The Wandering Earth
I can't think of another recent computer-graphics-driven blockbuster that left me feeling this giddy because of its creators' consummate attention to detail and infectious can-do…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A review of the excellent new game, Hitman 2.
There's a moment when you get lost in a memory so intense that when you emerge, you aren't sure if you've been spacing out for a second or a minute. That's where Nicolas Roeg's cinema lived.
Red Dead Redemption 2 is a masterpiece that owes a great debt to everyone from John Ford to David Milch.
The staff pays tribute to Harry Dean Stanton.
Matt writes: Werner Herzog celebrates his 75th birthday today, and we are pleased to announce that the latest Roger Ebert book will focus exclusively on the late critic's work about the revered filmmaker. Herzog by Ebert is being released this month by the University of Chicago Press. It contains Ebert's reviews of 15 Herzog films (along with two documentaries about the director), as well as six Great Movies essays, six interviews and an essential, rarely read conversation between the two men at Facet's Multimedia in 1979. Make sure to click here for a sneak peek at its comprehensive content.
The Ebert Voices crew celebrates a classic as it turns 50 years old, Arthur Penn's "Bonnie and Clyde."
A look at the latest on Blu-ray, including several Criterion releases, "Their Finest," "The Fate of the Furious," and "The Lost City of Z"!
A tribute to John Hurt.
Walter Chaw revisits Oliver Stone's 1981 horror film "The Hand" and explores the director's fascination with nightmares and the uncanny.
RogerEbert.com critic and The Unloved video essayist is competing for distribution with his 15th film, "The House of Little Deaths."
A celebration of actor Warren Oates in anticipation of an upcoming retrospective at the Film Society of Lincoln Center in NYC.
An interview with filmmaker Lars von Trier at the Cannes Film Festival.
A look at Sam Peckinpah's relationship with violence and women in light of a retrospective at The Lincoln Center in New York.
An introduction by Publisher Chaz Ebert to our week of content by women writers.
A tribute to Maureen O'Hara.
Raiders of the lost web; Eight highlights of Chicago film fest; Sexism of Bond Girls; Tarantino chats with Ellis; Enablers of pedophile culture.
The movie questionnaire and 2015 reviews of RogerEbert.com editor Matt Zoller Seitz.
Editor in Chief Matt Zoller Seitz responds to our Movie Love Questionnaire.
Bob Fosse's masterpiece "All That Jazz" jumps back and forth through the past and the present, and through memory and fantasy, but it also collects the history of film editing in one story.
Nick Schager ponders the new crop of action directors, who bring 'serious film' cred to the genre, but can't seem to show personality where it counts the most.
If we said there was a clear throughline from "Bonnie and Clyde" and Richard Donner's "Superman: The Movie," you'd say we were crazy, right? Get ready to eat your words as we prove once again that showbiz works in mysterious ways.
While Cannes's red-carpet crowd toasts the Coen brothers' tuneful "Inside Llewyn Davis," the parallel programs have also turned a spotlight on America.
Quentin Tarantino has found his actor in Christoph Waltz -- someone who can speak Tarantinian fluently and still make it his own. When Waltz uses a self-consciously ostentatious word like "ascertain" (as in, "I was simply trying to ascertain..." -- the kind of verbiage QT is as likely to put in the mouth of a lowlife crook as a German dentist, or a Francophile plantation slavemaster, for that matter), it sounds right. As someone to whom Tarantino's dialog often sounds cliche-ridden and cutesy, it's a pleasure to hear Waltz saying the words in character rather than simply as a mouthpiece for the writer-director.
Oh, stop. This isn't sounding the way I want it to.
OK, this is where it really gets interesting. Forget the consensus Top 50 Greatest Movies of All Time; let's get personal. Sight & Sound has now published the top 250 titles in its 2012 international critics poll, the full list of more than 2,000 movies mentioned, and all the individual lists of the 845 participating critics, academics, archivists and programmers, along with any accompanying remarks they submitted. I find this to be the most captivating aspect of the survey, because it reminds us of so many terrific movies we may have forgotten about, or never even heard of. If you want to seek out surprising, rewarding movies, this is a terrific place to start looking. For the past few days I've been taking various slices at the "data" trying to find statistical patterns, and to glean from the wealth of titles some treasures I'd like to heartily recommend -- and either re-watch or catch up with myself.
I know we're supposed to consider the S&S poll a feature film "canon" -- a historically influential decennial event since 1952, but just one of many. I don't disagree with Greg Ferrara at TCM's Movie Morlocks ("Ranking the Greats: Please Make it Stop") when he says that limiting ballots to ten all-time "best" (or "favorite," "significant," "influential" titles is incredibly limiting. That's why I think perusing at the critics' personal lists, the Top 250 (cited by seven critics or more) and the full list of 2,045 films mentioned is more enjoyable pastime.
It's wise to remember that, although the top of the poll may at first glance look relatively conservative or traditional, there's a tremendous diversity in the individual lists. Even the top vote-getter, "Vertigo," was chosen by less than one quarter of the participants.