12 Mighty Orphans
Doc Hall
Martin Sheen
Martin Sheen
Martin Sheen Movie Reviews
Judas and the Black Messiah
J. Edgar Hoover
The Devil Has a Name
Apocalypse Now: Final Cut
Captain Benjamin L. Willard
Come Sunday
Oral Roberts
Rules Don’t Apply
Noah Dietrich
Trash
Father Juilliard / Padre Juilliard
Salinger
Himself
The Amazing Spider-Man
Uncle Ben
The Double
Tom
The Way
Tom
Imagine That
Dante D’Enzo
Talk to Me
Sonderling
The Departed
Capt. Queenan
Catch Me If You Can
Brenda's Father
O
Cach Gulding
Apocalypse Now /Redux
Willard
Lost & Found
Millstone
Monument Ave.
Hanlon
Spawn
Jason Wynn
Blog Posts That Mention Martin Sheen
Netflix Continues Remarkable Run with Funny “Grace and Frankie”
President Bartlet’s advice to Obama
Call him “Mr. Contrarian”
Cinema O’Paradiso: Stella Days and Hollywood nights
The 8 Essential Films of Rob Reiner’s Career
Lookin’s Free: Joe Don Baker (1936-2025)
West Side Oratory: Judas and the Black Messiah
Eleanor Coppola Was the Guardian Angel of Apocalypse Now
The Best Legal and Courtroom Dramas
Hal Holbrook: 1925-2021
10 Upcoming Films That Could Shake Up Oscar Season
The West Wing Returns for an HBO Max Special
Binge Options During the Quarantine
Home Entertainment Guide: September 5, 2019
Sundance 2018 Announces Competition, Premiere, Midnight Titles and More
Nitrate and Old Favorites: A Recap of the 2017 TCM Classic Film Festival
Exclusive: Roger Ebert’s “The Great Movies IV” In Print For the First Time
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2016 Summer Movie Preview: A Four-Month, Blockbuster Festival, Part II
Telluride 2015: “He Named Me Malala,” “Carol,” “Only the Dead See the End of War,” “Anomalisa”
If We Picked the Winners 2015: Best Picture
Terrence Malick’s Cathedrals of Cinema: Excerpt from “Faith and Spirituality in Masters of World Cinema, Vol. 3”
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“America” the Beautiful: Treat Williams and William Forsythe Remember Sergio Leone and “Once Upon a Time In America”
Cannes, Day Nine: Ken Loach’s “Jimmy’s Hall”
Laterally speaking: a celebration of right-to-left and left-to-right camera moves
John Hughes: When you’re 16, you’re more serious than you’ll ever be again
Politics, celebs and movie critics
The Ultimate Review of “The Departed”
Opening Shots: Badlands
Superheroes: Good vs. Evil isn’t really much of a theme
TIFF: ‘RFK: The Disaster Movie’
Is it a curse or a gift?
The agony of making cinema
Getting Medieval On Your…
New cut slows flow of `Apocalypse’
