My Son, My Son, What Have Ye Done
Screenplay by
Herzog
Herzog
Herzog Movie Reviews
Blog Posts That Mention Herzog
Cannes 2026 Video #3: Nagi Notes, Camp Miasma, Werner Herzog
Cannes Flashback: Quentin Tarantino, Werner Herzog, Ernest White II and More
Cannes 2019 Video #5: Quentin Tarantino, Werner Herzog, Ernest White II and More
Happy Birthday Werner, with “Herzog by Ebert”
Nature is Monumentally Indifferent: Werner Herzog and Clive Oppenheimer on “Into the Inferno”
Roger’s Favorites: Werner Herzog
Sundance 2016 Completes Lineup with New Films from Werner Herzog, Kelly Reichardt and More
Berlin 2015: Werner Herzog’s “The Queen of the Desert”
Book Excerpt: Werner Herzog: A Guide for the Perplexed: Conversations with Paul Cronin
The Lion of Cinema: An Appreciation of “Herzog: The Collection”
Herzog looks ahead to the Cave
“God’s Angry Man,” by Werner Herzog
Werner Herzog explains radioactive albino crocodiles to Stephen Colbert
Six of Herzog’s less-known documentaries, streaming
The great ecstasy of the sculptor Herzog
Herzog’s Minnesota Declaration: Defining ‘ecstatic truth’
Shooting the rapids with Werner Herzog (Part 1)
What price masterpiece? Werner Herzog (Part 2)
Werner Herzog analyzes Juno
Herzog and the forms of madness
The ecstasy of the filmmaker Herzog
TIFF #1: Darwin, Herzog, the Coens and the Antichrist
“The Artist” and the new Herzog
A letter to Werner Herzog: In praise of rapturous truth
Werner Herzog: “Tell me about the iceberg, tell me about your dreams.”
A conversation with Werner Herzog
Telluride Interview: Herzog finds truth beyond fact
Interview: Herzog defies death for his films
Werner Herzog’s Amazon obsession
Through the Window: 10 Times That Foreign Directors Have Looked at America
Documentary Now! 4th Edition is an Incredible Companion to Beloved Show
Cannes 2026: Table of Contents
40 Movies We Can’t Wait to See in 2026
Chaz Ebert’s 30 Best Movies of 2025 (and One Guilty Pleasure)
Home Entertainment Guide November 2025: “Familiar Touch,” “Eyes Wide Shut,” “Splitsville”
From Chicago to the World: On the 50th Anniversary of Siskel & Ebert
Female Filmmakers in Focus: Rebecca Miller on “Mr. Scorsese”
NYFF 2025: The 63rd New York Film Festival Centers Film and Poetry
TIFF 2025: Wake Up Dead Man, Rental Family
Venice Film Festival 2025: Remake, Nuestra Tierra, Kim Novak’s Vertigo
Venice Film Festival 2025: Ghost Elephants, Jay Kelly, Bugonia, Cover-Up, After the Hunt
“When the World Broke Open: Katrina and its Afterlives” Launches at MOMA
Dead Man Walking: Taron Egerton on “She Rides Shotgun”
The Most Unsung Leading Man of His Generation: Val Kilmer (1959-2025)
Chicago’s Own Filmspotting Podcast Celebrates 20 Years With Inaugural Festival
Short Films in Focus: The Big Wait
Home Entertainment Guide: October 2024
The Telluride Tea: My Diary of the 2024 Telluride Film Festival
Pat Garrett and Billy the Kid Ride Again with Criterion’s 50th Anniversary Release
11:11 – Eleven Reviews by Roger Ebert from 2011 in Remembrance of His Transition 11 Years Ago
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com
A Farewell from Our Literary Editor, Matt Fagerholm
Home Entertainment Guide: November 2023
Chaz Ebert Celebrates 25 Years of Ebertfest While Honored at University of Illinois Alumni Awards Gala
Telluride Film Festival 2023 Highlights
SXSW 2023: No Ordinary Campaign, The Arc of Oblivion, Join or Die
Only Remember Beautiful Moments: Carlos Saura (1932-2023)
Book Excerpt: In the Time of Kiarostami: Writings on Iranian Cinema by Godfrey Cheshire
The Ten Best Films of 2022
Ebertfest Film Festival 2023 Passes On Sale December 12th
Documentary Now Finally Returns with Wonderful Fourth Season
FACETS Screen Gems Benefit is Sold Out, But Donations are Still Welcome
Telluride Film Festival 2022 Highlights
Only a Few Tickets Left for FACETS Screen Gems Benefit on Wednesday, September 28th
FACETS Honors Chaz Ebert’s Life and Career at Screen Gems Benefit on September 28th
Capturing the Truth of the Space: Joe Hunting on We Met in Virtual Reality
Film Festivals as High Impact Learning
I Have to Love My Characters: Peter Strickland on Flux Gourmet
Celebrate Roger’s 80th Birthday with 2014 Google+ Hangout Event
Short Films in Focus: Laura, Carlton and the Tijuana Bulls
Cannes Official Selection Line-Up Overview with Digressions You Won’t Find Anywhere Else
Meet the Guests of Ebertfest 2022
Our Favorite Roger Reviews: Cloud Atlas
It’s Time to Appreciate the Age of Cage
Embodiments of Time: Kogonada on After Yang
Sundance 2022: 2nd Chance
Fandor to Launch New Look, Exclusive Premieres and Viewer Experience
Book Excerpt: Subjective realities: The art of creative nonfiction film
The Whole Parade: On the Incomparable Career of Nicolas Cage
The Cruelest Month, Part 4: A Leave of Presence
Sam Fragoso Launches Fifth Anniversary Campaign for his Talk Easy Podcast
In Memory of Roger Ebert: Films About Connection
Joy: My Memories of Ebertfest
19 Dazzling Favorite Movies and Reviews from 2020
A Preview of the 56th Chicago International Film Festival
TIFF 2020: Fireball: Visitors from Darker Worlds, Enemies of the State, 76 Days
TIFF 2020: No Ordinary Man, MLK/FBI, The Boy from Medellin
Two Cultures Constantly at Odds: Gabe Polsky on Red Penguins
SDCC 2020: The Mandalorian and His Many Gadgets
What We’ve Watched During the Quarantine
The SXSW That Never Was: The Documentaries
Disney Plus Launches with Star Wars Spin-off The Mandalorian
Ebertfest Film Festival 2020 Passes On Sale November 1st
Bright Wall/Dark Room October 2019: A New Spirit for ’75! by Ethan Warren
