of film that curious teenage boys dedicate their hopes and dreams to, before succumbing to thoughts about health insurance and car payments. It advertises itself as a small movie about a few giggling, frowning high schoolers. The movie starts out as a curious plastic toy. Along the way, however, it carefully reveals itself as a colossal amusement park of screams and shouts. Don't let anyone spoil this movie for you, because it is the cult film of its generation.
Marie Haws: Remember the Old Vic Tunnels? I did some more sniffing around and you'll never guess where it led me. That's right - into the sewer system! But not just any old sewer, oh no... it's the home of a famous forgotten river flowing beneath Fleet Street; the former home of English journalism.So grab a flashlight and some rubber boots as we go underground to explore "mile after mile of ornate brickwork" and a labyrinthine of tunnels which reveal the beauty of London's hidden River Fleet. (click images to enlarge.)
Marie writes: remember "The Heretics Gate" by artist Doug Foster? Well he's been at it again, this time as part of an exhibit held by The Lazarides Gallery - which returned to the subterranean depths of The Old Vic Tunnels beneath Waterloo Station in London, to present a spectacular group show called The Minotaur. It ran October 11th - 25th, 2011 and depending upon your choice (price of admission) dining was included from top Michelin-star chefs.Each artist provided their own interpretation of the classical myth of Theseus and the Minotaur and as with The Heretics Gate before it, Cimera, Doug Foster's new and equally as memorizing piece made it possible to project whatever comes to mind onto it, as images of body forms and beast-like faces take shape and rise from the bowels of earth. (click image to enlarge.) Photo by S.Butterfly.
UPDATED 10/16: Here are brief reviews of all the Chicago Film Festival movies we have seen, in alphabetical order, written by Bill Stamets and Roger Ebert. More will be added as we view them. For a full CIFF schedule, go to www.chicagofilmfestival.com or call (312) 332-FILM.
By Bill Stamets and Roger Ebert