An interview with director and artist Cauleen Smith about her newly restored debut feature.
A feature on how TIFF, Venice, and Telluride launched the Oscar conversation for several major films.
A preview of 20 world premieres that will be covered here from Toronto, including films starring Viola Davis, Harry Styles, Jennifer Lawrence, Jessica Chastain, and many more.
A compilation of reviews by Roger Ebert of Black filmmakers, published in honor of his birthday and in anticipation of Black Writers Week 2022.
Highlights of recent streaming and Blu-ray releases, including Beasts of No Nation, Nashville, and Dune.
A feature on watching films only directed by women and how that has been easier in the streaming era.
Women are not only rocking Hollywood; they are transforming it by working to open opportunities for other women and honoring the productions that meet gender equity goals.
An annotated table of contents including content both new and republished featured on RogerEbert.com in allegiance with the Black Lives Matter movement.
A posthumous tribute to two male directors who encouraged audience identification with women onscreen and made opportunities for female film artists.
A report from San Diego Comic-Con 2017 about a panel featuring female directors.
Premieres, Midnights, Special Events and more have been announced for next month's Sundance Film Festival.
A TV review of OWN Network's new soap opera "Queen Sugar," created by Ava DuVernay and Oprah Winfrey.
The black film canon; Relevance of "Weiner"; Executive pay higher when women are on boards; Fate of female-driven Wall Street movie; Nate Moore puts Marvel in the black.
Daily Dot kills its comments section; Netflix's racist algorithm; Veil of diversity in "Sleepy Hollow"; Warning for screenwriters; Why story structure formulas don't work.
Being young, white male directors with one indie hit gets you a blockbuster like Jurassic World. Why doesn't the same hold true for female directors and directors of color?
Great Movies
