Jaws: The Revenge
Ellen Brody
Lorraine
Lorraine Movie Reviews
Blog Posts That Mention Lorraine
The 2025 TCM Classic Film Festival
FOX’s “Going Dutch” Lacks Chemistry, Heart, and a Sense of Humor
Subjective Reality: Larry Fessenden on Crumb Catcher, Blackout, and Glass Eye Pix
Catching a Blackfamous White Whale on Broadway: Purlie Victorious Comes Home
How Women of Color Are Shifting the Narrative
A Poet of an Actor: Louis Gossett, Jr. (1936-2024)
Max’s Bookie isn’t a TV Comedy Bet Worth Taking
FX’s Fargo Gets Back on Its Feet In Its Assured Fifth Season
I Made This Movie to Be Enjoyed by Everybody: Cord Jefferson on American Fiction
Cinema Femme Short Film Festival to Have First In-Person Screenings at the Music Box Theatre
How Riding in Cars with Boys Captures Single Motherhood
Serious Oscar Contenders Dazzle at 2022 BendFilm Festival
Sidney Poitier and the Slap That Shook the World
Dignified Defiance: Sidney Poitier (1927-2022)
The Connection to Old Hollywood: Peter Bogdanovich (1939-2022)
Janus-Faced: The Two Tony Sopranos
The Girl Next Door: Jane Powell (1929-2021)
The Films of Cocaine Noir
America Has to Come to a Reckoning: Director Sam Pollard on MLK/FBI
A Preview of the 56th Chicago International Film Festival
Bright Wall/Dark Room September 2020: You Can Have Me for Nothing: Escaping the Cynicism of Ace in the Hole by Elizabeth Cantwell
TIFF 2020: Concrete Cowboy, Notturno, Akilla’s Escape
Hulu’s Normal People Has All the Appeal of a Bad Date That Refuses to End
PBS Marching Toward The Vote
Sundance 2020: The Glorias, Herself, Four Good Days
We Are Made to Feel Ashamed of Ourselves: Justin Simien on Bad Hair
Sundance 2020: Bad Hair, Miss Juneteenth
Sundance 2020: 20 Films We Can’t Wait to See in Park City
In Defense of Peggy’s Silence in Martin Scorsese’s The Irishman
Sundance 2020 Announces Competition, Midnight, Premiere Titles and More
The Unloved, Part 72: Solaris
A Beautiful Challenge: Guy Vandenberg and Steve Williams on 5B
Not the Usual Superhero: Gugu Mbatha-Raw on Fast Color
Jon Bernthal’s Incredible Work Gets Lost in the Second Season of Netflix’s The Punisher
Home Entertainment Consumer Guide: October 4, 2018
Bright Wall/Dark Room September 2018: For Love or Money by Kellie Herson
SXSW Film Festival 2018: Fast Color, A Vigilante, Galveston
PBS Press Tour Spotlights Little Women
CIFF 2017 Preview: 45 Films to See
Photo Gallery: Roger Ebert Induction Ceremony
Los Angeles Film Festival 2017 Recap
Emotional Improv: Lea Thompson on “The Year of Spectacular Men”
All Your Buried Corpses are Now Beginning to Speak: Raoul Peck on “I Am Not Your Negro”
Knowing Your Family, Warts And All: Stephen McKinley Henderson and Jovan Adepo on “Fences”
My Sister Adele (1949-2016)
TIFF 2015: “Black Mass” & “Legend”
Mickey Mouse Club Reunion at D23
If I Had an Emmy Ballot 2015
Thumbnails 4/27/15
ESSENCE Presents Black Women in Hollywood Awards
Thumbnails 1/30/15
Confessions of an Awards Season Skeptic, Part Two: I, A Lone Voice of Sanity and Calm Awash in a Sea of Noise and Indignation
The Women of “Selma”: The Unsung Heroines of The Civil Rights Movement
Joseph Sargent, 1925-2014
Thumbnails 12/11/14
“1941”: An Appreciation and Interview with Bob Gale
Exploring Israel-Palestine Through Movies, Part 2: Friends and Foes
Ruby Dee: 1922-2014
Thumbnails 6/9/14
My Ten Greatest Movies
The Best 10 Movies of 1990s
Roger Ebert’s Best 10 Films of 1990
Diminished by the movies
The great movies of my childhood
CIFF 2009: The winners! And our reviews
CIFF in better form than ever, hosting Chabrol, Wadja, Oliveira…
