As long as the focus is on Mia and Elliot, the film is involving and moving.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A review of the excellent A Very English Scandal, starring Hugh Grant and Ben Whishaw, directed by Stephen Frears.
The latest on Blu-ray, including Den of Thieves, Paddington 2, All the Money in the World, and The Virgin Suicides.
A look at the entire career of Daniel Day-Lewis and how his work in "Phantom Thread" feels like the perfect finale.
A number of Oscar contenders have impressed this year with their abundance of talent onscreen.
An interview with the legendary James Ivory about the re-release of Heat and Dust and the upcoming Call Me By Your Name.
An article about the 2017 Oscar nominees.
A preview of this weekend's upcoming Golden Globes awards ceremony.
Matt writes: With New Year's Eve quickly approaching, movie buffs are already setting their DVRs to record annual broadcasts of Michael Curtiz's 1942 classic, "Yankee Doodle Dandy," featuring its Oscar-winning performance from James Cagney as George M. Cohan. In his Great Movies essay on the film, Roger Ebert reflected on just how large of a departure this role was for the actor.
Some of our favorite performances of 2016.
The latest on Blu-ray, DVD, and Netflix, including Heart of a Dog, Southside with You, Florence Foster Jenkins, and many more!
A report on the Hollywood Foreign Press Association's 2016 Grants Banquet.
An interview with Simon Helberg, star of Stephen Frears' "Florence Foster Jenkins."
Roger Ebert reports from the AmFAR charity auction at Cannes.
A preview of dozens of films coming out this summer.
Aging heroes won't give up the gun; Why sex scenes for over-60s are taboo; Trump's resemblance to Citizen Kane; Last films of Fritz Lang; RIP Wes Craven.
A report on the SDCC press conference for "Kingsman: The Secret Service" with Colin Firth and Samuel L. Jackson.
Chaz Ebert's July 18th appearance on "The Tonight Show Starring Jimmy Fallon."
NBC hopes an Olympic-sized push will bring audiences to two new sitcoms while ABC launches another dating comedy and FXX pushes the envelope.
After watching Tim Burton's remake of "Planet of the Apes" (2001), I concluded there was no need for another "Ape" movie to ever be made. Thirty-three years of progress in makeup technology didn't help the latter version become any better than the one that inspired it. That's why, hearing there would be a "Rise of the Planet of the Apes" a decade later, I had no expectations and feared the worst, but the results were pleasantly surprising. We often associate the word "remake" with a lack of creativity so when an exception turns out, it's important to look back and try to understand the reasons behind this.
"Cloud Atlas" (2012), directed by the Wachowskis and Tom Tykwer, is a thing of beauty, the likes of which I have not seen in American Cinema. While I regard Rian Johnson's "Looper" as easily the best film of the year thus far, this film might be the best film of the decade. Nevertheless, considering how many people walked out of the screening within the first hour, I suspect that this film will successfully alienate or confuse most of its viewers, earning more appreciation in the years to come, long after most of us have expired. If you have the patience, it might take forty minutes to begin to understand it, and to subsequently immerse yourself into it. In that way, it also reminded me of Terrence Malick's "The Tree of Life" (2011). It is that good. It is so good that I can tell you everything about this movie, and I will still have told you nothing.
I know I've seen something atonishing, and I know I'm not ready to review it. "Cloud Atlas," by the Wachowski siblings and Tom Tykwer, is a film of limitless imagination, breathtaking visuals and fearless scope. I have no idea what it's about. It interweaves six principal stories spanning centuries--three for sure, maybe four. It uses the same actors in most of those stories. Assigning multiple roles to actors is described as an inspiration by the filmmakers to help us follow threads through the different stories. But the makeup is so painstaking and effective that much of the time we may not realize we're seeing the same actors. Nor did I sense the threads.
Marie writes: As TIFF 2012 enters its last week and the Grand Poobah nurses his shoulder in Chicago (having returned home early for that reason) the Newsletter presents the final installment of Festival trailers. There was a lot to chose from, so many in fact there was no room for theatrical releases; they'll return next week. Meanwhile, enjoy!
Marie writes: As I'm sure readers are aware, the 2012 Summer Olympics in London are now underway! Meanwhile, the opening ceremony by Danny Boyle continues to solicit comments; both for against. (Click image to enlarge.)
Marie writes: my art pal Siri Arnet sent me following - and holy cow! "Japanese artist Takanori Aiba has taken bonsai trees, food packaging, and even a tiny statue of the Michelin Man and constructed miniature metropolises around these objects, thus creating real-life Bottled Cities of Kandor. Explains Aiba of his artwork:"My source of creations are my early experience of bonsai making and maze illustration. These works make use of an aerial perspective, which like the diagram for a maze shows the whole from above (the macro view) while including minute details (the micro view). If you explore any small part of my works, you find amazing stories and some unique characters." ( click to enlarge.)
The Grand Poobah writes: Unless we find an angel, our television program will go off the air at the end of its current season. There. I've said it. Usually in television, people use evasive language. Not me. We'll be gone. I want to be honest about why this is. We can't afford to finance it any longer.
To read the full story, visit "The Chimes at midnight" on the Blog.