Great Movies
TV/Streaming
Home Entertainment Consumer Guide: April 25, 2019
The latest on Blu-ray and streaming, including Glass, A Face in the Crowd, and Alien 4K.
The latest on Blu-ray and streaming, including Glass, A Face in the Crowd, and Alien 4K.
An essay about the five screen versions of "A Star Is Born," and why George Cukor's 1954 masterpiece still reigns supreme.
The 10th anniversary of the Chicago edition of the traveling Noir City festival runs from August 17 to 23 at the Music Box Theatre.
This month's excerpt from online magazine Bright Wall/Dark Room is an essay by Paul Fischer about "A Streetcar Named Desire."
A look at the anti-Trump worldview that connects the 17 films recently inducted into the National Film Registry.
An appreciation of Richard Schickel, Time magazine film critic and prolific film director and book author.
An interview with legendary Japanese actor Tatsuya Nakadai about "Sword of Doom" and his extensive career in film.
A report on the Museum of the Moving Image's Salute to Warren Beatty.
Why Viggo Mortensen is off the grid; How Netflix became Hollywood's frenemy; Ted Kotcheff on "First Blood"; Insomnia and philosophy; Bruce Dern at 80.
How did we get here? Tracing the warnings from four American film classics about self-involved demagogues and their relations to the current GOP nominee for President.
Notes on "Killer of Sheep"; YouTube creators vs. copyright rules; Unsung pioneers of film editing; Phillip J. Bartell on "Miss You Already"; Martin Baron on "Spotlight."
An in-depth look at the extraordinary film career of 100-year-old actor Norman Lloyd, currently starring in Judd Apatow's "Trainwreck."
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Sheila O'Malley.
A reposting of Godfrey Cheshire's landmark essay in anticipation of the Critic's Forum at Ebertfest.
Remembering Mike Nichols; Kathryn Bigelow's experimental short; The rational wonders of Christopher Nolan; Interviewing Billy Wilder; RIP Leigh Chapman.
RogerEbert.com contributor Godfrey Cheshire's landmark two-part series "Death of Film/Decay of Cinema" anticipated many of the changes that would later shake the medium to its core.
