A review of the fourth season of One Day at a Time, canceled by Netflix and picked up by Pop.
On the best television of 2019, including Watchmen, Unbelievable, When They See Us, and Fleabag.
Who and what you should nominate for Emmys this year.
Sarah Knight Adamson reports from Santa Monica, CA on the winners and speeches at last weekend's Critics' Choice Awards.
The best in television for the year.
A report from Netflix's day at the Television Critics Association press tour, including the latest on their biggest shows.
What our TV critic would nominate for Emmys for the 2017-18 season.
Difficult is a gendered term fueled by the Hollywood machine and maintained by the belief that actresses aren’t responsible for the achievement of their films.
The best of the 2016-17 TV season in Emmy ballot form.
A piece on extending the conversation about diversity at the Oscars to include all minorities.
Mike Nichols' 1971 drama "Carnal Knowledge" is part of a canon of American films of the late 1960s to mid-1970s that mirrored the freewheeling sexual culture and society from which they emerged. These films ("Bob and Carol and Ted and Alice", "Shampoo" and others) examined varied notions of commitment, companionship and sex. "Carnal Knowledge", written by playwright, author and cartoonist Jules Feiffer, shows men talking casually, bluntly and frankly about women, their bodies, of strategies to get sex and of sexual belt-notching, though not necessarily much about the specific act of sex.
The Chicago International Film Festival is celebrating its 45th anniversary in better form than ever, I think. The festival, which opened Thursday, will be presenting 145 films from 45 countries. That's fewer than Toronto or Cannes but more, I believe, than any other American festival -- and besides, can you see 10 films a day?
Great Movies
