Glass is a misfire, and it’s the kind of depressing misfire that hurts even more given what it could have been.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The best in television for the year.
A report from Netflix's day at the Television Critics Association press tour, including the latest on their biggest shows.
What our TV critic would nominate for Emmys for the 2017-18 season.
A recap of the 90th Academy Awards.
Difficult is a gendered term fueled by the Hollywood machine and maintained by the belief that actresses aren’t responsible for the achievement of their films.
The best of the 2016-17 TV season in Emmy ballot form.
An interview with the one and only Norman Lear.
A recap of the 2016 TCM Classic Film Festival.
A piece on extending the conversation about diversity at the Oscars to include all minorities.
Mike Nichols' 1971 drama "Carnal Knowledge" is part of a canon of American films of the late 1960s to mid-1970s that mirrored the freewheeling sexual culture and society from which they emerged. These films ("Bob and Carol and Ted and Alice", "Shampoo" and others) examined varied notions of commitment, companionship and sex. "Carnal Knowledge", written by playwright, author and cartoonist Jules Feiffer, shows men talking casually, bluntly and frankly about women, their bodies, of strategies to get sex and of sexual belt-notching, though not necessarily much about the specific act of sex.
The Chicago International Film Festival is celebrating its 45th anniversary in better form than ever, I think. The festival, which opened Thursday, will be presenting 145 films from 45 countries. That's fewer than Toronto or Cannes but more, I believe, than any other American festival -- and besides, can you see 10 films a day?