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Molly Parker

Reviews

Peter Pan & Wendy (2023)
Jockey (2021)
Pieces of a Woman (2020)
Deadwood: The Movie (2019)
Madeline's Madeline (2018)
Wormwood (2017)
1922 (2017)
Small Crimes (2017)
Pure (2005)
Rare Birds (2003)
Max (2003)
Wonderland (2000)
Kissed (1997)

Blog Posts

Ebert Club

#152 January 23, 2013

Marie writes: Behold the entryway to the Institut Océanographique in Paris; and what might just be the most awesome sculpture to adorn an archway in the history of sculptures and archways. Photo @ pinterest

(click to enlarge.)

Ebert Club

#120 June 20, 2012

Marie writes: As some of you may know, it was Roger's 70th birthday on June 18 and while I wasn't able to give the Grand Poobah what I suspect he'd enjoy most...

Siskel & Ebert fight over a toy train (1988)

TV/Streaming

Hemingway & Gellhorn: Corny and canny

"Hemingway & Gellhorn (160 minutes) debuts on HBO May 28th, and will be available on HBO Go and HBO On Demand May 29th.

"If two people love each other, there can be no happy end to it." -- Ernest Hemingway

by Odie Henderson Philip Kaufman's epic HBO movie "Hemingway & Gellhorn" is old-fashioned, corny as hell and not above using cliché. None of these characteristics is necessarily a bad thing, especially if the filmmakers know they are employing them. This film evokes the rainy Sunday afternoon old-movie fare I grew up watching on TV, movies with a tough, macho hero, a smart, brassy dame and the undeniable chemistry between them. Kaufman updates the formula to modern times with belts of profanity and jolts of sex, but "Hemingway and Gellhorn" maintains the feeling of an era long since passed, wherein its leads could have been played by Gable and Harlow or Bogie and Betty Bacall.

The titular characters are Ernest Hemingway and his third wife, Martha Gellhorn. Gellhorn is widely considered one of the greatest war correspondents in journalism history, covering wars well into her 80's. Yet, she was constantly overshadowed by her more famous ex-husband. Theirs was a torrid affair, started while Hemingway was married to his Catholic second wife and continuing through their coverage of several wars. "We were good at wars," Gellhorn said, "and when there was no war, we made our own." The screenplay, by Barbara Turner ("Georgia") and Jerry Stahl ("Permanent Midnight") is filled with prose like this, and I enjoyed devouring every purple morsel of it. "Hemingway and Gellhorn" even opens with the now-elderly Gellhorn telling us what a lousy lay she was.

Ebert Club

#117 May 30, 2012

Marie writes: Recently, a fellow artist and friend sent me the following photos featuring amazing glass mosaics. She didn't know who the artists were however - and which set me off on a journey to find out!  I confess, the stairs currently continue to thwart me and thus remain a mystery, but I did uncover who created the "glass bottle doorway" and was surprised to learn both its location and the inspiration behind it. (click image.)

Ebert Club

#72 July 20, 2011

"I believe that if, at the end, according to our abilities, we have done something to make others a little happier, and something to make ourselves a little happier, that is about the best we can do. To make others less happy is a crime. To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world. That is true no matter what our problems, our health, our circumstances. We must try. I didn't always know this, and am happy I lived long enough to find it out." - from LIFE ITSELF

(click image to enlarge)

Ebert Club

#59 April 20, 2011

Marie writes: Ever since he was a boy, photographer John Hallmén has been fascinated by insects. And he's become well-known for photographing the creatures he finds in the Nackareservatet nature reserve not far from his home in Stockholm, Sweden. Hallmén uses various methods to capture his subjects and the results are remarkable. Bugs can be creepy, to be sure, but they can also be astonishingly beautiful...

Blue Damsel Fly [click to enlarge photos]