The Most Dangerous Man in America
Written by
Goldsmith
Goldsmith Movie Reviews
Blog Posts That Mention Goldsmith
The Great Unknown: The Story Behind Jerry Goldsmith’s Score for “Alien”
2025 Sundance Film Festival Announces Ambitious Program
Ape Shall Not Kill Ape: A Look at the Entire Apes Franchise
A Farewell from Our Literary Editor, Matt Fagerholm
Bright Wall/Dark Room August 2022: Innerspace: When I Look In Your Eye by Frank Falisi
Richard Donner: 1930-2021
Breaking In: On the 40th Anniversary of Tangerine Dream’s Thief Score
Book Excerpt: Cinemaphagy: On the Psychedelic Classical Form of Tobe Hooper by Scout Tafoya
Sometimes You Get Lucky: Composer James Newton Howard on News of the World
The Stand is a Hell of a Mixed Bag
30 Minutes on: “Alien”
Short FIlms in Focus: Lost & Found
Thumbnails Special Edition: War of the Worlds
We’re Still the Lunatics: A Special Edition of The ‘Burbs
Mind/Game to Screen at ReelAbilities Film Festival in NYC
Star Trek: Discovery Returns to Series’ Musical Roots
Home Entertainment Consumer Guide: October 19, 2017
The Heart of the Film: Matt Schrader and Marco Beltrami on “Score: A Film Music Documentary”
Ebertfest 2017: “To Sleep with Anger,” “Mind/Game: The Unquiet Journey of Chamique Holdsclaw”
Ebertfest 2017: Table of Contents and Photos
Ebertfest 2017, Day 4: Being Human is Hard
Ebertfest Announces Final Slate of Films for 2017
“Hair,” “To Sleep with Anger” and More Set to Screen at Ebertfest 2017
Stars, Music, Movies and Compassion Converge: Ebertfest 2017 Preview
Thumbnails 7/22/16
Before “Deadpool”: The Golden Age of the R-Rated Blockbuster
Modern Screwball: Charles Hood on “Night Owls”
Donate to Kickstarter for “Mind/Game: The Unquiet Journey of Chamique Holdsclaw”
Book Excerpt: “Eat, Drink & Remarry”
The Twelve Scenes of Christmas: Numbers 8 to 5
Thumbnails 8/23/2013
Detour: the guilty soul of film noir
My key central barometer
Opening Shots: The ‘Burbs
Opening Shots: ‘A Hard Day’s Night’
Brian De Palma and The Pink Dahlia
Man as a lesser species
CIFF 2010: Our capsule reviews
‘Baby’ stages late-round Oscar rally
