The Wild Bunch: The Director’s Cut
Directed by
Sam Peckinpah
Sam Peckinpah
Sam Peckinpah Movie Reviews
Blog Posts That Mention Sam Peckinpah
Violence is a Very Sad Poetry: The Films of Sam Peckinpah
Sam Peckinpah: “Dying is not fun and games.”
Seven Samurai Continues Its Ride Through Cinema’s Past and Future
9 Acts in Durango with Peckinpah, Coburn, Kris, Dub and The Duke
Pat Garrett and Billy the Kid Ride Again with Criterion’s 50th Anniversary Release
How does it feel? Footnote fetishism & “I’m Not There”
Termite booster: Manny Farber 1917-2008
American Badass: Michael Madsen (1957-2025)
Lookin’s Free: Joe Don Baker (1936-2025)
I Think Of Them As The Work: Gene Hackman (1930-2025)
Bird on a Wire: Kris Kristofferson (1936-2024)
The Legacy of David Bordwell; or, The Memorial Service as Network Narrative
The Ranown Westerns Join the Criterion Collection
Only Remember Beautiful Moments: Carlos Saura (1932-2023)
NYFF 2022: Return to Seoul, She Said, Exterior Night
A Disappearing Act: David Warner (1941-2022)
Richard Donner: 1930-2021
Monte Hellman: 1932-2021
From Don’t Look Back to Rolling Thunder Revue: The Cinema of Bob Dylan
Seymour Cassel: 1935-2019
30 Minutes On: “White Heat”
The World is Yours in Hitman 2
Nicolas Roeg, 1928-2018
Red Dead Redemption 2 Weaves History of Western Genre into Gaming Masterpiece
We Should Be So Lucky: A Tribute to Harry Dean Stanton
Harry Dean Stanton: 1926-2017
It’s About Us: The Legacy of “Bonnie and Clyde”
Home Entertainment Consumer Guide: July 13, 2017
Women Writers Week 2017 Kicks Off March 27th
John Hurt: 1940-2017
Oliver Stone, Poet of the Id: “The Hand” revisited
Home Entertainment Consumer Guide: September 22, 2016
Help Scout Tafoya’s 15th Feature Film “The House of Little Deaths” Win Distribution
Badass Intensity and Holy Cool: A Warren Oates Retrospective
Visual Pleasure and Voodoo Demographics: A Reflection on Women and Film (Updated)
Women Writers Week 2016: Table of Contents
Welcome to Women Writers Week
Maureen O’Hara: 1920-2015
Thumbnails 10/16/15
Meet the Writers: Matt Zoller Seitz
Who’s Who In Reviews: Matt Zoller Seitz
Existential Westerns: Criterion Editions of “The Shooting,” “Ride in the Whirlwind”
Why my video essay about “All that Jazz” is not on the Criterion blu-ray
Blu-ray Consumer Guide: April 2, 2014
Visual Pleasure and Voodoo Demographics: A Reflection on Women and Film
Why most modern action films are terrible
Bonnie & Clark: How a gory gangster picture led to Hollywood’s first superhero blockbuster
Cannes reviews: Politics and troubled family lives in “Ain’t Them Bodies Saints,” “Blue Ruin,” and “Tip Top”
Django Unchain my heart (and set me free)
How to write a screenplay
Shake, rattle, and Bourne!
101 102 Movies You Must See Before…
Barry Lyndon and the Cosmic Wager
Neuro-cinema turns brains to zombie mush!
Kiss Kiss Bang Bang: Deeper into Kael
The great movies (almost) nobody voted for
Greatest Films of All Time: Where’s the funny?
The reviews are in: Let the Funny Games begin!
The best greatest movies ever list
The Huckabees Harangues
Name That Director!
Billy the Kid, orphan outlaw
Who do you read? Good Roger, or Bad Roger?
Toronto #9: Everybody must get cloned
Danish filmmaker emerges from `Dark’
Coburn said it all with that famous grin
Lights, Camera, Reaction !!! It’s Oliver Stone
Remembering Steve McQueen
Interview with James Coburn
L.Q. Jones: The Real Star is the Dog
A bottle of scotch with Kris Kristofferson
