With the combined efforts of Hogg, Swinton Byrne and Burke, The Souvenir recreates the sensation of riding an emotional coaster with an unstable partner.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A tribute to the late character actor in Seymour Cassel, one of the great faces in American independent film.
A review of the excellent new game, Hitman 2.
There's a moment when you get lost in a memory so intense that when you emerge, you aren't sure if you've been spacing out for a second or a minute. That's where Nicolas Roeg's cinema lived.
Red Dead Redemption 2 is a masterpiece that owes a great debt to everyone from John Ford to David Milch.
The staff pays tribute to Harry Dean Stanton.
Matt writes: Werner Herzog celebrates his 75th birthday today, and we are pleased to announce that the latest Roger Ebert book will focus exclusively on the late critic's work about the revered filmmaker. Herzog by Ebert is being released this month by the University of Chicago Press. It contains Ebert's reviews of 15 Herzog films (along with two documentaries about the director), as well as six Great Movies essays, six interviews and an essential, rarely read conversation between the two men at Facet's Multimedia in 1979. Make sure to click here for a sneak peek at its comprehensive content.
The Ebert Voices crew celebrates a classic as it turns 50 years old, Arthur Penn's "Bonnie and Clyde."
A look at the latest on Blu-ray, including several Criterion releases, "Their Finest," "The Fate of the Furious," and "The Lost City of Z"!
A tribute to John Hurt.
Walter Chaw revisits Oliver Stone's 1981 horror film "The Hand" and explores the director's fascination with nightmares and the uncanny.
RogerEbert.com critic and The Unloved video essayist is competing for distribution with his 15th film, "The House of Little Deaths."
A celebration of actor Warren Oates in anticipation of an upcoming retrospective at the Film Society of Lincoln Center in NYC.
An interview with filmmaker Lars von Trier at the Cannes Film Festival.
A look at Sam Peckinpah's relationship with violence and women in light of a retrospective at The Lincoln Center in New York.
An introduction by Publisher Chaz Ebert to our week of content by women writers.
A tribute to Maureen O'Hara.
Raiders of the lost web; Eight highlights of Chicago film fest; Sexism of Bond Girls; Tarantino chats with Ellis; Enablers of pedophile culture.
The movie questionnaire and 2015 reviews of RogerEbert.com editor Matt Zoller Seitz.
Editor in Chief Matt Zoller Seitz responds to our Movie Love Questionnaire.
Bob Fosse's masterpiece "All That Jazz" jumps back and forth through the past and the present, and through memory and fantasy, but it also collects the history of film editing in one story.
Nick Schager ponders the new crop of action directors, who bring 'serious film' cred to the genre, but can't seem to show personality where it counts the most.
If we said there was a clear throughline from "Bonnie and Clyde" and Richard Donner's "Superman: The Movie," you'd say we were crazy, right? Get ready to eat your words as we prove once again that showbiz works in mysterious ways.
While Cannes's red-carpet crowd toasts the Coen brothers' tuneful "Inside Llewyn Davis," the parallel programs have also turned a spotlight on America.
Quentin Tarantino has found his actor in Christoph Waltz -- someone who can speak Tarantinian fluently and still make it his own. When Waltz uses a self-consciously ostentatious word like "ascertain" (as in, "I was simply trying to ascertain..." -- the kind of verbiage QT is as likely to put in the mouth of a lowlife crook as a German dentist, or a Francophile plantation slavemaster, for that matter), it sounds right. As someone to whom Tarantino's dialog often sounds cliche-ridden and cutesy, it's a pleasure to hear Waltz saying the words in character rather than simply as a mouthpiece for the writer-director.
Oh, stop. This isn't sounding the way I want it to.